The Jazz Guitar Chord Dictionary
Reply to Thread Bookmark Thread
Page 3 of 3 FirstFirst 123
Posts 51 to 63 of 63
  1. #51

    User Info Menu

    Quote Originally Posted by jbucklin
    That's the one thing that has kept me from being a Joe Pass fan. Genius of a player, but I can't get past his thin, trebly tone. What are some recordings with his fantastic tone?
    For Django, Joy Spring, Intercontinentals...

  2.  

    The Jazz Guitar Chord Dictionary
     
  3. #52

    User Info Menu

    Quote Originally Posted by mr. beaumont
    For Django, Joy Spring, Intercontinentals...
    Always thought his tone on Joy Spring sounded like someone wrapped his amp in a sleeping bag or something.

  4. #53

    User Info Menu

    My favorite Joe Pass tones....


  5. #54

    User Info Menu

    Quote Originally Posted by jbucklin
    That's the one thing that has kept me from being a Joe Pass fan. Genius of a player, but I can't get past his thin, trebly tone. What are some recordings with his fantastic tone?
    For solo guitar, I think Joe's tone on Blues for Fred is just impeccable. It's some kind of blend of electric and acoustic, and it's (to me!) just perfect.

    Also, check out his Joe Pass in Hamburg, done with a German Big-Band, but WOW the tone is to die for, and it's recorded perfectly. That's a little known album that is, in my opinion, the pinnacle of good taste and great chops.

    Here's one from Blues for Fred:



    Here's one from Joe Pass in Hamburg that I think would please even the redoubtable Mr. Beaumont:


  6. #55

    User Info Menu

    "For solo guitar, I think Joe's tone on Blues for Fred is just impeccable. It's some kind of blend of electric and acoustic, and it's (to me!) just perfect."

    Lawson: Thanks for posting this. That tone is exactly what I have been trying (rather inelegantly) to describe. It's very similar to the tone on the two vids that I posted. It's rich, lush and yet articulate and there's a bit of "wire" (you used the word acoustic) sound to the strings.

    It is that which I would be trying in my own amateurish way to get either the Godin or the Peerless to say (I'm playing through a small Traynor all-tube combo: 3x12AX7; 2xEL84; spring reverb; 12 inch Celestion Greenback).

  7. #56

    User Info Menu

    If the Cremona was around at the time of Joe Pass, I think he'd have approved.

  8. #57

    User Info Menu

    "If the Cremona was around at the time of Joe Pass, I think he'd have approved."

    Judging by the specs and the comments here, the Cremona is a lovely guitar but it's seriously out of my price range.

  9. #58

    User Info Menu

    Monarch. You won't be sorry!
    Quote Originally Posted by Llewellen
    "If the Cremona was around at the time of Joe Pass, I think he'd have approved."

    Judging by the specs and the comments here, the Cremona is a lovely guitar but it's seriously out of my price range.

  10. #59

    User Info Menu

    Not for a used guitar.

    Quote Originally Posted by Llewellen
    "If the Cremona was around at the time of Joe Pass, I think he'd have approved."

    Judging by the specs and the comments here, the Cremona is a lovely guitar but it's seriously out of my price range.

  11. #60

    User Info Menu

    Quote Originally Posted by Jim Soloway
    My favorite Joe Pass tones....

    I'll be darned. Mine too.

  12. #61

    User Info Menu

    Quote Originally Posted by lawson-stone
    For solo guitar, I think Joe's tone on Blues for Fred is just impeccable. It's some kind of blend of electric and acoustic, and it's (to me!) just perfect.

    Also, check out his Joe Pass in Hamburg, done with a German Big-Band, but WOW the tone is to die for, and it's recorded perfectly. That's a little known album that is, in my opinion, the pinnacle of good taste and great chops.

    Here's one from Blues for Fred:
    Now, that's what I'm talking about! I've never heard him get such a great sound as he got on the big band version of "On a Clear Day". Thanks for posting that!

    I always thought that he kept the tone knob on his guitar rolled all the way up for his solo work to avoid excessively bassy low notes. That's actually what I do when playing solo. Well, maybe not all the way up!
    Last edited by jbucklin; 06-23-2016 at 10:47 PM.

  13. #62

    User Info Menu

    Quote Originally Posted by Llewellen
    I'm zeroing in on my next guitar purchase - a full size archtop. After endless googling, viewing all available youtube videos and reading what reviews there are, the top two contenders in my mind at the moment that are in my price range are the Godin 5th Avenue Jazz and the Peerless Manhattan.

    I have no chance to hold and play these guitars. I live in a very small community on Vancouver Island and even the best music shops in the closest big city (Vancouver) do not stock them.

    If I could say only one name to try to describe the kind of tone and musical style I admire and seek to emulate it would be Joe Pass. This youtube demo of the Peerless by Dwight Love is also quite illustrative:



    Comments, suggestions, criticisms gratefully received. Thanks.
    Dwight Love has several youtube videos playing his Cremona as well.

    I'm an hour south of the border. You're welcome to drop in any time to play the pair I have on hand.



    Jazzy Edwin has one of the better recordings of a Cremona

    Last edited by 2bornot2bop; 06-24-2016 at 09:22 PM.

  14. #63

    User Info Menu

    Thanks for the links and the offer 2bornot2bop. I'll shoot you a private email if I plan on getting down to WA (won't be soon though).

    Actually, the tone on the vid I posted of Dwight Love demo'ing the Manhattan is closer to where I'm wanting to be. Also, the Joe Pass tone on the 2 vids I posted earlier (Beautiful Love and When You Wish) is very close. The epitome would be the Pass tone on the vid Lawson posted of Night and Day. To my ears, without actually holding the guitar, I think that with the right strings and amp, the Manhattan could achieve that. Nirvana!