The Best Jazz Guitars (Top 15) – Survey Results

Guitarists in all genres love their gear, especially their guitars of choice, and jazzers are no different. In order to find out exactly what jazz guitarists are playing these days, we set out to conduct a survey of JGO readers and asked them about their best jazz guitar.

After getting back over 5000 responses from jazz guitarists all over the world, we’ve put together the results in this list that you can refer to the next time you are wondering what other jazz cats are playing, or are looking for a new jazz guitar model to add to your collection.

Though it is not surprising that Gibson guitars are the most popular brand chosen by readers, what might come as a surprise was the variety of other brands that made the list and the fact that as many people played “other” brands as they did Gibson. This result shows a healthy variety of options for jazz guitar players looking to explore quality guitars in a variety of price ranges.

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Take a look through the survey results and see where your current (or dream guitar) landed in our ranking of the best jazz guitars as chosen by you, the JGO community.

 

The best jazz guitars

Gibson

Played by some of the most legendary jazz guitarists of all time (Wes Montgomery, Pat Metheny, Johnny Smith, Barney Kessel), Gibson archtops have long been associated with the classic jazz guitar tone that many guitarists strive for in their playing.

Therefore it is not surprising that Gibson guitars landed at the top of our survey, as they continue to be the guitar of choice for jazz guitarists of all backgrounds and experience levels.

Here are the most popular models of our survey.

 

Gibson ES-175

Price Range: $1,900 – $18,600

The Gibson ES-175 has long been one of the most popular and famous jazz guitars on the market. Debuted in 1949, this guitar was designed to be a laminated alternative to the L-5 and an amplified version of the L-4.

Its playability, its consistent clean tone, and its durable nature make it the go-to choice for many legendary players, including Pat Metheny and Joe Pass who played this guitar at different points in their careers.

 

Gibson ES-175DN

 

Gibson ES-335

Price Range: $1,200 – $26,000

First built in 1958, the Gibson ES-335 is a thinline, semi-hollow body guitar that has worked its way into jazz through the work of great players such as B.B. King, Larry Carlton, and others.

Designed to provide a middle ground between the Les Paul and Gibson’s archtop models, which back in the day had issues with feeding back at high volumes, the ES-335 bridges the gap between an archtop and the ability to reign in feedback and create a warm tone at high volumes.

 

Gibson ES-335

 

Gibson L-5

Price Range: $4,100 – $18,100

Having been in continues production since 1922, the L-5 is the pinnacle of the Gibson archtop collection, in no small part to the fact that Wes Montgomery made it his guitar of choice during his short, but highly successful career. Other players that have chosen the L-5 as their guitar of choice are Tuck Andress, Lee Ritenour, Pat Martino, and Eddie Lang.

Though these guitars come with a hefty price tag, the L-5 is still the Gibson guitar that many players save their pennies for as they search for the perfect (Wes Montgomery inspired) tone.

 

Gibson L-5

 

Other Gibson Models (in order of popularity)

  • L-4 $2,600 – $3,200
  • ES-137 $1,200 – $2,200
  • ES-339 $1,100 – $3,000
  • ES-125 $850 – $2,600
  • ES-165 Herb Ellis $1,500 – $2,100
  • ES-330 $1,700 – $7,300
  • ES-135 $950 – $1,600
  • Howard Roberts $1,400 – 3,200
  • Super 400 $4,000 – $10,500

Ibanez

Setting out to offer more affordable options for jazz, Ibanez guitars have gained a firm hold in the market as they have been endorsed (or played) by top-level guitarists such as John Scofield, Ben Monder, George Benson, and Pat Metheny.

For players that are looking for a durable, great-sounding guitar, but don’t want to break the bank in the process, Ibanez offers a range of guitars for jazzers of all backgrounds, tastes, and levels of ability.

 

Ibanez Artcore AF75, AF95, AF105

Price Range: $175 – $650

Released in 2002, the Artcore is Ibanez’s line of semi and hollow-body guitars geared towards players that are looking for an affordable jazz guitar.

Though they are not held in the same high regard as the Artist Series, which are coveted by players for their playability and affordable price tag, the Artcore series makes for a durable, good-sounding introductory jazz guitar at a much more affordable price tag than their Gibson counterparts.

 

Ibanez AF75

 

Ibanez GB10 George Benson

Price Range: $1,300 – $3,600

Having recently celebrated 30 years of collaboration, Ibanez and George Benson offer several signature models for the jazz guitarist to choose from.

With a wide price range, the Ibanez GB series of signature guitars offers a number of options for players looking to gain that fat, warm Benson tone in their own playing.

The GB10 model does come with a fairly significant price tag, the high-quality and signature Benson tone that this guitar provides have kept it at the forefront of the jazz guitar signature model marketplace.

 

Ibanez GB10

 

Other Ibanez Models (in order of popularity)

  • Artstar AS200 $1,100 – $2,400
  • Artcore AK95 $350 – $500
  • Artcore AS73 $200 – $450
  • PM100 Pat Metheny $1,500 – $2,400

Fender

Long having been associated with rock and blues guitarists, mostly for the prominence of the Stratocaster model with these genres, Fender has slowly made inroads into the jazz guitar realm over the years as notable players such as Ted Greene, Ed Bickert, and Mike Stern have all chosen Fender Telecasters for their jazz recordings and performances.

 

Fender Telecaster

Price Range: $275 – $40,000

The Fender Telecaster is the most popular Fender guitar when it comes to jazz guitarists.

Providing a warm tone, with the durability and ease of play that Fender guitars have become known for, the Telecaster is a workhorse guitar, one that players will bring on the road and not have to worry about it working day in and day out under any condition.

Since the Tele is either a solid-body design or solid-body with F holes, it can be played at high volumes without the risk of feedback.

 

Fender Telecaster

 

Other Fender Models

  • Jazzmaster $600 – $12,000

Epiphone

Though many Gibson Archtop Guitars are beyond the price range of many players, Epiphone guitars are designed to provide the look and feel of a Gibson at a fraction of the price.

With a wide variety of both Gibson copies (such as the popular ES-175 and ES-335), as well as their own line of archtop guitars (featuring the Emperor and Sheraton models), Epiphone provides both copy and unique guitars that fans of Gibson archtops can enjoy and use as their go-to jazz guitar.

 

Epiphone Joe Pass Emperor II

Price Range: $350 – $700

Released just before his passing in 1994, the Joe Pass Emperor is Joe’s signature Epiphone model which he chose to release after having previously worked with Ibanez on his signature guitar releases.

Though he endorsed the guitar and Epiphone has said that he had a hand in designing the Emperor II, Joe was mostly seen and heard playing his Gibson ES-175.

While he may not have played the guitar that often, players looking to get a bit of that classic Joe Pass sound in their playing (without shelling out for a 175) will often choose this guitar as their main axe.

 

Epiphone Joe Pass Emperor II

 

Epiphone ES-335 Dot

Price Range: $350 – $740

A more affordable version of the Gibson ES-335, the Epiphone 335 (or “The Dot” as it is also referred to) is designed to provide players with the warm tone and long sustain associated with the Gibson version, but at a fraction of the sticker price.

Produced in the same colors as the Gibson model, including the iconic Red Cherry finish, this Epiphone model has become popular over the years, and it is usually held as the most consistent and playable of all the Epiphone jazz guitars.

 

Epiphone ES-335 Dot

 

Epiphone Sheraton II

Price Range: $350 – $700

Though this semi-hollow Epiphone is often sold for under $750, it has managed to find endorsements by some big names in the rock and blues worlds, such as John Lee Hooker, Noel Gallagher, and Brian Aubert.

While this guitar has been used mostly in the rock realm, jazz guitarists that are looking for a semi-hollow guitar at an affordable price will often reach for a Sheraton II as their guitar of choice.

With a fixed tailpiece and twin humbucker setup, the Sheraton II provides a warm set of tones, as well as longer sustain compared to a full archtop.

 

Epiphone Sheraton II

 

Other Epiphone Models (in order of popularity)

  • ES-175 Premium $500 – $650
  • Broadway $800 – $3,100
  • ES-339 $265 – $500
  • Casino $300 – $7,300

Eastman

After moving from China to the United States in 1992 to study music, Qian Ni subsequently founded Eastman Strings. The company first began as a violin import company and has now expanded to produce the Eastman Guitar line, which has been quickly growing in popularity in recent years.

Though they don’t have the celebrity endorsements or the long history of Fender or Gibson, Eastman Guitars has quietly been growing their Artist’s list, as well as making waves among jazz guitarist who try out their various models, and who are now championing the brand to friends through word of mouth.

As their reputation continues to grow, Eastman Guitars is quickly becoming a name to watch, and a guitar to try out.

 

Eastman AR371CE

Price Range: $450 – $1,000

One of the most popular Eastman Guitar models, the AR371CE is a single cutaway, laminated, and single-humbucker archtop guitar that is designed to compete with the best archtops produced by Ibanez and Epiphone.

Though they may be hard to get a hold of for a test drive, depending on where you live and how hip your local guitar store is, the AR371CE is a guitar that is worth looking for and trying out, even if you have to travel a bit to do so.

 

Eastman AR371CE

 

Other Eastman Models

  • AR803CE-16, AR805CE, AR810CE $900 – $1,500

Godin

Founded in 1972 by Robert Godin, and currently located in Montreal (Canada), Godin guitars have a long history of making high quality, affordable acoustic and electric guitars of various shapes and sizes.

Though most renowned for their acoustic models, the Godin 5th Avenue and other Godin models have become the guitar of choice for jazz guitarists such as Gustavo Assis-Brazil, Al DiMeola, Fareed Haque, and John McLaughlin.

 

Godin 5th Avenue

Price Range: $300 – $1,500

Covering a wide range of shapes and sizes, including cutaway and non-cutaway models, as well as acoustic and electric models, the 5th Avenue series from Godin has been making ground in recent years with jazz guitarists.

Designed to provide classic archtop sounds and playability at an affordable price, these guitars embody the look and feel of classic archtops, but with a modern approach to construction and at a fraction of the cost of a new or used Gibson.

 

Godin 5th Avenue

 

Gretsch

Originally founded in 1883 by Fredrich Gretsch, Gretsch Guitars has undergone a lot of changes over the years, but what remains the same is the company’s quality-built and iconic guitar models that appeal to players from across genres and musical tastes.

Currently, Gretsch has a production and distribution partnership with Fender, although Fred Gretsch III maintains ownership of the company.

While Gretsch is often associated with country players such as Chet Atkins and Swing players such as Brian Setzer, jazz guitarists have also used Gretsch models over the years, including Rune Gustafsson, Sal Salvador, and George Van Eps.

 

Gretsch G5120 Electromatic

Price Range: $350 – $500

With a single cutaway, two dual-coil pickups, and the classic Bigsby tailpiece, the Gretsch G5120 is a guitar that crosses boundaries and genres.

While this guitar might be more suited for jump swing, country, and rockabilly, its design lends it to be a nice sounding jazz guitar that will cut through a larger band setting, while still maintaining a warm, hollow-body sound.

 

Gretsch 5120 Electromatic

 

Heritage

Founded in 1985 by former workers at the Gibson Guitar factory in Kalamazoo, Michigan, Heritage guitars has aimed to keep the same high standards one expects from a Gibson jazz guitar, without raising prices to the point where most players couldn’t afford this level of quality.

A number of top-level guitarists have endorsed and/or played Heritage guitars over the years, including Johnny Smith, Alex Skolnick, Mimi Fox, and Kenny Burrell.

 

Heritage H-575

Price Range: $1,300 – $2,100

With a look similar to the classic Gibson ES-175 that used to be built in the manufacturing plant that Heritage inherited from its previous owners, the H-575 is a high-quality archtop at a medium price range.

With a boutique quality to it, this guitar imbues all of the traits that collectors and players look for in a classic Gibson archtop, though one that is built in the modern era.

 

Heritage H-575

 

Other Heritage Models

  • H-535 $1,400 – $1,700
  • Golden Eagle $3,200 – $6,600

Other Brands

Below is a quick listing of some of the other guitars that were mentioned in the survey, but that didn’t make it to the top makes and models listed above.

  • Yamaha SA2200 $1,200 – $2,600
  • Guild Starfire $1,200 – $3,500
  • Peerless Monarch $870 – $2,300
  • Höfner Jazzica $1,700 – $5,200
  • Washburn J3 $400 – $600
  • Hagström Viking $360 – $2,000
  • Aria Pro II PE-175 Herb Ellis $900 – $1,100
  • D’angelico Excel $14,000 – $20,000
  • Sadowsky Jimmy Bruno $3,000 – $4,500
  • Schecter Corsair $450 – $600
  • Gitane D-500 (Gypsy Jazz Guitar) $600 – $1,200

 

Download this popular jazz guitars infographic as an infographic here…

 

What do you think of this list and what is the best jazz guitar in your opinion? Let us know in the comments below…

  • fred blount says:

    Good presentation.

  • Louis says:

    Though I am not actively playing right now, a church group having laid a “guilt trip” on me years ago for not accommodating their taste for the going thing, I could not resist adding my 2 cents to this thread. So, what I wish I’d done I base on what I learned afterward. Much of the music industry accommodates those who don’t like jazz or, for that matter, any quality music. So, the manufacturers make guitars for people who would treat them as would a gorilla. Unfortunately that crowd was the source of the “guilt trip.” Then, for the overpriced quality end, the manufacturers know that price will not prevent some figurehead from having the new instrument he wants. So, I have two methods I offer for obtaining a fine instrument: a) Those “dream” instruments I see mentioned here, minus the brand name, are available on Chinese suppliers websites. They are not bad people to deal with; or for those who have more of their lives ahead of them; b) Settle on an instrument to learn and practice on. Get an audience with a luthier or manufacturer. Get your playing up where someone will beg you to play their instrument. Meanwhile I am glad someone asked about injuries and cures. I am right handed and this year my pinky developed arthritis. What does anyone else do for it?

  • Rick Thomas says:

    In the Fender section, why no mention of it’s one ‘real’ jazz box?… The Jimmy D’Aquisto-designed MIJ Elite…a spectacular player!

    • Dirk Laukens says:

      Hi Rick, this list is the result of a survey, I don’t get to choose which guitars make it to the list.

  • Cary says:

    Hagstrom HJ800
    I am a beginner in the world of jazz guitar and bought a Hagstrom HJ800 as my learning instrument. I don’t know a lot about the various options out there, but I am thoroughly enjoying this
    Hagstrom. I’m surprised that I never see it mentioned among the various recommendation lists. Is it lacking something that I should be looking for?

  • Frank Hamilton says:

    I have a Gibson 345. I believe this was B.B. King’s first guitar. I love the sound of it although I’m not a virtuoso player. I still like the warm sound it gets and the neck is not quite as slim as the 335 but not as wide as others.

  • Mark says:

    This is a great website!! It has everything I need and more than I imagined. There is enough fun here to last me a few years. Now I just need more free time :).

  • *Swav* says:

    I’d have to be declared completely insane if I ever buy this over-priced and over-rated Gibson thing (no matter how many “famous” people played it in the past). Having wide range of Godin guitars to choose from, (here in Canada), I’d rather opt for more sensible (price wise), and more “patriotic” selection. Godins – 100% Made in Canada, out of native Canadian woods, with the exception of fingerboards made out of traditional rosewood & ebony or, more modern, Swedish invention – the resinator wood/composite).
    Here is something for those willing to try an arch top that costs a fraction of a *Gibson* ($ 995 CAN) or one of the Multiacs (nylon or steal – your choice, under $1 grand CAN):
    ~ https://youtu.be/4YwKYSdi-H0
    ~ https://youtu.be/C8Qd6yWPWhQ
    ~ https://youtu.be/8Rl5zbiDZxI
    P.S. In this last video, Philip Catherine plays his priceless *Gibson* while Sylvain Luc makes his usual *magic* on $700 CAN Godin (5th Avenue with one P90). Did somebody say something in one of the previous comments that sound and artistry is in the soul and fingers of a player, and that “holly cow” *The Gibson” has nothing to do with it (except its outrageous price Lol…) ???
    Enjoy !!! 🐳 ♫♫ ❀(~‿~)❀ ♫♫ 🐳

  • Chris says:

    I have an Eastman AR371. When it is properly intonated with the action and bridge height adjusted carefully it has a beautiful ringing sustain to it. It is however, a wide and slightly cumbersome instrument in my opinion in comparison to other hollow bodies with a slimmer body profile. I’m often adjusting posture while playing it sitting and it is hard to find a comfortable height for it while standing. I tend to end up with it close to my chest so that I can keep a consistent angle. I think they could do with slimming the body profile to that of their ‘big brother’ models. Or you could just get an ibanez or epiphone.

  • Steven Winter says:

    I’m honestly surprised that the Les Paul didn’t merit a mention. It’s not especially popular among pros, but I’ve known many amateurs over the decades who preferred LPs. Quite a few of them came to jazz from rock and blues, like I did. Maybe it’s just a lot of players’ second choice?

  • Russell says:

    One thing i have noticed it really dosent matter what guitar you play as long as you are happy with the guitar then play it , I have a samick artist series 335 and three xs tele copies plus a couple acoustics and i play them all. Been thinking about getting a Gretch with a trem on it , my samick plays as good as any guitar bar none and the tele copies well lets just say with a little nut work they play just fine, twang and all, cheap ya might say but thats fine also . I got what i could afford at the time and am happy with them. Look at w Nelson he played that old guitar with holes in it on all his songs and on tv nylon string taboot I think he called it trigger he made millions with it .

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