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The Arabs need some sand? I'm on it….
Originally Posted by ArchtopHeaven
Last edited by Hammertone; 01-27-2016 at 04:27 PM.
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01-27-2016 04:21 PM
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Thanks for the NAMM photos. It looks much nicer than other photos.
It reminds me of the Heritage Millennium, a solid wood top/back/sides designed guitar.
Heritage Guitar, Inc. of Kalamazoo - Semi Hollow Body - Millennium Ultra STD

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How about:
Originally Posted by mr. beaumont
- 15 7/8" wide
- 25 1/4" scale
- 2" deep
- 16th fret neck joint
- ebony board
- laminated body
- hollow
Would that do?
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ES-275 - Thought it might be time to revisit this thread. Checked on availability, the waters are muddy. One forum actually says the fancy one only avail in Japan(!)
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Musucian's Friend's listing for the plainer cherry model has some good photos and an expected shipping date of 25th March: Gibson 2016 ES-275 Hollowbody Electric Guitar Faded Cherry | Musician's Friend
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Certainly looks nice. Nobody in the UK has an 'expected' date or doing photos yet, to my knowledge. From the website link nut width 1.681" equates to 42.6mm. More like a tele than a Gibson - if its right. Japanese spec maybe?
Last edited by bananafist; 03-16-2016 at 12:45 PM.
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I'm starting to wonder about availability; the guy in the vid emphasizes appealing to the Japan market. Hmmm.
Originally Posted by bananafist
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I ran across these in a store the other day... It looked like an L5 for a 10 year old. Beautiful guitar but for the price, I kept asking myself what's the thinking behind these guitars? I must be missing something.
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The thinking is that modern jazz players are using smaller archtops often.
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...and have incomes besides jazz.
Originally Posted by mr. beaumont
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There's always Squier Teles.
Originally Posted by Woody Sound
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Also modern jazz players are about 20% smaller
Originally Posted by mr. beaumont
Than Kenny Burrell , and they tend to play in G
Rather than F
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Yes, the ES-330 is braced that way. It's actually the same thin kerfed spruce liner block that connects the top and bottom to the centre block in ES-335 guitars (and derivatives). They just left away the centre block in the 330 (well, plus other differences of course).
Originally Posted by icr
Last edited by Little Jay; 10-02-2016 at 03:32 AM.
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I LOVE Gibsons but do not have rose colored glasses.With so much said, where to start?
Thinner has failed before, the ES195, 175T and Midtown Kalamazoo come to mind.
We players are like sampling porridge... too hot, too cool... short scale, wrong fretboard, scale length, head shape, price, finish, pups, all deal breakers.
Right now for me any new model has to do something I have does not do, that being play and sound better. Gibson had painted themselves in a corner there... every git is like an Elvis impersonator that can't improve on the original :-)
With prices at, near, or above $4k do comparable used L4, 175, or Tal Farlow among others all raise the bar for Gibson to a tough spot to reach? Considering the quality issues they experience with some regularity I think a "Lifetime Warranty" on the instrument NOT the original owner would be one of the few things that would make buyers out of critics and tire kickers.



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