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Gorgeous Sweet 16. But you know me...I'm an 18" acoustic guy. The '16 is my sofa guitar. I prefer Sweet 16's with humbuckers. I owned one 4 years back in a nice wineburst.
Originally Posted by Greentone
BTW, anyone interested in a floating pickup Sweet 16, which seems to be 99% of what I've seen produced, Jack Zucker's video above is a VERY accurate reflection of the tonal characteristics for the Sweet 16. Jack's something else....miss him around here
Shame you can't hear Mimi on the '16 with Stanley
Last edited by 2bornot2bop; 07-08-2016 at 06:34 PM.
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07-08-2016 02:18 PM
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Yeah, I miss Jack around here, too. Zucker sure can play...a strong George Benson influence in the clip.
That Sweet 16 sounds GREAT. (I'm not a pedal guy, but the Barb EQ by Barber does add some lift to the tone.)
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Is it me, or was she channeling Wes at the 1:42 mark?
Originally Posted by Greentone
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Definitely (Mimi channeling Wes) and successfully. If she doesn't generate interest in Berklee, what does?
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Lucky you! I'm a big fan of Mimi's playing (and teaching). I love the story she told in a video interview about meeting Joe Pass (in his hotel room) and playing for him. (An audition for lessons, really.)
Originally Posted by Stringswinger
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Sweet 16 is really good. awesome
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HEY 2B !!
?its great seeing pics of my Sweet 16, I love it
Originally Posted by 2bornot2bop
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beautiful, great guitar
Originally Posted by BigMikeinNJ
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The Sweet 16 is an excellent smaller archtop that's built with the same basic approach that Heritage applies to other carved archtops. The differences among them may be meaningful to you as an individual. They come with either parallel or cross bracing.
Super Eagle/Super Kenny Burrell 18" body, 3" depth, 25.5" scale.
Golden Eagle/Henry Johnson: 17" body, 25.5" depth. GE is 3" deep, HJ is 3 3/8" deep.
Sweet 16: 16" body, 2.75" depth, 25.5" scale.
H-575: 16" body, 2.75" depth, 24.75" scale.
Eagle: 17" body, 3" depth, 25.5" scale.
Heritage would make these on special order with spruce, maple or mahogany woods. Neck thickness are quite variable, commonly carved according to the customer's preference. Even top thickness and layers of nitro vary with request.
Newer Heritages are easier to generalize about. The older ones are not. That makes trying a 10-30 year old Heritage jazz box so much fun.



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Jimmy Smith at Newport ('72) Kenny Burrell on guitar
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