The Gibson ES-175

Known as the workhorse of jazz guitar, the Gibson ES-175 is an iconic hollow body electric guitar loved by many legendary guitarists in the worlds of jazz, blues, rock, and fusion. The Gibson ES-175 has a recognizable sound that has been imitated by many guitar makers but seldom duplicated.

Gibson ES-175 Natural

In its nearly 70-year history, the ES-175 has become synonymous with the greats of jazz guitar.

Though the Gibson ES-175 is associated with jazz greats like Jim Hall, Pat Metheny, and Joe Pass, its versatile tone and ability to take distortion has made it a favorite of fusion and rock guitarists like Steve Howe (Yes) and Buck Dharma who played an ES-175 on Blue Oyster Cult’s classic Don’t Fear the Reaper.

Its tone is warm and round but also clear and articulate, chiming with a quality that is spacious and airy while also being distinct and bell-like.

It can be said that the Gibson ES-175 anticipated a new era in jazz history, constantly stretching the boundaries of music into new territories.

To achieve its characteristic clarity of tone, the ES-175 is generally played with the volume and tone dialed down a bit to allow it to ring through with its usual warmth.

The ES-175 is unique among hollow body archtops for its ability to deal with higher volume levels without excessive feedback.

The guitar is also liked because of its size. Compared to other Gibson archtops such as the L-5, the ES-175 is very comfortable to play.

If you’re looking for a good all-round guitar, the ES-175 might be a good choice for you.

Gibson ES-175 – Specifications



Laminated maple top, reinforced with two parallel braces

Laminated maple back and sides

Mahogany back and sides (1983-1990)

16 ¼“ wide and 3 ½” deep

Triple binding on top

Single binding on back

Unbound f-holes

Florentine cutaway


One-piece mahogany

Three-piece maple neck (1976-1981)

Scale length – 24 3/4″


Solid Brazilian rosewood

20 frets (the models before 1956 had 19 frets)

Double parallelogram inlays



Compensated rosewood bridge

Tune-o-Matic bridge on rosewood base


One single-coil P-90 (1949-1953)

Alnico V pickups (rare)

Two single-coils P-90 (1953-1957)

Two humbuckers – from the original PAF humbuckers to ’57 Classic humbuckers (1957-present)

P-94 pickups – single-coil pickups in a humbucker casing (rare).


Nickel trapeze tailpiece

Zig-zag tailpiece (more prevalent from 1957 to 1967)

Gibson ES-175 Pickups

P-90 Pickups (1949-1956)

The Gibson P-90 is a single-coil pickup that has been in production since 1946 and is still being produced today, by Gibson and other companies.

P-90s were initially meant to replace Charlie Christian pickups, which were the standard pickups for Gibson hollow bodies.

Gibson ES-175s were equipped with “dog ear” P-90 pickups between 1949 and 1956.

A P-90 ES-175 has a bigger sound compared to a humbucker ES-175.

P-90 pickups have a raw sound with a broad spectrum but don’t sound as warm as humbuckers and are noisier.


P-90 pickup


Humbuckers (1957-2017)

Starting in 1957, the standard pickup of ES-175s became humbuckers, designed by Gibson engineer Seth Lover.

A humbucker has double coils that cancel out (or buck) mains hum (60-cycle hum).

Humbuckers are also known as PAF pickups because until 1962 they had a sticker at the back that said: “Patent Applied For”.

Later in 1962, the standard hollow body pickups became Patent No. humbuckers.

The humbuckers in the ’80s were designed by Gibson engineer Tim Shaw and were the forerunners of the ’57 Classic pickups that are still used today. These ’57 Classic humbuckers are made to the same specifications as the original PAFs.


PAF humbucker pickup


Other Pickups

Some early models had Alnico V pickups, but these are very rare.

Between 1978 and 1979 Gibson produced an ES-175 model with a Charlie Christian pickup (see further below).

Some more recent models came with P-94 pickups, which are P-90s in a humbucker casing, but these are rare as well.

Gibson ES-175 Necks

The standard Gibson neck used on ES-175s and other Gibson guitars went through a few changes in size and shape over the years.

A lot of people are a fan of the chunkier necks of the early years, compared to the thinner necks that emerged in the 60s.

  • 1949-1959 – the necks of this time period, also known as “baseball bats”,  are considered the best by many because they are large and comfortable.  Neck width is 1 11/16″, measured at the nut.
  • 1960-1962 – these necks feel very thin, which makes playing them harder on the hands.
  • 1963-1964 – back to a larger neck, but not as large as the 50s-era necks.
  • 1965-1967 – these necks, also known as “pencil necks”, are very small because the nut width is reduced (1 9/16″).
  • 1968-present – nut width is changed back to 1 11/16″ and the back of the neck has the same size as those from the 1963-1964 period.

History of the Gibson ES-175

Gibson produced the ES-175 from 1949 to 2017, the longest production run of an electric guitar.

The ES-175 was designed to be a cheaper laminate alternative to the L-5 and an electric alternative to the L-4.

Because of the rise of electric guitars, acoustic volume was not a priority anymore. This allowed guitar builders to use laminated (thin pieces of wood glued together) maple instead of solid spruce for the tops.

The laminate construction resulted in a lighter guitar (2,52 kg / 5.55 lbs) with less feedback compared to solid wood guitars.

The first Gibson ES-175 models cost $175 and that’s where these guitars get their name from. ES stands for Electric Spanish.

Here’s a list of acronyms used in relation to the ES-175:

  • ES – Electric Spanish
  • D – Double pickup
  • N – Natural finish
  • DN – Double pickup and Natural finish.
  • T – Thinline
  • CC – Charlie Christian (pickup)
  • PAF – Patent Applied For (humbucker pickup)
  • TOM – Tune-o-Matic bridge
  • VOS – Vintage Original Specifications
  • FON – Factory Order Number


Here’s a list of how many ES-175 models were shipped by Gibson the first 20 years of production:

  • 1949 – 142 guitars
  • 1950 – 533 guitars
  • 1951 – 664 guitars
  • 1952 – 1,010 guitars
  • 1953 – 1,278 guitars
  • 1954 – 1,144 guitars
  • 1955 – 1,051 guitars
  • 1956 – 1,273 guitars
  • 1957 – 891 guitars
  • 1958 – 676 guitars
  • 1959 – 754 guitars
  • 1960 – 687 guitars
  • 1961 – 647 guitars
  • 1962 – 574 guitars
  • 1963 – 713 guitars
  • 1964 – 631 guitars
  • 1965 – 744 guitars
  • 1966 – 600 guitars
  • 1967 – 1,060 guitars
  • 1968 – 1,121 guitars
  • 1969 – 753 guitars


The First Gibson ES-175 Models (1949-1956) – P-90 Pickup

Price Range: $2,500 – $4,200

The Gibson ES-175 was introduced in 1949 (June 15), when Gibson was under the leadership of Ted McCarty.

Gibson’s aim was to produce a mid-priced electric guitar with a cutaway. This Florentine (sharp point) cutaway allows guitar players to play all 19 frets (later 20 frets) with ease.

The Gibson ES-175 has a maple all-laminate construction. This kept production costs low and feedback at a minimum.

Until 1953, the Gibson ES-175 came with a single P-90 pickup in neck position. A two-pickup model was available as a custom order. A few models came with Alnico V pickups, but these are very rare.

This Gibson ES-175 model was available in a natural or sunburst finish (nitrocellulose lacquer).


Gibson ES-175 from 1949


Gibson ES-175D (1953-1956) – P-90 Pickups

Price Range: $2,500 – $8,400

The Gibson ES-175D came out in 1953.

This guitar has the same body and hardware as the single-pickup version but has double P-90 pickups instead of a single P-90. Though there were double pickup models available in 1951 and 1952, they did not receive the ES-175D designation until 1953.

These guitars were equipped with two volume controls, two tone controls, and a 3-position selector switch. ES-175 models with double pickups from before 1953 had two volume controls, only one tone control, and no selector switch.

The ES-175D Gibson came at a price of $250 in sunburst and $265 in natural. There were also some instruments released with a black finish.


Gibson ES-175D


Gibson ES-175D (1957-1976) – PAF Humbucker Pickups

Price Range: $2,100 – $12,400

The next major change came about in February 1957 when the ES-175D was equipped with two PAF humbucker pickups instead of P-90s.

In 1958, another version of the ES-175D came out with a T-shaped tailpiece and zig-zag patterns on the sides.

While the single pickup version of the ES-175 was discontinued in 1971, the double pickup version was in production until 2017.

In 1956, Gibson added an extra fret to the fingerboard, making the ES-175 a 20-fret guitar.  The highest note is now a C instead of a B.

In 1959, Gibson officially stopped manufacturing ES-175s with a natural finish, although 5 natural models were shipped in 1960. This lasted until 1963.

Some instruments were released with a cherry red finish.


Gibson ES-175DN


Gibson ES-175D (1976-1983)

Price Range: $2,200 – $3,100

In 1974, Norlin Music Instruments acquired Gibson and changes were made to their entire product line. Not a lot of people are fans of guitars from the Norlin-era, which lasted from 1974 to 1986.

In 1976, Gibson made some changes to the ES-175:

  • The one-piece mahogany neck was replaced with a three-piece maple neck. The maple neck is considered inferior quality compared to the mahogany neck.
  • A volute was added to the neck (behind the nut) to strengthen the headstock.Gibson volute
  • The wooden bridge was replaced by a Nashville Tune-o-Matic bridge.Tune-o-Matic bridge


Gibson ES-175T (1976-1979)

Price Range: $3,000 – $3,500

The Gibson ES-175T, a thin-body version of the ES-175, was introduced in 1976. It was available in sunburst, natural, and wine red.

The ES-175T was not very successful though and was discontinued in 1979.


Gibson ES-175T


Gibson ES-175 CC (1978-1979)

Price Range: $2,200 – $3,100

From 1978 to 1979 Gibson produced the ES-175 CC model, which is a standard ES-175 with a single Charlie Christian blade pickup in neck position.

Note that these pickups are not the same pickups Charlie Christian and Barney Kessel used.


Gibson ES-175 CC


Gibson ES-175D (1983-1990)

Price Range: $2,100 – $2,300

In 1983, the back and sides of the Gibson ES-175 changed from maple to laminated mahogany, while the top remained laminated maple.


Gibson ES-175 aged white


Gibson ES-175 Reissue (1991-2015)

Price Range: $1,900 – $2,600

In 1990, the back and sides of the ES-175 changed back to laminated maple.

In 1991, the ES-175 was branded as the Gibson ES-175 Reissue and was part of the Historic Collection.

In the ’90s, the Tim Shaw humbucker plugins of the 80s were replaced with the new ’57 Classic pickup.


Gibson ES-175 Steve How Signature Model (2001-2007)

Price Range: $2,700 – $3,300

The Steve Howe Signature ES-175 is based on Steve Howe’s 1964 ES-175.

It comes with a single-cut maple body (vintage sunburst), a mahogany neck, and a 21-fret rosewood fingerboard with double-parallelogram inlays.  The bridge has abalone inlays.

The ES-175 Steve Howe has two ’57 Classic Gibson humbucker pickups and a TOM bridge.

Gibson reintroduced the zigzag tailpiece on the Steve Howe model. The zigzag tailpiece had not been used since it was discontinued in the 60s.


Gibson ES-175 Steve Howe signature


Gibson ES-175 1959 VOS Reissues (2010-2017)

Price Range: $2,900 – $3,500

In 2010 Gibson released a number of 1959 ES-175 reissues, including a single-pickup model. These guitars come from the Gibson Memphis shop.

VOS = Vintage Original Specifications

Gibson replicated the construction of the ES-175 as it was done in the 50s, including solid sides, internal rims, thinner nitro finish, and the wooden bridge.

These ’59 reissues are excellent guitars, as good as the vintage models from the late 50s, early 60s and superior to ES-175 models from the mid-1960s to now.

The current models of the Gibson ES-175 are equipped with two Gibson 57 classic pickups, which are replicas of the PAF pickups of the 1950s.

Gibson ES-175 Variations

Gibson ES-175 Special Wurlitzer (1955)

The ES-175 Special Wurlitzer was a custom-ordered ES-175 that was thinner than the standard ES-175 and trimmed out like a Les Paul.

The guitar was custom made for guitarist Andy Nelson who worked as a clinician and in sales for Gibson in the 1950s.

Nelson pitched this streamlined ES-175 model to Wurlitzer stores and even ran a spot on WBBN radio that Wurlitzer sponsored. Though we know them today for jukeboxes and pianos, in the mid 20th century the Rudolph Wurlitzer company was a musical instrument distributor and dealer.


Gibson ES-295 (1952-1959)

Price Range: $2,600 – $18,600

The ES-295 Archtop is essentially an ES-175 with decorative gold paint and a variety of decorative details. A sunburst version exists as well.

The ES-295 is made famous by Scotty Moore, the guitar player of Elvis Presley.

Featuring the same body specs as the ES-175, the ES-295 featured:

    • Two P-90 pickups with white covers. In 1957 the P-90s were replaced by Humbuckers. The humbucker version of the ES-295 is more valuable for collectors, that’s why you can expect to pay a minimum of $13,400 for a 58 ES-295.
    • A clear pickguard which was back-painted with a decorative design.
    • The floating bridge of the ES-175 was replaced with a trapeze tailpiece with the strings looping over the bridge.

Unfortunately, the decorative gold paint did not stand up well to wear.


Gibson ES-295


Gibson ES-165 Herb Ellis Signature Model (1991-2013)

Price Range: $1,600 – $2,200

The Gibson ES-165 Herb Ellis signature was actually a re-release of the 1953 ES-175 that Ellis played for years.

Originally, the ES-165 came out with a single Gibson 490R humbucker, and single volume and tone control.

In 2004, the ES-165 was re-released, but this time with the Gibson 490R humbucker being replaced by a BJB floating humbucker. The volume control was moved to the surface of the pickguard.


Gibson ES-165 Herb Ellis


Gibson ES-775 (1990-1993)

Price Range: $2,500 – $6,000

The Gibson ES-775 is an upscale version of the ES-175 and was shortly produced between 1990 and 1993.

The guitar features a three-piece maple neck, gold-plated metal, and an ebony fingerboard.

The ES-775 sounds a bit mellower compared to the ES-175 because the neck pickup is closer to the fingerboard.


Gibson ES-775


Noteworthy Players

  • Wes Montgomery – The great Wes Montgomery played several Gibson hollow-bodied guitars in his career, including the L5 CES and the ES-175. Wes Montgomery’s ES-175 is featured on the cover of Movin’ Wes.
  • Herb Ellis – As mentioned above, Herb Ellis loved his 1953 ES-175 so much that it was re-released as the ES-165 Herb Ellis signature model.
  • Joe Pass – Joe Pass used a sunburst ES-175 until 1970. The guitar was given to him as a present in 1963. Epiphone currently produces a Joe Pass signature Emperor model based largely on the ES-175.
  • Jim Hall – Jim Hall played the ES-175 throughout his long and legendary career. He bought his Gibson ES-175 in 1956 from guitarist Howard Roberts. Jim replaced the original single P-90 pickup with a humbucker.
  • Pat Metheny – For much of his career, Pat Metheny used a 1960 ES-175N. The guitar was bought at a garage sale and he has been playing it since he was 13.
  • Pat MartinoPat Martino played a Gibson ES-175 in the early years of his career.
  • Babik Rheinhardt – Django Reinhardt’s son
  • Toots Thielemans – Belgian jazz musician who is famous for his harmonica playing, but is also a great guitarist.
  • Philip Catherine – Another great Belgian jazz guitar player.
  • Ronny JordanRonny Jordan plays a Gibson ES-175 on a lot of his recordings, including his famous version of So What.
  • Howard Roberts – Before Gibson introduced his Signature Fusion III model, which is basically a variation on the ES-165, Howard Roberts played an ES-175 and a modified ES-150 known as “The Black Guitar”.
  • BB King – Before Gibson released BB King’s signature Lucille model, the blues legend played a 1960 ES-175.
  • Steve Howe – The progressive rock icon was so enamored with the ES-175 that when he bought it, he simply stared at it for days without playing it. Throughout his career with Asia and Yes, Steve Howe played his ES-175D until Gibson came out with his Steve Howe ES-175 Signature mentioned above.
  • The Edge – U2‘s guitarist played an ES-175 on their legendary Zoo-TV Tour.
  • Andy Summers – On his personal website, the Police guitarist can be seen playing an ES-175 with the famous zig-zag design on the tailpiece.
  • Izzy Stradlin – played a white ES-175 in the band Guns N’ Roses.
  • Bill Frisell
  • Joe Diorio
  • Jimmy Raney
  • Derek Bailey
  • Bonnie Raitt
  • Mark Knopfler
  • Keith Richards

Attempts to Replicate the ES-175 Magic

Throughout its history, the Gibson ES-175 has been cloned by other guitar manufacturers.

During the vintage guitar era, when Gibson along with Fender were the two foremost brands in the world, many manufacturers created ‘clone’ or ‘lawsuit’ versions of the ES-175, including the Aria Pro II ES-650, the Greco FA-80 and the Ibanez 2355M.

Although most of these clone guitars have stood up to the test of time and are now collectible in their own right as quality instruments, the general consensus is that they can’t beat the real deal.



Average Price: $1,000 – $1,500

The Greco FA-80 is a clone of the Joe Pass Gibson ES175 and is an actual lawsuit guitar.

The guitar was made in Japan between 1970 and 1974 and was a convincing clone of the more expensive US models.

Other Greco ES-175 models include the S-50, S-55, N-50, and N-60.

Greco hollow bodies are hard to find, especially the FA-80.


Greco FA-80


Epiphone ES-175 Premium

Average Price: $600 – $1,000

The Epiphone ES-175 Premium is a scaled-down version of the classic Gibson and is still in production today.

Since Epiphone was bought by Gibson, many of Gibson’s more expensive and iconic models have been released in Epiphone versions that retain many of the original’s look and feel at a considerably lower price.

The Epiphone ES-175 Premium is a remarkably good guitar for a very fair price.


Epiphone ES-175 Premium


Heritage H-575

Average Price: $2,300 – $4,000

Heritage Guitars is situated in Kalamazoo (MI) and was founded in 1985 by former Gibson luthiers.

The H-575 is Heritage’s ES-175 model.

While the Gibson ES-175 is made of laminated wood, the H-575 is made from solid carved maple. It has a one-piece mahogany neck with rosewood fingerboard, a floating rosewood bridge, and a trapeze tailpiece. The guitar is equipped with Seymour Duncan Seth Lover humbuckers.


Heritage H-575


Other ES-175 Clones

  • Archtop Tribute AT105 Classic – $1,500 – $1,600
  • Stanford Crossroad Fatboy 75-2 – $1,200 – $1,300
  • Ibanez 2355 (lawsuit) – $1,100 – $1,600
  • Ibanez FA-100 (post-lawsuit) – $1,100 – $1,500
  • Peerless Gigmaster Jazz – $1,100 – $1,400
  • Eastman AR-372 – $1,000 – $2,000
  • Aria Pro II ES-650 – $900 – $1,200
  • Loar LH-280 – $500 – $600
  • D’Agostino 175 – $400 – $800

Gibson ES-175 Buying Guide

If you are looking to buy a Gibson ES-175, or are wondering about the value of one that you already have, the truth is that there is a wide range of prices that depend on several factors including:

  • Year
  • Model
  • Condition
  • Finish
  • Whether or not all of the guitar’s components are original.
  • The quality of the flame on the maple top.


The 50s and 60s

The best Gibson ES-175 models are, in my opinion, those from the late 50s-early 60s. Models from the time period between 1955 and 1963 are unfortunately also the most expensive ones.

The guitars from that era have thinner tops and sound more lively. A disadvantage of this is that they are more prone to feedback.

Another advantage of ES-175s of this era are the necks, which are considered the best.

If you want to buy a vintage Gibson ES-175 from the 50s, you have to make a choice between P-90 pickups (up to 1956) or PAFs (starting in 1957), with the P-90s having a bigger sound, and the PAFs having a warmer sound.

In 50s and 60s models, a natural finish is more valuable compared to a sunburst because Gibson stopped producing the natural version in 1959 (until 1963).

When buying an ES-175 from the 60s and early 70s, make sure the guitar doesn’t have a sunken top and that the fingerboard area over the body hasn’t risen up, both issues which are not uncommon.

The tops of these guitars were tinner (and more resonant), making them more susceptible to top sinking.

Two symptoms of a sinking top are the bridge pickup that is set unusually high and the bridge that is unusually high to compensate for the drop of the top. If you suspect a sunken top, have a look under the top with the camera of your phone to check for broken kerfed braces.


The 70s and 80s

The period between 1969 and 1986 is not considered to be a desirable period for the Gibson ES-175, because of the neck volute, heavier construction, and plain maple top, back and sides.

An advantage of these Norlin-era ES-175s is that they are less prone to feedback, making them a more practical instrument.

In 70s models, the finish is not such an important factor as it is for 50s and 60s guitar.


The Late 80s

Models produced later than 1983 feature mahogany back and sides, as opposed to the classic laminated maple.

Some players prefer these models for their “mellower” tone.


The 90s and 00s

Gibson ES-175 reissues are generally good guitars and well worth their price, especially the 1959 VOS edition.

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25 thoughts on “The Gibson ES-175”

  1. Michael Lindsey

    I have a 1973 Model. It did tour with James Brown Once. Guitarist friend borrowed. Have to check up how much it is worth. Cool Page Sight 👍👍👍

  2. Don Rowell (art4$)

    Thanks so much for the excellent article on the Gibson ES175. I have a 1961. It was originally a single pickup (should be a PAF, but I’ve never taken it out to check). I bought it from a friend in the 80s. He had owned it for at least a decade. And it took me 10 years or so to talk him into selling it to me. Before he owned it, someone added a 2nd pickup, but not a 2nd volume & tone. I had new frets installed & neck pleked soon after I got it and years later added the 2nd volume & tone controls. It has no pickguard, maybe because the location of the neck pickup was different in single and double pickup models?
    This has been my favorite guitar for many years. I don’t play it out as much as I used to due to its value and age and that I have some other nice guitars to choose from. I think I’ll take it to a gig this week, though!

  3. Anonymous

    I have a Gibson ES-175D but I cannot find more information in it, no year, nothing. This guitar was from my husband, unfortunately he died some years ago.
    How can I find out more about the year, etc?
    Thank you very much, Maria

    1. Dirk Laukens

      Hi Maria, what is the serial number? You can find it on the back of the headstock…

  4. Stan Laferriere

    I used to play massive arch top as L5, Johnny Smith etc, since 80’s. I recently discovered (and bought) two 175 (P90 1953 natural, and 1966 175D) & an L4 from 1964 with floating de armond. I have to say that I love the size and the sound !

  5. Adam

    Hi Dirk,
    Thanks for the great article. I’m considering buying a sunburst 1984 ES-175D from a very reputable shop, but they’re asking about $3900. Based on your article the average for these should be in the low to mid $2000s. Just wondering if there’s something I’m missing, since there are so many variations. Any thoughts would be most appreciated! Happy to post pics

      1. Rick Jensen

        I have a Gibson ES 137 which is a semi hollow body guitar – same dimensions as the 175 although less body depth (2 1/2″ rather than 3 1/2+”) very nice alternative with a similar tone.

  6. Epistrophy

    Tokai ES 175 is also a great clone. By the way, the album cover of “Movin’ Wes” shows Wes with an L5 equipped with a florentine cutaway instead of his 175 that he played early in his career. Also the 175 on the cover of “Incredible Jazz Guitar” is not his 175. It was a borrowed specifically for the promotional picture of that recording, and Wes played an L5 with P90s on that album.

  7. Anonymous

    The picture of Movin’ Wes actually clearl represents an L5 with a florentine cutaway instead of a 175. Wes was almost never seen with his 175, no recorded material. Otherwise great article. BTW. I wouldn’t consider modern and heavier constructed 175s inferior to the vintage ones. Just different sounding, maybe darker when played through an amp, and acoustically quieter.

    1. Anonymous

      Sorry for the info posted twice about Wes, my computer was just laggy and I thought I lost the previous reply. “In the ’90s, the Tim Shaw humbucker plugins of the 80s were replaced with the new ’57 Classic pickup.”. T-top pickups were also on the 175s from the 70s, those pickups seemed to be the thing during the whole Norlin era.

  8. Rick Rutkowski

    Thanks for the great article on the ES-175 & it’s variations! I have one more for your list. I have a History SH-FA / NT. I don’t know what the original pickups were, but it had Virgil Arlo’s in when I bought it. Beautiful guitar.
    If you like, I can send photos. Just let me know where to send them.


    I’m considering a 66 es175d to add to my collection, but will I hate it because I’m used to my 60 es355td and the necks will be SO different?

  10. Pamela

    Hey Dirk! I’m Pamela! So my dad died 5 years ago and I’m ready to sell his guitar to a great person. But I don’t know much about this guitar. It is a Gibson ES-175,
    Serial 00994723. Thanks for the help!

    1. Tripp L.

      Any chance you still have the ES-175 and want to sell it?

  11. John Yanik

    My Gibson says on the inside sticker ES -175 #A-9317.
    I have no idea what year it is or its value. It has been in the same case since I was a young kid and I am now 54. Can you please let me know an approximate value?
    Thank you so much in advance.

  12. Carlos

    Excellent article. Wish there were articles like this one written for more guitar models. I’m the proud owner of a 1959 VOS ES-175D, and it’s a fabulous guitar indeed.

  13. Rodrigo Etchebarne

    Hi, I’m trying to buy a Gibson ES 175 and this post was extremely interesting to me. I’d like to get a great sounding ES175 but unfortunately I’m buying online and can’t try the guitars personally. Im trying to decide between a vintage ES175, from the golden era “between 1955 and 1963” as described in this post, or a 1959 VOS Reissue… I tend to believe that old wood sounds better, specially in a hollow guitar. However, I read in this post “These ’59 reissues are excellent guitars, as good as the vintage models from the late 50s…”
    Im considering spending twice as much as I would for a 59 reissue, to get a vintage 57′, but that line makes me think twice…
    Any advice??? Thank you!

    1. Dirk Laukens

      Hi Rodrigo, I realize this is not what you want to hear and not always possible, but the only way to get an answer to your question is actually play a couple of models. Buying an ES-175, especially vintage models, can be hit-and-miss, that’s why it’s important to play the guitar before you buy it.


    i just got a 1981 ES 175 in good condition in a trade. I love it.

    I don’t know how to tell if the back and sides are maple or mahogany!


  15. Thomas

    Very informative and on point. Love looking and dreaming about all those classic jazz boxes, but not the Herb Ellis ES 165–only because I play one! It gets better every day.

  16. Thomas

    Very informative, especially the clone section. Thank you. Would the Ibanez FA-100 be included in the clone line-up?


    1. Dirk Laukens

      Thanks Thomas, added the FA-100 to the list.

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