All of Me was written in 1931 by Seymour Simons and Gerald Marks and has since become a popular jazz standard, especially among gypsy jazz guitar players. The song is suitable for beginners because of its slow harmonic movement (most chords last two bars). In this lesson, you will analyze the chords of All of

Days of Wine and Roses was written by Henry Mancini in 1962 for the movie of the same name. The song has since become a jazz standard and popular among jazz guitarists with recordings from Joe Pass, Barney Kessel, Lenny Breau, Bill Frisell, Jimmy Raney, John Abercrombie, Howard Roberts, and many more. The most famous

(Meet) The Flintstones is the theme of the ’60s television series The Flintstones (from season 3 on) and is one of the most recognizable theme songs ever. It was composed by Hoyt Curtin in 1961 and recorded with a big band and the Randy Van Horne Singers. In this lesson, you will learn how to

Softly, as in a Morning Sunrise was composed by Sigmund Romberg and Oscar Hammerstein II in 1928 for an operetta (a kind of light opera) called The New Moon. Artie Shaw’s recording of Softly (1938) brought the song into the jazz world and made it into the popular jazz standard it is today. In this

Take the “A” Train, composed by Billy Strayhorn in 1939 and first recorded in 1941, was the signature tune of the Duke Ellington Orchestra. The title refers to the then recently opened A subway line that ran from Brooklyn to Northern Manhattan. The chord progression of Take the “A” Train is loosely based on another

Don’t Get Around Much Anymore is a classic swing standard written by Duke Ellington, who recorded it with his orchestra in 1940 (under the title Never No Lament). Two versions of the song became a number one hit in the US R&B charts in 1943, the Duke Ellington version and a cover by The Ink

Stompin’ at the Savoy is a swing-era jazz standard written by alto saxophonist Edgar Sampson in 1933, although it is often credited to Benny Goodman, whose recording of the song peaked at number 4 in the 1937 hit charts. Stompin’ was the theme song of the Savoy Ballroom’s theme band, led by Chick Webb. In

Solar is a jazz standard made famous by Miles Davis but actually written by jazz guitarist Chuck Wayne. In this lesson, you will learn how to play the melody of Solar and how to solo over its chord changes. The studies in this lesson expose you to licks and scales that will expand your playing

Mr. PC is a popular minor blues in C, written and recorded by John Coltrane in 1959 for his album Giant Steps. In this guitar lesson, you will learn how to play the melody and how to improvise a solo over its chord changes. In case you were wondering, the initials P.C. stand for Paul

In this lesson, you will learn how to play the classic jazz standard Stella By Starlight, written by Victor Young. Stella is one of the most popular jazz standards played today and one every jazz guitarist should have under his fingers. The harmony and melody of Stella By Starlight are derived from the soundtrack of

Unit 7 is a great jazz standard composed by bass player Sam Jones during the time he was working with Cannonball Adderley. The most famous version of Unit 7 is on Wes Montgomery’s album “Smokin’ at the Half Note”. This album, which is essential listening for any jazz guitarist, was recorded live in 1965 with

Kind of Blue, Miles Davis’ best-selling album, was released in 1959. The entire album was composed as a series of modal sketches, in which each performer was given a set of modes that defined the parameters of their improvisation. While So What is the most famous tune of the album, All Blues is definitely a

There Will Never Be Another You is one of my favorite jazz standards. I love the melody and the chord changes are easy, but not too easy to improvise over. The song was first recorded in 1942 by clarinetist Woody Herman but wasn’t very well known until Chet Baker recorded his vocal rendition in 1954.