Popular Jazz Guitars

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Guitarists in all genres love their gear, especially their guitars of choice, and jazzers are no different. In order to find out exactly what jazz guitarists are playing these days, we set out to conduct a survey of jazzguitar.be readers and asked them about their jazz axe.


After getting back over 5000 responses from jazz guitarists all over the world, we’ve put together the results in this handy infographic that you can refer to the next time you are wondering what other jazz cats are playing, or are looking for a new guitar to add to your collection.

Though it was not surprising that Gibson guitars were the most popular brand chosen by readers, what might come as a surprise was the variety of other brands that made the list, and the fact that as many people played “other” brands as they did Gibson. This result shows a healthy variety of options for jazzers looking to explore quality guitars in a variety of price ranges.

Take a look through the survey results and see where your current (or dream guitar) landed in our ranking of the most popular jazz guitars as chosen by you, the jazzguitar.be community:

 

Popular jazz guitars

 

Popular jazz guitars graphic

Gibson

Played by some of the most legendary jazz guitarists of all time (Wes Montgomery, Pat Metheny, Johnny Smith, Barney Kessel, …), Gibson archtops have long been associated with the classic jazz guitar tone that many guitarists strive for in their playing.

Therefore it’s not surprising that Gibson guitars landed at the top of our survey, as they continue to be the guitar of choice for jazz guitarists of all backgrounds and experience levels. Here are the most popular models of our survey:

Gibson ES-175

Price Range: $2600 – $7200

The ES-175 has long been one of the most popular and famous jazz guitars on the market. Debuted in 1949, this axe was designed to be a laminated alternative to the L5 and an amplified version of the L4.

Its playability, its consistent clean tone, and its durable nature, makes it the go to choice for many legendary players, including Pat Metheny and Joe Pass who played this guitar at different points in their careers.

Gibson ES-335 Dot

Price Range: $1200 (Reissue) – $60,000

First built in 1958, the ES-335 is a thinline, semi-hollow body guitar that has worked its way into jazz through the work of great players such as B.B. King, Larry Carlton, and others.

Designed to provide a middle ground between the Les Paul and Gibson’s archtop models, which back in the day had issues with feeding back at high volumes, the ES-335 bridges the gap between an archtop and the ability to reign in feedback and create warm tone at high volumes.

Gibson L-5

Price Range: $4800 – $27,000

Having been in continues production since 1922, the L-5 is the pinnacle of the Gibson archtop collection, in no small part to the fact that Wes Montgomery made it his guitar of choice during his short, but highly successful career. Other players that have chosen the L-5 as their axe of choice are Tuck Andress, Lee Ritenour, Pat Martino, and Eddie Lang.

Though these guitars come with a hefty price tag, the L-5 is still the Gibson guitar that many players save their pennies for as they search for the perfect (Wes Montgomery inspired) tone.

Other Gibson Models (in order of popularity)

L-4 $2300 – $11,000
ES-137 $850 – $2500
ES-339 $1000 – $2600
ES-125 $850 – $3500
ES-165 Herb Ellis $1700 – $2000
ES-330 $2300 – $14,000
ES-135 $1000 – $1750
Howard Roberts $1900 – 2500
Super 400 $4000 – $30,000

Ibanez

Setting out to offer more affordable options for jazz, Ibanez guitars have gained a firm hold in the market as they have been endorsed (or played) by top-level guitarists such as John Scofield, Ben Monder, George Benson and Pat Metheny.

For players that are looking for a durable, great-sounding guitar, but don’t want to break the bank in the process, Ibanez offers a range of guitars for jazzers of all backgrounds, tastes and levels of ability.

Ibanez Artcore AF75, AF95, AF105

Price Range: $350 – $750

Released in 2002, the Artcore is Ibanez’s line of semi and hollow-body guitars geared towards players that are looking for an affordable jazz axe. Though they are not held in the same high regard as the Artist Series, which are coveted by players for their playability and affordable price tag, the Artcore series makes for a durable, good-sounding introductory jazz guitar at a much more affordable price tag than their Gibson counterparts.

Ibanez GB10 George Benson

Price Range: $1500 – $3400

Having recently celebrated 30 years of collaboration, Ibanez and George Benson offer several signature models for the jazz guitarist to choose from. With a wide price range, the Ibanez GB series of signature guitars offers a number of options for players looking to gain that fat, warm Benson tone in their own playing.

The GB10 model does come with a fairly significant price tag, the high-quality and signature Benson tone that this guitar provides have kept it at the forefront of the jazz guitar signature model marketplace.

Other Ibanez Models (in order of popularity)

Artist AS200 $1200 – $2000
AK95 $500 – $700
AS73 $350 – $500
PM100 Pat Metheny $1500 – $1900

Fender

Long having been associated with Rock and Blues guitarists, mostly for the prominence of the Stratocaster model with these genres, Fender has slowly made inroads into the jazz guitar realm over the years as notable players such as Ted Greene, Ed Bickert and Mike Stern have all
chosen Fender Telecasters for their jazz recordings and performances.

Fender Telecaster

Price Range: $400 – $45,000

The Fender Telecaster is the most popular Fender guitar when it comes to jazz guitarists. Providing a warm tone, with the durability and ease of play that Fender guitars have become known for, the Telecaster is a workhorse of an axe, one that players will bring on the road and not have to worry about it working day in and day out under any condition.

As well, since the Tele is either a solid-body design, or solid-body with F holes, it can be played at high volumes without the risk of feedback.

Other Fender Models

Jazzmaster $500 – $16,000

Epiphone

Though many Gibson Archtop Guitars are beyond the price range of many players, Epiphone guitars are designed to provide the look and feel of a Gibson at a fraction of the price.

With a wide variety of both Gibson copies (such as the popular ES-335), as well as their own line of archtop guitars (featuring the Emporor and Sheraton models), Epiphone provides both copy and unique guitars that fans of Gibson archtops can enjoy and use as their go to jazz axe.

Epiphone Joe Pass Emperor II

Price Range: $400 – $600

Released just before his passing in 1994, the Joe Pass Emperor is Joe’s signature Epiphone model which he chose to release after having previously worked with Ibanez on his signature guitar releases.

Though he endorsed the guitar and Epiphone has said that he had a hand in desiging the Emperor II, Joe was mostly seen and heard playing his Gibson ES-175. While he may not have played the guitar that often, players looking to get a bit of that classic Joe Pass sound in their playing (without shelling out for a 175) will often choose this guitar as their main axe.

Epiphone ES-335 Dot

Price Range: $300 – $500

A more affordable version of the Gibson ES-335, the Epiphone 335 (or “The Dot” as it is also referred to) is designed to provide players with the warm tone and long sustain associated with the Gibson version, but at a fraction of the sticker price.

Produced in the same colors as the Gibson model, including the iconic Red Cherry finish, this Epiphone model has become popular over the years, and it is usually held as the most consistent and playable of all the Epiphone jazz guitars.

Epiphone Sheraton II

Price Range: $500 – $750

Though this semi-hollow Epiphone is often sold for under $750, it has managed to find endorsements by some big names in the rock and blues worlds, such as John Lee Hooker, Noel Gallagher and Brian Aubert. While this guitar has been used mostly in the rock realm, jazz guitarists that are looking for a semi-hollow guitar at an affordable price will often reach for a Sheraton II as their axe of choice.

With a fixed tailpiece and twin humbucker setup, the Sheraton II provides a warm set of tones, as well as longer sustain compared to a full archtop.

Other Epiphone Models (in order of popularity)

ES-175 $400 – $500
Broadway $500 (Reissue) – $3800
ES-339 $300 – $600
Casino $500 (Reissue) – $5000

Eastman

After moving from China to the United States in 1992 to study music, Qian Ni subsequently founded Eastman Strings. The company first began as a violin import company and has now expanded to produce the Eastman Guitar line, which has been quickly growing in popularity in recent years.

Though they don’t have the celebrity endorsements or long history of Fender or Gibson, Eastman Guitars has quietly been growing their Artist’s list, as well as making waves among jazz guitarist who try out their various models, and who are now championing the brand to friends through word of mouth.

As their reputation continues to grow, Eastman Guitars is quickly becoming a name to watch, and a guitar to try out.

Eastman AR371CE

Price Range: $600 – $900

One of the most popular Eastman Guitar models, the AR371CE is a single cutaway, laminated, and single-humbucker archtop guitar that is designed to compete with the best archtops produced by Ibanez and Epiphone.

Though they may be hard to get a hold of for a test drive, depending on where you live and how hip your local guitar store is, the AR371CE is a guitar that’s worth looking for and trying out, even if you have to travel a bit to do so.

Other Eastman Models

AR803CE-16, AR805CE, AR810CE $1900 – $2700

Godin

Founded in 1972 by Robert Godin, and currently located in Montreal (Canada) Godin guitars has a long history of making high quality, affordable acoustic and electric guitars of various shapes and sizes.

Though mostly renowned for their acoustic models, the Godin 5th Avenue and other models have become the guitar of choice for jazz guitarists such as Gustavo Assis-Brazil, Al DiMeola, Fareed Haque and John McLaughlin.

Godin 5th Avenue

Price Range: $500 – $1900

Covering a wide range of shapes and sizes, including cutaway and non-cutaway models, as well as acoustic and electric models, the 5th Avenue series from Godin has been making ground in recent years with jazz guitarists.

Designed to provide classic archtop sounds and playability at an affordable price, these guitars embody the look and feel of classic archtops, but with a modern approach to construction and at a fraction of the cost of a new or used Gibson.

Gretsch

Originally founded in 1883 by Fredrich Gretsch, Gretsch Guitars has undergone a lot of changes over the years, but what remains the same is the company’s quality-built and iconic guitar models that appeal to players from across genres and musical tastes.

Currently Gretsch has a production and distribution partnership with Fender, although Fred Gretsch III maintains ownership of the company. While Gretsch is often associated with country players such as Chet Atkins and Swing players such as Brian Setzer, jazz guitarists have also used Gretsch models over the years, including Rune Gustafsson, Sal Salvador and George Van Epps.

Gretsch G5120 Electromatic

Price Range: $600 – $700

With a single cutaway, two Dual-Coil pickups, and the classic Bigsby tailpiece, the Gretsch G5120 is a guitar that crosses boundaries and genres.

While this guitar might be more suited for jump swing, country and rockabilly, its design lends it to be a nice sounding jazz guitar that will cut through a larger band setting, while still maintaining a warm, hollow-body sound.

Heritage

Founded in 1985 by former workers at the Gibson Guitar factory in Kalamazoo, Michigan, Heritage guitars has aimed to keep the same high standards one expects from a Gibson jazz guitar, without raising prices to the point where most players couldn’t afford this level of quality.

A number of top-level guitarists have endorsed and/or played Heritage guitars over the years, including Johnny Smith, Alex Skolnick, Mimi Fox, and Kenny Burrell.

Heritage H-575

Price Range: $1800 – $3400

With a look similar to the classic Gibson archtops that used to be built in the manufacturing plant that Heritage inherited from its previous owners, the H-575 is a high quality archtop at a medium price range. With a boutique quality to it, this guitar imbues all of the traits that collectors and players look for in a classic Gibson archtop, though one that is built in the modern era.

Other Heritage Models

H-535 $1700 – $2300
Golden Eagle $1700 – $3900

Other Brands

Below is a quick listing of some of the other guitars that were mentioned in the survey, but that didn’t make it to the top makes and models listed above.

Yamaha SA2200$1400 – $2000
Guild Starfire$1000 – $3800
Peerless Monarch$1400 – $1600
Höfner Jazzica$1200 – $3300
Washburn J3$400 – $500
Hagström Viking$400 – $800
Aria Pro II Herb Ellis TE 175$500 – $1000
D’angelico Excel$10000 – $28000
Sadowsky Jimmy Bruno$3000 – $4500
Samick Greg Benett JZ2$800 – $1400
Schecter Corsair$700 – $1100
Gitane D-500 (Gypsy Jazz Guitar)$500 – $750

 

Download this popular jazz guitars infographic as an image here…

 

What do you think of this list? Let us know in the comments below…




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  1. Jesse BoggsFeb 25, 2014 at 10:47 pm

    Not surprising that Eastman has become popular—nice guitars (although you have to pick and choose—I’ve run across some clunkers). I’ve been playing an Eastman 910 as my main gigging guitar for about five years now. Excellent action, great intonation, just a really nice ax. What about amps, did you survey amps? I’ve recently gone back to tube— acquired a Rivera Chubster. Lovin’ it.

    • Julian JaymeFeb 26, 2014 at 8:39 am

      He surveyed amps and pedals, etc… as well. This is the first part of the survey.

    • Geoff_HOct 12, 2015 at 12:03 pm

      Good point. I had been getting very dissappointed at not being able to get that ‘smokey’ jazz sound out of my Ibanez PM-35, until the purchase of my Fender 65 Princeton Reverb, that is. I now have exactly the tone I want, so I think a focussed amp review would be well worthwhile.

  2. Ray LaneFeb 26, 2014 at 12:47 am

    As an Ibanez player, I am glad to see that Ibanez had a strong showing.

  3. NormFeb 26, 2014 at 1:52 am

    Any results on amps being used?

    • Dirk LaukensFeb 26, 2014 at 1:15 pm

      Next week Norm…

      • martin rosenbergerFeb 26, 2014 at 4:20 pm

        How about something on guitar injuries and cures. Shoulders, tendons, etc.

        • Larry GravesFeb 26, 2014 at 10:02 pm

          Rest Martin, and go to the gym…L…

      • FrancoisMar 14, 2014 at 2:34 pm

        ??? 🙂

  4. EdwardFeb 26, 2014 at 3:35 am

    Great survey. I would like to see a survey for most popular jazz amplifers used.

    thanks

    • Dirk LaukensFeb 26, 2014 at 1:18 pm

      Next week Edward, strings and picks follow as well…

    • james hahnFeb 26, 2014 at 8:05 pm

      Please discuss the early ’60’s Ampeg Reverberockets…..one of THE BEST and quietest jazz guitar amps ever made with the best reverb termed echo by Ampeg in the business! jim in Maine

      • John LuskJun 11, 2014 at 11:43 pm

        Those bad boys need more press

        • bzbOct 17, 2014 at 12:20 am

          Sshhhh! Not more press, less! (Prices’ll start climbing . . . ) Let’s keep this a secret 🙂

  5. Michele BeltramoFeb 26, 2014 at 6:03 am

    I’not surprise, the Gibson sound is always classic, I own a second hand 1980 175, the sound is always ok simply fantastic. But the prices of these guitars is quite excessive.
    I own three other guitars much cheaper than the former, two Ibanez Artcore Custom and a Epiphone Joe Pass all with some modification: Pick up or electronics, capacitors etc.Ai of these are fantastic.
    Now I’m really proud of my Ibanez AF 105 NT, with a Haussell Hand made floating pick up with a 047mf Paper In Oil capacitor, the sound is simply wonderful.
    Michele from Italy

  6. Steven SalgueroFeb 26, 2014 at 6:47 am

    I started out with a Gibson ES175. But ventured out to Ibanez and in recent years I have tried out Hofner Jazzica and the Pat Martino guitars. I’m attached to the Pat Martino guitar due to its versatility and of course the ES 175 Gibson.

  7. Anup. BharvaniFeb 26, 2014 at 7:02 am

    Very interesting and useful info

    • HARRY PERMALLOOFeb 27, 2014 at 11:34 am

      Hi Anup! I’d like to exchange ideas with you & may be get a few tips from you as well! Please get in touch – thank you!

  8. J-DuBFeb 26, 2014 at 7:36 am

    My beloved MIJ Lawsuit CMI ES335 copy didn’t make it on the list! lol

    Mind you, I prefer mutt guitars that need a bit of love and I’ll put up any one of my axes against a $1K+++ jobber. I’m not sure if I’ve paid more than $350 for any one guitar, put some work into them…

    But that really isn’t the point though. A great musician can make even a mediocre guitar sing and a treasured D’Angelico ain’t going to make me a better player.

    • Larry GravesFeb 26, 2014 at 9:38 am

      How would you know!..When did you last hear a great guitarist play a mediocre guitar? ..L..

      • james hahnFeb 26, 2014 at 8:08 pm

        I saw Tommy Tedesco play a cheapo Ventura one night as his Gibson was screwed up………..regardless you would NEVER have thought that Tommy was playing this cheapo Ventura as it was ALL IN HIS HANDS! jim in Maine

        • J-DuBFeb 26, 2014 at 9:57 pm

          Thank you for illustrating my point!

          A phenomenal guitar can make it easier/ more pleasurable… But doesn’t make you any better of a player.

          Willie Mosconi taught himself how to play pool moving potatoes around a table with a broom stick and regularly (in competition exhibition) would play challenges with almost anything BUT his custom cues.

        • jayJan 17, 2017 at 4:57 am

          I used to do some subbing for before moving to TX when things went south for music in the 70s. He stopped using me when my wife (X-bunny) wouldn’t let him…….you figure out the rest? I retired after doing producing jingles.

      • HyperionAug 27, 2015 at 8:21 am

        Everyday Larry !!

        Everytime you see somebody playing a Gibson ES175, you have a cheap guitar player !

        Let’s recall that the ES175 was originally designed as the “poor man” electric archtop for those who couldn’t afford a L5 or even a L4.

        I love the ES175 tone, laminate happens to be superior as solid top in most “non-snob” situations ;), so don’t misunderstand me. But talking about luthiery : it’s a very, very cheap guitar : compared, for example to a D’angelico. Guitarists shouldn’t be confused by the overpricing of “some historic” Gibson models. An ES175 shouldn’t sell more than 1500$ new, imho.

    • John FotiFeb 27, 2014 at 6:39 pm

      Tell a violinist to get rid of his Stradivarius simply because you said inferior instruments are just as good….lmao

      • J-DuBFeb 27, 2014 at 7:17 pm

        That isn’t what I said. Handing you a Strad isn’t going to magically make you play the violin with virtuosity, now is it? An original D’Aquisto isn’t going to suddenly infuse “Solo Flight” into my hands.

        I get satisfaction from my mutt guitars because tone snobs turn their nose up and wouldn’t even DREAM of picking up a Japanese Lawsuit guitar when they were really well made and play phenomenally (with a bit of work and care).

        Please don’t put words into what I did not say.

        • L0renMar 21, 2014 at 3:12 am

          Yeah, and there’s the pro fingerstyle player, plays dang-close to Joe Pass level stuff, and his MAIN guitar is an Ibanez AK75! With duct tape covering the hole where the bridge pickup was taken out.

          Jake Reichbart?

    • jazzcatfredDec 17, 2014 at 1:49 am

      “It ain’t the wand, it’s the magician”!

    • DrewFeb 18, 2015 at 11:07 pm

      When I was in high school I studied with Leon Block. Aside from his teaching, there was something about studying with him that I only came to appreciate much later. During lessons, he played an old Gibson J 50 to demonstrate a point, but the student played a tobacco D’Angelico New Yorker.
      Any idea how the new re-issues compare to the classics?
      And thank you so much for the lessons you provide, they are wonderful.

      • jayJan 17, 2017 at 4:59 am

        I like my D’Angelico but not as much as ES-175D.

  9. RolfFeb 26, 2014 at 7:37 am

    Hey Dirk, terrific review, really enjoyed it. Was surprised at how many Fender (presumably Tele) responses there were, very interesting. I wish these survey results had been around a few years ago! Like the comment above, would also like to see what people have for amps. Be well and thanks again for this piece. //Rolf

  10. GitterbugFeb 26, 2014 at 8:25 am

    Hi Dirk and thanks for an interesting survey! What a variety – and proof to the fact that only Gibson strikes a fair balance between reputation/brand identity and market share. Other premium and “bootik” guitars are really rare. Ibanez, by contrast, is underrated, partly due to confusing the market with far too many models within a fairly narrow EUR 500-1.000 price bracket. I have compared my AF 105 to more recent introductions and they are inferior, irrespective of the price tag. As for Epiphone, I was surprised that the Emperor Regent does not get a specific mention. I keep bumping into it in various venues. Eyes closed, I couldn’t tell the difference between my 1999 blonde and my Vestax D’Angelico NYL-2, both of which are excellent in swing band settings. The Godin 5th Ave does a fine job as well. My Benedetto Bravo, still a laminate guitar, is a cut above the rest but does not get much air time due to being too valuable.

    After some 20 years of active, yet amateur, playing, my conclusion is this: Solid-wood, carved archtops may be for collectors, aficionados and the studio, but not for the real world. How often do you see them on stage? If it has a pickup, laminate is preferable in all respects, and if it’s laminate, go for a maple (or wild cherry) top to avoid dings from falling plugs, notestands etc. Try roundwound strings for a change if you do a lot of comping – they’ll bring your timbre closer to carved-top sound. A 335-type is fine for jazz, if it does not have too much sustain.

    That I never grew into my ES-175 (2004, perhaps not a good vintage) contradicts the above. I found the PUPs too aggressive, and the frets made my left-hand fingers hurt.

    I expect to see even more variety in the amp section of the survey results, and may have a personal experience or two to share there as well. These are highly subjective matters. All my guitar-amp combinations have sounded just divine when played by the top guns (among whom I don’t belong).

    Once more, thanks and keep up the good work!

    • Dirk LaukensFeb 26, 2014 at 1:07 pm

      Good tips!

  11. JohnFeb 26, 2014 at 8:51 am

    Nice overview!

    Interesting to know would be the choice for a chosen brand and model.

    Regards,
    John

  12. GaryFeb 26, 2014 at 9:14 am

    Kinda surprised the Epi ES-135 didn’t show up. Bang for your buck, a good option.

  13. SpinnerFeb 26, 2014 at 9:21 am

    Aha… nobody else is using a Gretsch. That Gretsch Sound (Twang) might let you think it will not sound right. But IMHO the neck pickup is sounding nicely jazzy and mellow on those semi-hollows.

    • RolfFeb 26, 2014 at 10:25 am

      I replaced the standard PUs on my 5120 Electromatic with B6 Benedettos, pretty happy with the result, not so bright or harsh as the original hardware.

    • Dirk LaukensFeb 26, 2014 at 12:56 pm

      You didn’t look too good, Gretsch is number 7 on the list! 🙂
      I just bought a Gretsch G2540D myself last week, I’ll post some audio soon. Great guitar!

    • KevinMar 1, 2014 at 12:44 am

      Spinner, I agree: there is NOTHING like a Gretsch!

      • MxSailorMar 1, 2014 at 8:53 pm

        I also have the Gretsch 5120 but listed the Samick JZ2 (also have a JZ1). The Samick is an awesome player with that nice fat tone. Full depth box but a bit of feedback. I’ll look into changing the pups on my 5120.

  14. MatteoFeb 26, 2014 at 9:26 am

    Compliments!!very, very interesting survey, hell of a job!
    I’m with the 1% aria players.
    Aria is good to begin with a fair price-product balance to step in with. If you’re Lucky you get a specimen that turns out extra very well,…….
    I suppose thats with all brands.

    • JeremyFeb 26, 2014 at 4:30 pm

      I love the fact that the Aria guitars are only used by 1% of jazz players who participated in the survey. I have a 1970 Aria Pro II, pre law suit (Gibson headstock), Herb Ellis model Es137 and people are always trying to buy it from me because it sounds so good; The fact it’s rare doesn’t hurt either. I’d put it up against a Gibson ES 137 any day.

      • J-DuBFeb 27, 2014 at 9:48 am

        It is great to see another whom LOVES the MIJ era of “Lawsuit” guitars (and there are more here.

        I’ve come across Korean made instruments that have surprised me in their quality and play. New set of Pickups, and be a DOPE guitar.

        MAIN thing is… Does the guitar SPEAK to YOU? Give it a bit of love (be it in a better setup or a rewire) and can you make her SING?

        I’m better at repairing/ setting up guitars than I am playing. Which is why I seek out “mutt” guitars that I think have potential and I’ve yet to be proven wrong. Considering investment I’ve put into axes, I’ve been offered much MORE than I ever thought I would and I’ve had more REGRET selling them. And for GOOD DIME.

        One can never tell as to how or why an instrument speaks to them. It just does. I’ve got a Peavey Firenza (P-90, full replace/ rewire)that I love dearly and a pair of NYC built ESP/ 48th St that were ignored on the market and know that I can get 3x my investment back. But I absolutely enjoy playing them and when my more snobby tone-head friends come over and get BLOWN as to… “Yea, bought that for $225, rewire, $200 in PUs and rewire.”

        Those 70’s Arias are awesome and will only get better with age.

  15. CemilFeb 26, 2014 at 9:56 am

    Am surprised the Byrdland didn’t even make the bottom of the Gibson list – I must be the only one playing one!

    • Dirk LaukensFeb 26, 2014 at 12:52 pm

      Hi Cemil, 9 Gibson Byrdlands and 11 Epiphone Byrdlands made it to the list.

  16. SamFeb 26, 2014 at 9:58 am

    I’m one of the 2% Heritage players. My H575 custom is superb in every way, tone, finish, ease of playing, etc. I did try several Gibsons before buying the Heritage, and to me, H575 had the most “classic Gibson” archtop sound. And I also play Yamaha SA2200 for jazz sometimes. Another fine instrument, I like it for more modern sound than the archtop.

  17. SilverfoxxFeb 26, 2014 at 10:02 am

    Hi Dirk, a very provacative subject and interesting replies, I have Five Gibsons they are all superb, but I tend to use
    my other makes frequently Ibanez GB100, Sadowsky JB & two Eastmans. If one carefully selects an instrument
    then all of them are excellent and as someone has already said its the player not the guitar. ( before anyone comments
    that I must be rolling in money , not true its taken a lifetime to acquire to acquire my collection )
    look forward to the amp survey results.

  18. David FowlerFeb 26, 2014 at 10:16 am

    Sorry to not see the Eastman AR880 John Pisano signature model appearing in the review section. It’s a really stunning guitar, and my favourite so far, in 40 years of playing !!

    Looking forward to seeing the jazz amp survey results.

    • Dirk LaukensFeb 26, 2014 at 12:46 pm

      10 Eastman AR880s showed up in the survey.

    • Mr ArchtopFeb 26, 2014 at 2:49 pm

      Add another note of appreciation for the Eastman John Pisano model. It’s fantastic, and, such a deal!! It compares very favorably to my boutique custom made archtops by the best luthiers. The new Pisano model like a thin “175” sharp cutaway introduced at this year’s LA NAMM will be a game changer. The recent Gibsons I’ve played just don’t do “it” anymore.

  19. MennoFeb 26, 2014 at 10:17 am

    Today you can buy an instrument in several price segments. So for each of us jazzplayers there’s something to choose.
    Nice to have a look at this survey.

  20. alexFeb 26, 2014 at 10:28 am

    I think this ranking is realistic even though I know how george benson to get a sound so

  21. FritzzFeb 26, 2014 at 10:29 am

    Common! Publish the complete list! There is still some free space on the internet 😉

    • Dirk LaukensFeb 26, 2014 at 12:38 pm

      🙂

      • FritzzFeb 26, 2014 at 1:06 pm

        I was serious. That a lot of people use a Gibson isn’t as interesting as those 20,5% less logical choices that are hidden at the bottom of the list. It’s those that interest me more then the more obvious choices.
        Anybody playing jazz on a ukulele?

        • Kees SchramaFeb 27, 2014 at 12:42 pm

          I fully agree with Fritzz! Please publish the full list. Now I keep wondering if I am the only DeArmond fan in the world. The X155 I have is a wonderful guitar, with great sound; I always get compliments.

  22. Graham caseFeb 26, 2014 at 10:31 am

    I’m surprised how low on the list Guild and Hofner are. If you want a real quality instrument, you can pick up a nice older model used for 1k. Ibanez deserves to be where it is, they do a nice job and offer so many choices.

  23. jbobFeb 26, 2014 at 10:54 am

    Great results from survey Dirk..Have a 1989 Gibson es 335 cherry red and a 1 year old Ibanez AF125 myself..the Ibanez is far superior for playability and feel(Ibanez pride themselves on their necks)..nowadays the Gibson spends a lot of time in its case whereas the Ibanez is a great gigging guitar..Thanks again for the survey and looking forward to the amps and strings results.

    • DennisFeb 26, 2014 at 3:21 pm

      jbob, how would you describe the physical difference between the necks on your Gibson and Ibanez?

  24. Andrew B.Feb 26, 2014 at 11:02 am

    I see Epiphone as being Gibson’s lower cost line. For example, if someone can’t afford a Gibson ES-335 the can get is as an Epiphone. Looking at it that way, Gibson/Epiphone made an even better showing together.

  25. valentinFeb 26, 2014 at 11:04 am

    Well done, man! This is extremely interesting, though the results are not surprising. I was thinking of getting myself the ES-175, but it seems I’m pretty happy with… THE STRATOCASTER!!! I know it’s not a very popular guitar amongst jazzers, but it provides the tone I need. I’m a beginner when it comes to jazz, I am a blues guitarist and lately I’ve spent more time playing acoustic (go figure!), so maybe that’s why I’m not a jazzbox afficionado yet.
    Strats anyone?

    • ThndrFeb 26, 2014 at 3:26 pm

      I play a beat up pawn shop mex cream strat and I just love it. My Epiphone Gold Top is smooth but there’s just something about this strat that gets me going.

  26. RussellFeb 26, 2014 at 11:12 am

    I too, was surprised to not see the Eastman AR880CE (John Pisano), not appearing in the review. It is beautiful looking, sounding, and one of the easiest players I’ve ever had.

    • Dirk LaukensFeb 26, 2014 at 12:37 pm

      There were 10 Eastman AR880s in the survey…

  27. wilfried stratFeb 26, 2014 at 11:21 am

    Great survey indeed. Having played anything but jazz over the years I started to get into jazz more deeper since two years. It is amazing to see how many guitarists out there are into jazz.

  28. Murray RowleyFeb 26, 2014 at 11:29 am

    A Gibson would be a nice choice, the resale value is good, but there are some duds out there.
    I built my own solid Body Strat style Rockinger (http://rockinger.com/index.php) guitar in 1997, as my style is rather jazz-rock and blues (Jeff Beck + co). I messed with everything on this guitar for a while to get it really singing, experimenting with pickups, tremolo bridges, roller nuts, several different electronics and wiring options…..I dropped this once and its got a nice ding now and the buckle rash looks like a beaver attack after 17 years! The nice thing is its a workhorse which nobody else wants but me and I can take it anywhere.
    I also have a very nice 1963 Fender Tele but I don’t play it as its like a museum relic!
    Different strokes for different folks.

  29. Rank StrangerFeb 26, 2014 at 11:42 am

    Great survey with interesting results. By the way, I believe Emily Remler played an ES-330 (not 335) that had had it’s P-90s replaced with humbuckers. I’m sure she could have made any guitar sound wonderful.

    • Dirk LaukensFeb 26, 2014 at 12:32 pm

      You’re right, fixed the mistake!

  30. nolimoreFeb 26, 2014 at 11:55 am

    Interesting survey results and info on popular ‘jazz’ guitars. Good that you are building up a ‘database’, with useful data.

  31. LuisFeb 26, 2014 at 11:56 am

    Probably the price of Gibson ES-335 (- $60.000) is incorrect. It should be $6.000.

    • Dirk LaukensFeb 26, 2014 at 12:03 pm

      $60,000 is the correct price for a 1959 ES-335.
      ES-335s until 1964 go for $20,000 – $30,000.
      The reissue (1991-present) goes from $1200 to $2500.

      • PUGWASHFeb 26, 2014 at 1:35 pm

        Dirk, Thanks for clearing up the vintage ES-335 issue. If Luis was right, I would go on a shooting spree at the dealership that sold me mine and then turn the gun on myself! 😮

    • BoptotheleftMar 13, 2014 at 9:19 pm

      Figured Gloss dot ES335:$2999

  32. BarbaraFeb 26, 2014 at 12:09 pm

    I’m not really astonished that Gibson won this poll! What makes me thinking is, that so many Gibsons are around here. This is astonishing, although Epiphone seems to deliver better quality than Gibson during the last years.
    I own some Epis as well as a Gibson and if I had to decide I would make up my mind for Epiphone. Old Gibsons are some other things … but much too overpriced.
    Playing a gig, I would always take one of my Epis, because if it was lost or damaged, I could replace it simply, well – not so for any old Gibson!
    Please remind that Gibson and Epiphone spring from the same well …

  33. PaulFeb 26, 2014 at 12:10 pm

    My 2003 D’Aquisto ‘New Yorker’ didn’t make the cut either, nice to think it might be the only one… of course, it’s one of the Aria stable now, original Jimmie’s are $100k and rising.
    But I wanted to mention that the popular ES-175 is a basic design that’s been around since the 1950s, when the Epiphone brand was still the higher priced alternative to Gibson in the Chicago stable. I have an original 1962 Epi E452T ‘Sorrento’, that’s identical except in some of the fittings and obviously the branding, to the ES-125, and I’m struggling to sell it for half the price I paid for it three years ago – while vintage ES-125s are going for three times as much!
    So I wonder, do Gibsons really justify their price premium? L5s and such often seem to be owned by rich old guys… As they say, what’s in a name?

  34. bill parkerFeb 26, 2014 at 12:13 pm

    Thanks for the interesting survey. I’ll continue saving for any of the Gibson archtops!

    • J-DuBFeb 27, 2014 at 9:55 am

      They money that you’d drop… There are truly CUSTOM luthiers out there whom would custom carve you what you want for less than you’d think. Do a bit of research. There are some real artisans out there, doing some beautiful work and be willing to work with you.

  35. marc venrooijFeb 26, 2014 at 12:16 pm

    interesting results

    choosing a guitar is also how much money can or will you spend!
    if you are a good player you can do the tricks on every kind of guitar !!!
    to many people are looking at the legendery stars i think thats very wrong.

    but any way lets play!!
    good luck with very good website!!!!!!

    • J-DuBFeb 27, 2014 at 9:56 am

      PREACH!

  36. John EnglandFeb 26, 2014 at 12:18 pm

    I am fortunate in owning a second hand vintage Gibson ES-335. I use this guitar for jazz, blues, rock and even country. It is superbly made, sounds great, even when not connected to the amp, and is very versatile. I have tried other similar makes and models but nothing really compares with it. I guess you get what you pay for. Now saving up for another one!

    • SilverfoxxFeb 26, 2014 at 10:19 pm

      Hi John,
      I had an original 1959 335 ( Orange label.) in the mid sixties , to my eternal regret I had to sell it 4 years after I acquired
      it , we badly needed the money. It was one of the best guitars i have had. Contrary to popular belief it did not have a
      chunky neck but a wide fingerboard and a slim neck ( better than the subsequent sixties models ) It was a faded cherry
      finish and the serial number began A28818……. i vaguely remember. You are perfectly right about its versatility ,at the
      time we were playing current rock but it was equally at home as a Jazz guitar.
      I’ve got a current Larry Carlton 335 which is nice but not in the same league as the original 1959 guitar.

  37. Roy RodriguezFeb 26, 2014 at 12:38 pm

    Great job Dirk. The conclusion shows that there are many, many quality choices in every price range for every budget.

    Can’t wait for the amp survey……

  38. willem tuhumuryFeb 26, 2014 at 12:41 pm

    hi Dirk

    Nice to see some Guitars on the site along with their history

    Keep up the good work

  39. Patriots2006Feb 26, 2014 at 12:41 pm

    What is a 1982 ES335 re-issue worth? Left handed model.

    • Dirk LaukensFeb 26, 2014 at 1:20 pm

      $2300 – $3000 for a right handed model, not sure about left handed models…

  40. Ray NAYLORFeb 26, 2014 at 12:58 pm

    Many thanks Dirk for compiling all of this. I would be interested in an alternative question “What would your PREFERRED” guitar be?”. Many of us are constrained by budgets. Although I have the god luck to own a 1961 175D I would dearly love to have a Gibson Kalamazoo Award as a jazz box and piece of art at the same time.

    http://www.gruhn.com/features/kalamazoo/AR3686.html

    • james hahnFeb 26, 2014 at 8:15 pm

      I played a Kalamazoo Award back in Chicago when they first came out……..nothing to write home about sorry to say! jim in Maine

  41. Andrew F BFeb 26, 2014 at 12:58 pm

    My ‘Ivor Mairants’ (remember him?) archtop, price about 1,200 UK pounds, has a single Humbucker: nice sound but the low E string booms on my Fender Blues de Ville amp. Any easy fixes?

    • Dirk LaukensFeb 26, 2014 at 1:23 pm

      You probably already tried to cut off the bass on your amp.
      Try to adjust the element, put it lower on the side of the low strings, that should help.

    • P. C..Feb 27, 2014 at 12:05 am

      Certain Fender amps just have too much bass. A fine jazz guitarist I play electric bass for, I noticed one night on the job, has the bass set at zero. His jazz tone, on an Ibanez archtop, is the real thing. Another buddy, a blues player, sold his Fender, for another model Fender, because of the bass overload. Strange.

  42. PUGWASHFeb 26, 2014 at 1:09 pm

    Nice work Dirk! Good to see that there are some kindred spirits out there as I own one of each of the top two plus a ’52 Telecaster and a Guild Mark IV nylon-string classical for jazz samba.

    Am surprised at the low score of Guild. They made some beautiful jazz guitars in their prime years and are great value. As an added note I would like to mention that a couple of my professional friends play custom archtops that look and sound great. They are made by local luthiers and if they were included in the survey they would score 0.0002% 🙁

    Like others in this post, I too would like to see the results of the amps survey.

    • james hahnFeb 26, 2014 at 8:18 pm

      I have a ’56 Guild X-550, ’60 Guild A-500 and a 1963 17″ Guild George Barnes Acousti-Lectric…….ALL better than anything that Gibson has ever made IMHO! jim in Maine

  43. DennisFeb 26, 2014 at 1:18 pm

    Dirk, great stuff. How many Fender-D’Aquistos turned up?

    • Dirk LaukensFeb 26, 2014 at 1:57 pm

      Hey Dennis, 3 Fender D’aquistos…

    • J-DuBFeb 27, 2014 at 10:02 am

      Fantastic guitars… The D’Aquisto’s as well as the double-cut semi (flame, elite) from that era. Too bad they couldn’t figure out how to make that line work.

  44. BrianFeb 26, 2014 at 1:53 pm

    Regarding carved arch tops vs laminate. I’ve owned both and have settled on carved. Especially for solo/duo playing a fine carved guitar seem to have more “voice” and dynamic range. In an ensemble my 17″ solid/carved Trenier Excel sits nicely in the sonic landscape with horns and piano, without taking up too much of the “sound stage”. Fine carved guitars are often not as mid-range heavy as their laminate cousins and in my experience are more consistent up and down the neck with respect to tone and dynamics. Of course the big issue is their higher cost. One can easily spend 8,000US + on a fine carved arch top. Compared to a grand piano, violin, or cello of equal quality, a high-end carved guitar is a bargain!

  45. DannyFeb 26, 2014 at 2:43 pm

    Great job with the list, Dirk. I’m glad you were able to get so much input. I’m not surprised Ibanez is so popular, but I am surprised that it beat Epiphone. I’ve been playing my Joe Pass for a while and I’ve played a ton of the Artcores of the shop walls and to me, there is no comparison. Epiphone puts out a much better overall sound…

    That said, I’m betting that I’m the only National Archtop that you got in your survey. (At least, I think I mentioned it…) For any interested, it is a 1950s National. Gibson made the body for them and they bolted on their neck. Mine actually has a 1953 body (quilted maple that looks stunning) and a 1950s neck. In my opinion, irreplaceable.

    ~Danny

  46. ChipFeb 26, 2014 at 2:52 pm

    The results are interesting and thanks for doing it. I haven’t read all the comments so if I am repeating something please excuse. But if you asked working professionals the same question would you get the same results?
    By the way, if you have yet to try one of the Eastman T-186 or 185 mx models and like 335 body styles, check them out. Amazing!!!

  47. Joseph TuccilloFeb 26, 2014 at 2:53 pm

    Dirk,

    That was a wonderful informative survey of Jazz guitars. I play an Ibanez because it feels right. Think the neck profile and how it fits your hand is very important not so much the price or brand. Thanks again you did a great job.

  48. JohnFeb 26, 2014 at 3:03 pm

    Any love on the list for the Ibanez JP20 Joe Pass? I use a JP20 for performances, an Epiphone ES335 PRO (a gussied up Dot with coil tap pots)for rehearsals and a Tele that waits in the wings (probably feeling neglected and jealous).
    Thanks for posting the survey results.

  49. Jeremy ActonFeb 26, 2014 at 3:04 pm

    I am surprised at the total absence of Cort guitars in your survey, as they make an excellent range of hollowbody guitars for jazz: The Cort Source, the Yorktown, and the Sunset series.

  50. BrianFeb 26, 2014 at 3:23 pm

    I too play a couple Ibanez. My prised axe being a 1983 AS-200 which still sounds like a million bucks. But I’ve got a couple Epiphones that I think are just outstanding.
    Gone are the days of the Epiphone being “the red headed step child of Gibson”. They are their own brand, being built in a plant exclusive to Eppi and the quality control, fit and finish and playability are superb. Sometimes I wonder if someone goofed up and put an Epiphone logo where a Gibson should be on my Lucille or my Sheraton II. In fact, lately I’ve noticed Gibson’s quality control and attention to detail is slipping and Eppi is just getting better and better; and their humbuckers are top notch.

  51. kempiniFeb 26, 2014 at 3:41 pm

    The Holy Grail in jazz is the P90 pickup imo

  52. ADDIEFeb 26, 2014 at 4:37 pm

    Love the wide list of different guitars. My fav is my GB10 made in Japan(older model). I use Eastman, Gibson LP, tele, but there is a newer guitar on the market that I use that has an incredibly long neck that is similar to a 335, made by Robert Conti.
    I guess I’m the only one who plays one. lol. http://www.contiguitars.com/
    Can’t wait to see the amp list as I just bought a new Quilter Aviator 12 inch..

  53. The BigIFeb 26, 2014 at 5:27 pm

    Besides having a Gibson ES175 I also have been playing a Godin Multiac nylon string for that beautiful Brazilian jazzy sound. What did Charlie Byrd play?

    • CemilFeb 26, 2014 at 10:18 pm

      I am not sure, but would guess it was a Di Giorgio

  54. MichaelFeb 26, 2014 at 6:00 pm

    An in-depth and informative survey. Many thanks, Dirk! It doesn’t surprise me that Ibanez came in at #2 — they’ve been building great jazz guitars for the better part of 40 years. I own an AG85, which is a fantastic guitar, suitable for just about any style, even though it is most at home in a jazz setting.

  55. CecilFeb 26, 2014 at 6:11 pm

    Great survey, love the Gibsons although I play an epiphone or vega, both pre-1950 made in US. I’m not surprised the telecaster made the cut, best overall guitar ever made.

  56. TrevorFeb 26, 2014 at 6:13 pm

    I’m surprised PRS didn’t make the list. The JA 15 is a superb jazz instrument and the Hollowbody II is also very capable.

  57. JonFeb 26, 2014 at 6:17 pm

    My teacher strongly suggested the Epiphone Emperor Regent when I told him last year I was looking for an archtop. (I’d been playing on a Taylor, which isn’t an archtop but has a very pleasant, full sound.) Epiphone apparently has stopped producing Emperor Regents, although one occasionally pops up on eBay. But I wound up buying a used Samick JZ-4 because (1.) it was available at a good price, and (2.) if my research was correct, Samicks like mine are made at the same factory where Emperor Regents used to be made. Neither of these models got a mention in the poll, although the manufacturers did. I’m relatively new at this, so I hope I didn’t make a mistake. I like my guitars!

    • BossaBruceMar 6, 2016 at 4:24 pm

      I have a Samick JZ4 as well. It is a well made factory guitar with laminated spruce top. I replaced the stock pickup with a Kent Armstrong full size floating Humbucker. These 17″ wide guitars are a very good value IMHO.

  58. Big GrayFeb 26, 2014 at 6:25 pm

    Dirk, great job on putting this list together. I truly understand the archtops as that is the quintessential weapon of choice for jazz guitar. Personally, I love my Sadowsky LS-17, my Gibson ES-137, and Gibson ES-335. I guess I expected to see some more solid bodies but maybe they are more associated with fusion than straight ahead jazz? Thanks for all you do, Dirk. Greatly appreciated!

  59. james hahnFeb 26, 2014 at 7:35 pm

    Where are all of the Guild jazz guitars!? Man Guilds are THE most underated and best jazz guitars out there made in the late 1950’s/early 1960’s! jim in Maine USA

  60. AlanFeb 26, 2014 at 7:49 pm

    Thanks for the info, Dirk, but I was surprised that the Fender D’Aquisto guitars weren’t mentioned. I play an Emperor II, right now, but still play my 1985 D’Aquisto Elite. It has great tone and the most playable neck I’ve found in a hollow-body guitar. It plays better than my 1975 L-5CES (since sold), although the L-5 had a fatter, richer sound. Oh…just saw your response about the Fenders…make that four.

    • DennisFeb 26, 2014 at 8:59 pm

      Hey Alan, I agree with your assessment of the Fender D’Aquisto neck. It’s a Ferrari. I also really like the tone I’m getting. I come from a country music background – played pedal steel for 20-some years. I run my Fender D’Aquisto through an Evans pedal steel guitar amp that has a 15″ speaker. That combination has a real big, sweet, woody thump to it, that puts a smile on my face.

    • Tony DeLucaDec 31, 2014 at 1:17 pm

      Glad to see someone else appreciates the Fender DÁquisto Elite.
      I have quite a few quality guitars but the Elites are the most comfortable and easily played(for my fat fingers)of my “collection”.
      I have a blond and a black Elite (one in Florida and one in Michigan).
      Good luck and Merry Christmas and Happy New Year!!!!

  61. david grechFeb 26, 2014 at 7:58 pm

    I purchased recently a moffa maryan and was extremely happy, a bit pricey but worth it in the long run. The luthier’s name is nico, Really helpful man and a real perfectionist, His guitars are impeccable. He does everything himself. If any one interested i will send a photo and mp3 of my guitar. Check out his website to see all models available.

  62. Ferdi van EngelenFeb 26, 2014 at 8:22 pm

    I own a Gibson L5ces for 30 years now. I studied jazz guitar then. At that time I never thought to own a real jazzer. My girlfriend showed me an add in the local newspaper for this second hand guitar. Bought the guitar and married her.
    But only recently I found the good sound. A simple transistor amp, flatwound 0.13 strings and volume knobs NOT all the way open (!). Nowadays I can’t be more happy how easy it is to get the right sound but it took a while. (and maybe, just maybe, it has to by my improvement in playing:-)

  63. ray millerFeb 26, 2014 at 8:34 pm

    I have been a Gibson guy most of my life. Love the quality and playability of nearly every model. Epi is my next fav.

    Your survey is quite revealing noting my wonderful feature of the selections. This inspires me to look into axes I’ve not tried heretofore.

    Thanks for your in depth dedication to this survey.

  64. raulzFeb 26, 2014 at 10:57 pm

    Excellent survey.
    Being jazz a relative of blues (which I love as much as jazz),I´d like to know if this apply for blues also or if there are remarkable differences when playing these genres
    as to select other axes for blues.

  65. TKFeb 26, 2014 at 11:43 pm

    Before my Eastman AR805 I played a Epi Joe Pass for years. It’s still a great guitar but I really love my Eastman. It needed some setup and fret work to make it “mine” but I’ve seen Gibsons that needed as much or more work to make them comfortable.

  66. P. C..Feb 26, 2014 at 11:53 pm

    Epiphone do a good job in several ways. Taking a ES175 onto the bandstand is a risky business. The Epi Joe Pass, which I see as a cross between the ES175 and the Lee Ritenour L4 is a practical alternative. These guitars take well to modification – remove gold bling, fit a 57 Classic pickup and upgrade the tailpiece. Through a Deluxe Reverb or even a Roland Cube these guitars respond and sound fine in the live situation. They do need the mods though.

  67. KevinFeb 27, 2014 at 12:50 am

    I love playing my Ric 381/6 string, neck p/u for a really smooth jazz sound. Way different than the really smooth ES175 that I have, and also love. 🙂

  68. Mike WillisFeb 27, 2014 at 2:03 am

    Great survey!! Can’t wait until the next section on amps. My Epi. Broadway neck has great feel to it. It is a bit bulky body wise. Tone is good but not awesome. This my 1st jazz type guitar and am looking to add to my collection(mostly acoustics i.e. Martin, Taylor, Takamine) I would also be interested in pickup choices. Thinking of putting Gibson ’57 Classics in my Epi. Thanks again for the survey and others comments.

  69. Larry WorthyFeb 27, 2014 at 3:12 am

    I play a poor mans Gibson.It’s an Agile semi hollow body ,And I’ve had pros tell me the sound is great.I’m a southpaw so the price of left handed guitars is up there beyond me. I found this guitar by accident.Best accident i ever had. Don’t knock it til you’ve tried it.

  70. NickFeb 27, 2014 at 3:40 am

    I was looking forward to the results of this survey so much. A great unbiased – in the sense that the question is what are people using (not promoting) survey.

    I am looking for a Jazz guitar and the response confirms my experiences so far.

    An Ibanez Artcore dramatically cheaper than others I tried although not perfect, won hands down for tone. Having said that the choice of guitars was not so large where I was trying them out.

    I did recently try a Peerless “Kenny Burrell” and it virtually played itself – If I had the money I would have taken it home but alas…

    The next survey might ask “If money no object, which guitar would you take home?” I am sure cost is a big factor in these results but I recognise that it is not alway sabout how much you pay.

    Really enjoyed this Dirk.

    Thanks

  71. gillesFeb 27, 2014 at 4:27 am

    Great job Dirk, as a new member in the jazz family, i received very good advices before i bought all my gear. I’m so please with my beautifull Ibanez AG-95. Couple with an old 1988 Fender Champ 12 (tube) it makes me smile every time i hear the sound that comes out of this box. Pure delight…

  72. Chris GreenFeb 27, 2014 at 5:00 am

    I had a 1977 or ’78 Gibson ES 175 I bought new for $1200 (my first good guitar, that), but it had a wolf tone that eventually irritated me, (when I played it acoustically) so I sold it to my lead guitarist for $600- half of what I paid for it.

    I also had a bottom of the line used Fender amp (60 watts(, and that probably didn’t help.

    The guy I sold it to put on a Bigsby, and ran it through a top of the line Fender Twin, and in his hands it was a phenomenal guitar. The same when he just ran it through the board in the music room.

    Mind you, he was and still is a lot better musician than I am. 🙂

    I had a lot better luck with my ’68 Tele.

  73. TonyBFeb 27, 2014 at 11:42 am

    Nice informative poll the amp section should be interesting.
    I became interested in guitar at school in the 60’s listening to Bill haley, Scotty Moore and Cliff gallup etc. My first guitar was a spanish acoustic I swapped for a bike I then saved up and bought a Fender Strat and an Epiphone 100watt stereo studio amp with 4×10″ speakers. My first archtop was a Guild Manhatten 175D with 2 P90’s which If I remember correctly cost me £350 with import duty, I joined a youth swing orchestra and became interested in jazz, I had the Guild until 1972 when I had an accident that smashed the bones in the back of my left hand which made me unable to play for 15 years so I sold the Guild which I’ve regretted ever since. I currently have a George Benson LGB300 an Ibanez AFJ95 VSB with Classic 57’s an ES339, a custom built Groves (looks like a PRS hollow body but was made before PRS started)a Telecaster and a Custom Strat, but the guitar I play most is a Korean built Epiphone ES 175 with Classic 57’s fitted (great sound). I have on order an Ibanez AF200-BS which unfortunately won’t arrive until around July. My current amp is a MATAMP head with a 2×12 cab.

  74. Mark RhodesFeb 27, 2014 at 3:58 pm

    I’m an Ibanez Artcore player. Hope to someday have a fine Gibson but I can honestly say, the axe I have isn’t holding me back—-the better I get, the better it sounds! Thanks, Dirk, for gathering this information. It’s good to know what other members are playing.

  75. LarryFeb 27, 2014 at 9:01 pm

    Really enjoyed reading the write ups on the various guitars. I have been researching different brands and this is info that will come in handy when I purchase my latest guitar to add to the family. Would love an ES-175 but cannot justify the price so looking for a good alternative and this survey has helped with the decision. Thanks!

    • J-DuBFeb 27, 2014 at 9:43 pm

      A brand not mentioned here: Samick Artist 650. You can find an ES335 style for under $400 and a full sized hollow for under $500. PUs aren’t great, but everything else is fine, so just rewire and it’s good to go. Peerless is another to look for. BOTH of these companies made the Korea made Epiphones (which are very nice as well).

    • james hahnFeb 27, 2014 at 10:44 pm

      One of the best jazz boxes that you will find for the money is the Ibanez AFJ91! Alot cheaper at approximately $600 US versus an ES-175 that will be alot more than $600! jim in Maine

  76. Paul ArntsonFeb 28, 2014 at 6:34 pm

    I am a big fan of side by side comparisons. As a result I play an Epiphone ES175 with a Gibson pickup installed. I spent 4 hours in a very understanding boutique store switching between an expensive old Gibson and the Epi 175. There were subleties in the acoustic tone (the Gibson had a few resonant peaks that stood out more), but the tone when plugged in was identical. I liked the feel of the Epi better.
    Same thing with my Ibanez AS200AV and a Gibson ES335. It didn’t hurt that John Scofield plays one, too.
    I also use a tele. I guess being a baby boomer once again I unknowingly follow the herd.

    • TonyBMar 1, 2014 at 1:03 pm

      I agree with you about the Epiphone, the guitar I play the most is a Korean built ES175 I won on Ebay, swapped out the the wiring, controls and fitted Classic 57 pickups it has a great sound.

  77. Alastair Longley-CookFeb 28, 2014 at 9:17 pm

    Great survey, Dirk.
    My Gibson L4-CES is my tradional jazz box, but for ease of play (particularly the high frets) I love my Gibson SGs.
    Put 12-53 Benson flat wounds on them and they give a great jazz tone on the neck pickup, tone at 5.
    Anyone else using SGs?

    • GitterbugMar 3, 2014 at 7:22 pm

      Hi Alastair!

      Interesting you brought up the SG. I almost bought one lately (probably Epi’s take) as a light, inexpensive tool for rehearsals, jam sessions and various secondary venues. Ended up with an Epi 339 Pro due to versatility and good price/quality ratio. A poor man’s ES-335/AS 200/SA-2200.

      Any solidbody guitar with flatwounds, neck humbucker on and tone rolled down produces a decent jazz sound. The problem, if any, is too much sustain, which you can’t kill from the top two strings anyway. This again depends on the music. If you play fusion or other contemporary (= loud) music with longer notes (e.g. Scofield), or use a heavily processed sound (e.g. Scofield, Rosenwinkel), a semi-acoustic or solid is the way to go. An archtop is meant to bark, not howl.

      The same issue came up in an old thread about which LP is best for jazz (remember, SG replaced LP for years). They all will do, but IMHO an LP with flatwounds and pickups screwed all the way to the bottom is tantamount to lobotomy, and the inherent sustain remains.

      • AlastairMar 4, 2014 at 6:59 pm

        EPIs are good too. The Sheraton II is much better looking than the Gibson 335, and much cheaper! Once I switched out the pickups for ’57 Humbuckers, it sounded great.
        I’m OK with sustain. I love my L4 but feedback, limited access to upper frets, and back strain often have me reaching for my SG or Sheraton II.

  78. J-DuBFeb 28, 2014 at 9:27 pm

    Main point to consider is… There are desirable and amazing guitars out there but may prove to be unfathomably affordable. Gibson, Guild, D’Aquisto, D’Angelico, Bory, Sadowsky, Heritage and the list goes. These represent Top of The Class and the BEST of American Made, Investment Grade Jazzers.

    I’d prolly question myself if going to a Jazz Club to play and bring my $5K+++++ treasure.

    What it really comes down to is satisfaction of YOUR instrument. There are fantastic semi-hollow and fully hollow guitars out there for sub $1K and most people probably wouldn’t be able to really differentiate. Amazing things can be done to elevate a badly set up guitar or something with sub-par electronics and those are very easy (and usually cheap) fixes. My CMI Lawsuit? A $25 investment into a better Schaller bridge and proper installation elevated the play-ability and tone immeasurably. $75 in new tone/vol CTS pots and caps woke up the original Maxon pickups. Took a few hours of work and it’s an awesome playing guitar.

    If one can afford “Custom/ Investment Grade” instruments… AWESOME! Go for it!

  79. james hahnFeb 28, 2014 at 10:12 pm

    Before I forget probably one of the nicest jazz guitars that I have is a George Benson GB-15tr which I understand is now out of production. In comparison to a Gibson the guitar basically played itself out of the box. Absolutely superb quality and an incredible sound played through my ’63 Ampeg Reverberocket! jim in Maine

    • J-DuBMar 1, 2014 at 11:52 am

      TOP of the game in Japanese Made.

      In the “history” of guitar making, the US went through a very mediocre time (with the BIGS like Gibson, Fender, serious cost cutting) and the MIJ guitars in the 70’s-90’s really KNOCKED them out of the park.

      In the 90’s, Korea really started to step up.

      The Fender Telecaster really was a “cheap” instrument and the Strat was a mild upgrade. Brilliant in design and timeless. BOTH.

      My MAIN advise to those whom are looking to do a SERIOUS upgrade but can’t quite afford… I found a 48th Street Custom Strat (ESP in NYC) for $225 w/ shipping and have modded the HELL out of it for about $200+ more. MannMade Trem ($75 never installed, off eBay), Bill Lawrence/ Wilde (REAL Bill Lawrence) pickups ($150 for the set?) and another $75 in new pots/ switch/ wire. I’ll put it up against ANY sub $3K custom strat. And I have. My 48th St PLAYS…

      Set aside and save for the cash in what you WANT, your DREAM axe, but take a bit of PRIDE in what you got. You really would be surprised as to what you already DO HAVE with less than $300 in work/ time/ upgrade.

      One of my SURPRISE FAVORITE mutts is a Peavey Firenza w/ P-90 pickups. New pickups with a rewire of BETTER CTS pots/ switch and Oil-In-Paper caps and she is DIRTY as well as clean. I can bloop out Wes Montgomery and dial in The Clash on that guitar.

      I don’t mean to jack this thread. I’m from Chicago; White Sox or Cubs… So long as you ENJOY baseball and can still view a game as being brilliantly played, no matter who wins. I’m NOT a good guitar player unless I WORK. I have my limited bag of tricks and then I have to work. I CAN fix ’em. And I respect that elements of this earth are LIMITED and still should be… Brought to their potential.

      There are DOG guitars out there and that includes Gibson, Fender, etc. And there are oft overlooked axes out there that need a bit of love and can bring some serious satisfaction. I hunt those down.

      I don’t say that what I have can knock a ’58 ES-335… Or a ’54 Strat. Nor dump a D’Angelico or a Stradivarius (don’t think Stradivarius made Jazz Guitars). Think about what you DO have and what IS irking you. If a $25 Schaller bridge (and $75 in install/ setup/ fret polish) IS going to make it that much more PLAYABLE and increase you ENJOYMENT of study/ play? Then that IS a a very SMALL investment for the short term.

  80. Rod WylieMar 1, 2014 at 11:39 am

    Agrre with lots of the comments regarding afordability and what suits your wallet and overall playability. I have a Gretsch which I love the neck shapre and size, Yamaha AEX 1500 my favorite and a Gibson SST Chet Atkins all great for what I play.All have been set up for me by Jullian guitar tech who transfomed the feeland they are all top range guitars that were pretty average from a set up point of view when I first got them.

    • J-DuBMar 4, 2014 at 9:26 am

      Getting to know some basic maintenance for yourself as well as having a SOLID repair guy… While i’m pretty handy, there are some things that I WON’T take on myself because… There is ony so much you can read upon vs having the hands on. Installing a “new” strat bridge… Easy. MOUNTING a TOM on a guitar… I’m lucky to be friends with good luthiers.

      As players, one should know some core basics on maintenance and adjusting setup/ action/ intonation. Helps when judging a “diamond in the rough”.

  81. vedranMar 1, 2014 at 3:35 pm

    Great article!

  82. Robert TwiddyMar 4, 2014 at 4:57 pm

    Interesting, it tallies nicely with musicradar survey etc.

    May I ask Dirk, what would be nice is to try and get professional jazz musicians on what they use as a survey and why. For example a man I admired Joe Anthony from the midlands in the UK a long time ago used an ES335 Gibson and sounded extremely jazzy, playing most things from the New Real Book. There are many fantastic jazz players in hotels, clubs etc what do they use and why. I am in Thailand Eastman, Loar, Peerless, D’Angelco, Luna are more affordable than Gibson. Also no one stocks the higher end stuff for jazz as there are not that many jazz guitarists. Once you get much beyond £1000 they become dreams rather than experienced people using them. I filled in your survey, I use a Musicman Axis Super Sport as does Alex Hutchings the great Jazz Fusion player who has now switched to Waghorn which I am doing also. Its not just guitars, also the pedals and amps used to get the jazz tone and knowing what tone you need. Warmth in pickups is like finding gold except for Gibson, Epiphone and then cheaper Kent Armstrong stuff. So having a survey of professional jazz players, band players would be really interesting.

  83. RON OLDSMar 4, 2014 at 11:00 pm

    Hey Dirk thank you so much for the emails from jazz guitar.com. I can never thank you enough for the lesson on Wes Montgomery!!!! We as guitar players living in the now can never pay enough homage , attention & thanks to the spirit & memory of WES. I think even more should be done for him . It’s been along time coming but I certainly & sincerely intend on doing a recording CD of his music . & I want to make sure you hear it . After all if you look back at the history of jazz guitar where would we be without the rare example Wes gave to us when he emerged out of the 60’s ??? I really love the Lee Ritenour album dedicated to Wes . What a Great Vibe Wes Still Has !!! Well Dirk until we meet again or I comment again Jazz– On . It’s super cool & super real how jazz has touched so many other types of music & Players . You can here my guitar playing on reverbnation.com playing with drummer T. Lane on the CD Kung Fusion . & also on MySpace . Thank you

  84. RON OLDSMar 4, 2014 at 11:28 pm

    I love Gibson,Eastman,Epiphone & Ibanez Hollowbody jazz guitars for jazz playing . Altho’ I did have to do so modifying to the Epiphone & Ibanez changing some of the factory stuff to get a truer / quality sound !!! But believe it or not I’m getting a great jazz sound out of a Fender Stratocaster Solid Body too . You see I find it’s all about how you amplify the solid body!!! Thank you

  85. PaulMar 5, 2014 at 5:48 pm

    I own a pre Herb Ellis named 165 (1993). Great sound, playability – feeds back like a mutha, though. I have a satin ES 335. Not as sweet sounding, but pretty awesome. I also own a Godin Multiac with a 1.75″ nut. It has synth capabilities. Nice for those years when I feel like playing a nylon stringed guitar. I also own a PRS Spruce Hollowbody with piezo. Light as a feather and great sounding too! I am an amateur, and when a pro plays any of these guitars, they automatically sound 10X better than when I pick them up. I’d love a quality Telecaster, Fender or otherwise, but I’m already challenged in maintaining what I have.

  86. FrancoisMar 5, 2014 at 8:06 pm

    Enjoyed reading all the comments almost as much as the survey results.

    Thanks Dirk, and thanks all.

  87. randy muiseMar 6, 2014 at 8:33 pm

    I Love Jazzguitar.be, it’s been so informative and helpful

  88. RossMar 15, 2014 at 4:35 am

    I’m one of those Eastman converts preaching by word of mouth. I’d been using (and still have for more electric stuff)an Epiphone Sheraton II but I just couldn’t quite get what I wanted. My local store got me an Eastman AR317CE and with a few minor tweaks I’m there and very happy about it. It’s extremely well built and the price they did for me sealed the deal. value for money for us non-professionals is so important but Eastman provides great quality and amazing tone as well.

  89. nolimoreMar 15, 2014 at 4:30 pm

    I got an Ibanez Artcore AG-175 (tobbacco sburst). The workmanship and components are quality and I am very happy with it thus far. I still have to explore a little more, but I put some affordable rotosound flatwounds on it, they seem a little flat in resonance, but that could be my roland microcube digital amp (digital preamps!). I tend to use the first pick down-toned. The tune-o-matic type bridge looks easily accessible and I am tempted to fiddle with the fine tune in due course, because i changed my concert pitch tunning to 432Hz recently (already setup for 440Hz).

    I have heard reviews from other owners and they are usually positive and there are a few reviews on youtube for this guitar. Although I got a v.good deal on it, I spent 20 extra, otherwise it would of been a choice between an Aria or Washburn hollow body, so i am glad of the choice. I think it is a guitar that will stay with me for awhile.

  90. DaveMar 20, 2014 at 7:40 pm

    Heritage guitars are great – just buy them used so you don’t lose on them. They are every bit as good as Gibsons from my experience (I’ve owned well over 75 guitars). I played an Eastman version of the 335 this past weekend – it was really nice and very reasonably priced.

    Many of the Japanese guitars are great as well – Burny, MIJ Epiphones or Ibanez, etc.

  91. PhilMar 22, 2014 at 5:33 pm

    I got here after the dust had settled, but here’s my two pennyworth: I have a Godin 5th Avenue acoustic which, now I have put Thomastik-Infeld JS13s on, sounds sweeter and resonates properly. I also have an Antoria Rockstar Korean-made 335 copy ( Rotosound 12s ) which on the neck pickup with the tone rolled nearly off does a very decent tone for jazz. Neither guitar cost more than £350 and, as I don’t expect to ever be able to afford an L5 or 335, I won’t be changing any time soon. I’d rather play than worry about the gear overmuch.

    • james hahnMar 23, 2014 at 2:29 am

      Phil,

      Do you have the Godin 5th Avenue Kingpin non-cutaway or the cutaway version? I have one of the non-cutaway versions and am absolutely amazed with the quality, playability and sound for the money! jim in Maine who is currently working in Denver

      • Phil- in UK *grin*Mar 28, 2014 at 4:20 pm

        I have the non-cutaway 5th Avenue acoustic, and I do agree, it’s a really good instrument. When I buy, I buy to keep, so I do my homework and get the best I can afford.

    • J-DuBMar 23, 2014 at 9:19 am

      Those Canadian made guitars are of extraordinary quality. Personally, I kinda covet a 5th Ave… Antoria? That’s a new one, but more than likely an off-brand from Samick since they have been available since the 70’s/ early 80’s and prolly the only company with the capability. One of the “snobbier/ rougher” teachers on the net is a guy named Pebber Brown and all he seems to play is are pretty “cheap” axes but dimed up to play. One CAN FIND real satisfaction in some of the early Japan/ Korean made axes. Some of them were made really well and with GOOD timbers.

      • james hahnMar 23, 2014 at 6:00 pm

        What is a 5th Avenue Antoria? jim in Maine currently working in Denver,Colorado

      • PatrickJun 9, 2014 at 2:37 pm

        “One CAN FIND real satisfaction in some of the early Japan/ Korean made axes. Some of them were made really well and with GOOD timbers”.
        I totally second that: I play a 1981 Yamaha SA 800 (ES-335 type)on which I swapped the original, rather bland Pups for hand-wired Hepcat PAFs (French boutique Pups)and changed the pots for Orange ones. This guitar is now a wet dream and cost me altogether around 800 euros. It really beats up my Gibson ES 137 classic, that is an awesome jazz guitar too, but the Yamaha really does the thing.

  92. Mr ArchtopMar 23, 2014 at 4:56 pm

    Does anyone here have any information about the luthier Arthur Napolitano? I have one of his wonderful guitars and would like to know more about him?

  93. philMar 27, 2014 at 3:05 pm

    When Joe Pass used my Polytone for a solo concert back in the Eighties, he was playing the Epiphone prototype. It sounded great in the concert hall. When I went in the back room to chat (my price for the use of the amp), he insisted I try the guitar, completely unnerving me. I have tried out the production models several times since, always finding them indistinguishable from the prototype as I remember it except for string type and height. I didn’t change Polly’s knob settings for at least a month, of course.

    • philMar 27, 2014 at 3:11 pm

      this is phil in Phlorida, not the phirst PHIL, pholks.

  94. J-DuBJun 22, 2014 at 9:58 am

    LOVE to see about those Hep Cats as mentioned by Patrick. There are some talented pickup makers out there. I’m a particular fan of REAL Bill Lawrence (rest his soul). Tone For Days, Lindy Fralin… A GOOD pickup coupled with a PROPER SETUP can change one’s attitude about a guitar.

    While not necessarily a “Jazzer”… Eddie Van Halen’s MAIN guitar was a “parts caster” from a few “startup” companies in the 70’s (Charvel neck, Boogie Bodies Body, Floyd Rose experimental bridge) with a Gibson PAF held into the body with nails. You cannot deny that… The guy can play.

    There are stories of “The Delta Blusemen” whom would make stringed concoctions by laying a piece of wire over a bottle and affixing the ends with nails to the side of the house and make music, moving the bottle up and down to mimic notes and wailing/ crying tones. Broomhandles and washtubs. Cigar boxes and a 1×2″ piece of lumber.

    At some point, Jazz did grow from Blues tradition.

    What IS amazing now is; the CHOICES guitarists DO HAVE at their disposal. For UNDER $1K… You can shop out INCREDIBLY HIGH QUALITY parts, from a few different sources, and build a “parts-caster” that could potentially blow the doors off a $3K++ Custom Shop Fender job. There is a guy making “one-off from” PRS styled guitars that LOOK amazing (CNC carved, as are PRS, Gibson, fender and pretty much everyone these days (though they don’t say it)). There is a company in Canada, offering CNC machined parts so you can build an awfully close replica of a ’59 Les Paul or a LP Jr.

    What it STILL comes down to… Is YOU. YOUR HANDS and YOUR EAR.

    Willie Mosconi was a famous Pool Player. Defeated the greatest of them and was a gentleman at that. Ever see The Hustler with Paul Newman? Willie was the adviser and coach for both Paul and Jackie Gleason, set up the shots. Famously… In exhibitions and when he was “looking to survive” in his hustling days, he would take on “particularly mouthy” opponents using a broom handle as his cue.

  95. jayJul 2, 2014 at 2:39 am

    I played a Cummings Sunday (similar to a 335 crossed with a 175D) and it’s a great axe {with Tony Ortega/San Diego}. I’ve played my old 335, 175D, Tele, Strat, Les Paul & love all for different things. I think Fenders are good rockers as well as my Ibanez. It seems you never have enough guitars. I almost forgot..my Dad’s 1949?? ES125-plays & sounds great! Very interesting Dirk and I enjoy the tunes you post. Thanx.

  96. DanaJul 3, 2014 at 1:25 am

    A bit late, but I just bought a new Guild X175b – for me, a faultless guitar, couldn’t be happier and it didn’t break the bank!

  97. jayJul 3, 2014 at 4:34 am

    Last post reminded me I forgot Guild acoustic (sweet) & 1973 Fender 12 string….great for adding color linearly.

  98. J-DuBJul 12, 2014 at 11:05 am

    =D

    Absolutely AGREE! One of the more COMMON THREADS here is; finding satisfaction in WHAT YOU HAVE… And that, one has OPTIONS to improve it!

    I GET that… A BOYD or a REAL D’Angelico/ D’Aquisto or Sadowsky or a NUMBER of luthiers make an INCREDIBLE instrument. It DOES NOT make you a better player much that a Ferrari is going to make you a better driver.

    If you rack up speeding tickets and accidents in your hunk-o-crap… A Benz-o, Ferrari, Panoz isn’t going to magically make your craptacular driving record disappear. Nor your habit of gathering tickets.

    Taking $2100 in improving WHAT YOU HAVE can go further than saving up for “your dream guitar” and you can STILL do so while improving what you DO HAVE. Which includes your playing.

    Having a GOAL of OWNING something INCREDIBLE is not a BAD THING… Pinning one’s HOPES that it is suddenly going to CHANGE YOUR GAME/ PLAYING… IS a BAD THING. You can only be honest with yourself.

    • SevenStringJazzJul 12, 2014 at 1:53 pm

      Totally Agree with one possible caveat. Here goes,

      I admit to being a high-end gear addict, but I still practice very hard (10-15 hours/week) and study both jazz and classical with expert teachers as well as playing in a jazz workshop ensemble almost weekly. I have some great guitars built by master luthiers. These are acoustic instruments and two of them are constructed from aged European woods . . . hand-carved/tap-tuned like a fine violin. These instruments push my technique to new limits because there is “no place to hide” when sonically the guitar alone exposes every nuance in your playing.

      That said , if you want the classic laminate (e.g. ES175) with flatwounds “dark jazz tone” there are Asian production instruments that cost 1/10 as much that will do the player proud.

  99. J-DuBJul 12, 2014 at 11:07 am

    Oh… And that was supposed to be $200.00, not $2100…

  100. JacksonAug 11, 2014 at 7:24 am

    I know this if off topic but I’m looking into starting my own weblog and was wondering what all is required to get setup? I’m assuming having a blog like yours would cost a pretty penny? I’m not very web savvy so I’m not 100% certain. Any tips or advice would be greatly appreciated. Thank you

  101. J-DuBSep 25, 2014 at 10:30 am

    http://www.vintagevibeguitars.com/pickups.html Jesselli’s pickup maker and I think he also made the pickups for East Bay Ray from the Dead Kennedy’s as well. Just sayin’

  102. Al BrussichOct 22, 2014 at 1:46 pm

    When I decided to pick up learning jazz again, (story for another time), I went into it playing the two Gibson solid bodies I had been using for rock and blues for the past 30 something years. No problem and I still use the solids. Having had a 335 in the past, (which I severley kick myself for getting rid of way back when), when I read the above survey the interest in something hollow was rekindled.

    The above survey, and follow up commentaries, along with other discussions in the forum were a great starting point for my search. I hit every shop in town trying out every brand and model I could lay hand on. Hollow, semi-hollow, floating PU, 1 PU, 2 PU, 0 PU. Laminate and carved. In price ranges from sub 500 to 2k+. As much as I would love to have added another Gibson pricing on a new or used model killed any chance of one coming back home. Along with the store playing I listened to every brand video offering I could find.

    What decided it for me was a combination of apparent build quality, comfort, feel and sound, plugged and un-plugged. THe latter being more important to me as that is how I would spend most of my time playing it. And a bit towards how it looked, as I do find myself just looking at them on occasion. sorry, just a personal wierdness there I guess.

    For anyone finding themselves in the position of begining a search I suggest you follow a similar approach. Take your time, try everything you can lay hand on, parouse the various discussions on this forum, browse the for sale section, listen to all the Youtube and Vendor videos and ask questions. Just because Joe Schmoe plays a GiEpiIbaEastLessEtch Lalpallooza does not mean that it is the one you absolutely must have to sound as great.

    Thanks for the survey and the help in getting started.

    I wound up with a Peerless Cremona 17″ and cannot play or enjoy it enough. Not high on the list, but it was just right.

  103. JonathanOct 31, 2014 at 2:13 am

    I have been playing guitar for over 50 years and over this time I’ve played everything from rock to blues and jazz. Having owned and played several guitars from Fenders to Gibsons and many others, I have to say, for my personal preference the Gretsch White Falcon 7593 is my guitar of choice whenever I’m playin jazz… which is most of the time. The White Falcon is without a doubt one of the most underrated hollow body guitars out there. The neck is especially comfortable to play and the tone is magnificent! The Bigsby vibrato tailpiece accentuates the Gretsch sound and gives the player some added color for his or her palette, plus it stays in tune!! Not only does the White Falcon play and sound tremendous, it’s beauty is second to none. Whenever you step on stage with the White Falcon you are sure to captivate the audience with it’s beauty and the wonderful warm tones. I’d put it up against any Gibson or any other jazz box… anytime!

  104. Ron ParkerNov 29, 2014 at 10:50 pm

    I own an Eastman Pisano model and love it. It’s light and the action is good. I have a Guild arch top 350B I bought in a pawn shop, had it redone by Sam Koontz. this was a prototype of the Artist Award. It’s a babe, and I have a D’Angelico got a good setup, works well. Sometimes it’s the Indian and not the arrow. Oh, I also use a 1940 Epiphone.

  105. Jeffrey FullerDec 1, 2014 at 9:03 pm

    I’m probably one of very few weirdoes, but I like to play a Fender Stratocaster for Jazz. Originally I used the strat because it was all I had. I migrated from Blues and Rock to Jazz because the former genres left me cold. I’ve been playing Jazz on a Strat so long that I’ve really come to enjoy the unique tonal quality it adds to Jazz music. If I do switch to something else it will be a telecaster.

  106. Tony DeLucaDec 31, 2014 at 12:54 pm

    I have a Fender DÁquisto Elite that I love to play.It’s comfortable and very bright in sound and I like it sooo much that after a very long search I found another one which, after I finish tweaking it, will be as great as the other one that I have.
    I also have a few other guitars that I love as much as these two Fender DÁquistos but I’m finding that after all of these years I can only play one at a time.
    (Taylor T5, Taylor NS 74, Fender Strat, Epiphone Spartan archtop, Gretch Synchromatic archtop, Ovation Ballader,Gibson L5,Godin Nylon electric multilac,and a few others……and as I said ,I can only play one at a time…I guess I’m getting older………..
    Thanks for reading this. It’s great to express my interest in these guitars.

  107. JohnJan 9, 2015 at 4:30 pm

    You might add the Montreal Premiere to the Godin lineup. This semi-hollow body is a recent addition to the lineup and looks like a very good jazz guitar ($1400). I own a Godin Icon 2 solid body and am very pleased with playability, quality, and value.

  108. bigbillyJan 14, 2015 at 8:59 pm

    now the dust has settled on this survey, there were some very interesting points made. for the new player looking to buy,the choice is vast. many players end up with more than one ‘treasure’.. as a place to start; ‘DO YOU LIKE IT AND CAN YOU AFFORD IT’.

  109. DavidFeb 17, 2015 at 5:26 am

    For acoustic and low volume electric I use a Michael Kelly Heirloom which with 13s has a fat woody tone. For full volume electric I have a “pre-lawsuit” MIJ cortez copy of an es 175 with a swapped out Charlie Christian pickup. Sounds and plays great–wish I could say the same for the guitarist!!!

  110. jayMar 30, 2015 at 2:38 am

    Deal with it up????

  111. jaySep 13, 2015 at 2:15 am

    Played a really sweet D’angelico today. Great tone and 12-52 strings-great jazz sound through a Blues Cube? Can’t say where it is ’cause I’m saving my $ to buy..Lol

  112. Donald MacLeodNov 4, 2015 at 1:35 am

    Hello,
    I am new to the site and have just read through this very interesting blog.I realise my input is a bit late here.
    I agree that the notion of an ideal guitar is entirely down to the individual player.
    I was lucky enough to be able to buy a new 1991 Nashville Gibson ES 175 and it is still my favourite guitar,better now than ever.After 24 years.
    However I have discovered Peerless instruments and now have a Jazz City and La Muse.If I’m doing a bar gig,I’ll take a Peerless…but if my guitar will be secure…it’s always the 175.
    As an aside,I always use my 1999 Polytone Mini Brute.All 3 instruments sound great with this Amp.

    Best Wishes.

  113. SteveNov 23, 2015 at 10:44 pm

    The unsung hero on this list is Heritage. My 575 is better made and sounds sweeter than most Gibson ES 175s that I have played. I picked it up used, in pristine condition, for $1200. If you’d like a well made American guitar but can’t pony up the thousands that a Gibson will cost you, Heritage is a great choice.

  114. ReggieNov 25, 2015 at 6:49 am

    I have a Gretsch G5120 Electromatic. I put some 12-52 flat wound strings (at times I add .13 and .17 for the E and B strings to get an even fatter tone) and while I needed to make a few adjustments (pickups, bridge etc.), I believe that it is the best deal under 1000$. I have decided to invest my newly saved money into other equipment. I have not given up on getting a Gibson 175 but let’s just say that there is definitely no rush now.

  115. JoeDec 27, 2015 at 10:17 pm

    I’m rather fond of my Ibanez AF-151 which I feel has better tone than the less expensive Artcores.

  116. BossaBruceMar 6, 2016 at 4:06 pm

    For the money the Eastman El Rey is a great archtop guitar for gigs. I own the ER2 and ER1 models. No feedback issues because there are no f holes. Nice fat neck for finger style jazz chords. Lightweight chambered body (5 Lbs or less). Warm spruce top. The only negative is a thin fragile finish (easy to ding). But the sound, craftsmanship and playability is very high. I also have the oval hole model ER0 for pure acoustic archtop tone.

  117. FloridalohaJun 29, 2016 at 6:43 pm

    I like a short scale guitar with a narrow neck, so the Gibsons are great. But I recently decided on a Taylor T-5 which gives me several different sounds in the same guitar. I am surprised it’s not listed here, it’s great for jazz guitar.

  118. Victor HarrisJan 16, 2017 at 2:43 am

    My mom bought a 1949 Gibson L7C with dual McCarty pickups when she was just 18. She taught me to play using her Gibson. The sound and action have no equal in my opinion.

    L5’s get all the press, however, I have yet to hear or play one that is better than my mom’s L7C. I found a 1953 L7C (no floating pickups), installed a bridge pickup and love the guitar. The older Gibson L7C,s are great jazz guitars.

  119. PeteFeb 20, 2017 at 10:25 pm

    I have a ’77 Ibanez 2355M. It has a great acoustic tone and is better built than the Gibson ES-295 RI I had in the past. I am planning on replacing the Super ’70s hbs with Seymour Duncan Staple P90s. The 2355M is a really quality guitar, much better than the Artcore models.
    Gretsches need to get some more love here. I had a White Penguin RI with Dynasonic pickups which had really sweet tone suitable for jazz. Gretsches now are better quality made now than in their heyday, IMHO.

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