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Thank you Jim. Your comment is extremely helpful. Someone once said that trying to talk about music is like trying to sing about football. It can't be made to compute. So instead, I offer this link to Joe Pass playing "When You Wish". If I could achieve this tone, I would think I had died and gone to heaven. I realize that so much of it comes from his hands and fingers on the instrument, but that's my holy guitar grail. The deep resonance of the big archtop body, yet some wirey sound of the strings mixed in (I'm guessing he's using round wounds here).
Originally Posted by Jim Soloway
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06-21-2016 11:27 PM
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Check out Gray Sargent with Tony Bennett and Lady Gaga. Like I said, it's a pretty cool sounding guitar in the right hands and this is probably the biggest gig you can get playing an archtop.
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Wow, that sounds incredible. We don't have any indication of what amp he's playing through, do we?
Originally Posted by Jim Soloway
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No mystery here. Joe plays his Ibanez JP20 through a Polytone amp. I seriously doubt he's using round wound strings, probably a standard .12 flat wound set.
Originally Posted by Llewellen
The rest is... Joe Pass!
-Lawson
"Behavior that's admired is the path to power among peoples everywhere."-Beowulf
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Joe's guitar here is a laminate, 17" archtop, 3" deep, with a 24.5" scale. The pickup is set back from the e d of the fingerboard a bit.
You can approach this sound generally with several instruments. My Epiphone Broadway comes close as I play my lame lines-but with lovely tone! The Peerless Monarch with the set-in pickup would also come close.
Maybe even the Epiphone Joe Pass Emperor II.
-Lawson
"Behavior that's admired is the path to power among peoples everywhere."-Beowulf
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I don't want to nit pick but I believe that's the Ibanez JP20 which has a 25.5" scale length and the video shows a Musicman amp, not his Polytone.
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Thanks Lawson for the suggestions. I'll track them down and see what turns up on youtube to compare with. Here's another example of that combination of body resonance and string wire sound that I find so compelling. Pass playing "Beautiful Love":
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Thanks for the link Jim. There is no doubt that the Godin has a wonderful tone but, with its mounted twin pickups (P90s??) it's a very different sound than the Pass sound in the two clips I have linked. Not better or worse, just different - a matter of taste and preference.
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The Godin sounds great in the hands of Gray!
And Lady Gaga! I wish she would put out an album with that rhythm section. I'd buy it in a heartbeat. Of course Tony B. sounds great as always.
Originally Posted by Jim Soloway
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Actually, Pass' tone is quite bright there, I think you could get that with a P90.
Originally Posted by Llewellen
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I think Pass's tone in that vid is also very uncharacteristic for him (I was going to say very un-Pass-like but that was too much of a mouthful). I suspect that the Musicman amp has a lot to do with that.
Originally Posted by mr. beaumont
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I"m not sure that's true. His tone on the other vid I posted (When You Wish) is very similar, perhaps not quite as bright, but still very similar. That said, I do agree that the tone he gets on many other recordings is not as bright.
Originally Posted by Jim Soloway
Anyway, the point is that in both of these vids I posted I hear a combination of string wire sound and body resonance that I find very attractive and would very much like to reproduce (realizing that my technique will never be like that of Joe Pass so my ears will precede my fingers
)
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Joe played with some fantastic and some awful tones in his career. The only thing consistent was his high level of playing.
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Both of those videos were also played on the Ibanez JP20. The 25.5" scale length, maple neck, ebony board and pickup position would all contribute to the snappiness. Several member here have owned this model. Maybe one of them will add their comments.
Originally Posted by Llewellen
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I have become a huge Gaga fan since she started singing Jazz standards. She is also quite competent on piano. The lady can sing!
Originally Posted by jbucklin
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Now you're partially heading into territory that I'm tying to avoid. My hand size is slightly on the small side of average and I'm getting up there in years. I can play the longer scale but I'm much more comfortable on the 24.75".
Originally Posted by Jim Soloway
That said, I do agree that the longer scale (longer string length) would add some tightness, particularly on 6, 5 and 4.
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That's the one thing that has kept me from being a Joe Pass fan. Genius of a player, but I can't get past his thin, trebly tone. What are some recordings with his fantastic tone?
Originally Posted by mr. beaumont
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By the way, does The Kingpin II's CW mean cherrywood, or both kinds of music---C & Dubya?
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Indeed! And to think how I used to scoff whenever
Originally Posted by jazz.fred
I would hear her pop stuff. I love when I'm surprised like that.Last edited by jbucklin; 06-22-2016 at 03:36 PM.
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As absurd as it sounds, I always assumed it was a reference to the CutaWay that the is absent on the original Kingpin while the ii indicates either the second generation or the two pickups.
Originally Posted by jbucklin
BTW, yesterday I tried tuning my Godin down a semitone and it's been just a blast to play that way. It was like the whole guitar just came to life.
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Well.. I did get the manufacturer right... ;-)
Originally Posted by Jim Soloway
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Actually I was wondering if I was wrong about the scale length: isn't the JP20 a 24.75" scale? I thought Joe tended to like the shorter scale guitars.
Originally Posted by Jim Soloway
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Every reference to the specs that I've seen are 16" lower bout, 25.5" scale length, 1.75" nut width, maple neck with ebony board.
Originally Posted by lawson-stone
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Wow. I missed it on every single point. I should have looked it all up before I posted. Musicman? Joe Pass using a MUSICMAN?
Originally Posted by Jim Soloway
Many things turn out to be true that are admittedly highly improbable.Last edited by lawson-stone; 06-22-2016 at 12:08 PM.
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I think that was probably an amp that was supplied to him by a promoter. It appears to be a festival performance and I think when Joe flew he only took his guitar.
Originally Posted by lawson-stone



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