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Nothing to report yet.
I will post individual guitars in the FS section if and when they become available.
I don't know how this will all work out yet.
Originally Posted by Archtop Guy
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09-02-2015 01:32 PM
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MG, I read backward in this post and saw Patrick's interaction with you. He really did have so much respect for you man.
Originally Posted by Marty Grass
I like how he was trying to sell you his L5 back in January. As you know, That guitar hangs on my wall now. Last night I could have sworn I heard the sound of someone taking their finger and lightly picking the strings one by one. When I got out of bed the sound dissipated. That Guitar really does play itself. Or, maybe it had a little help..
Joe D.
PS, I'm here for you..
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Big Bucks For L-5 ??? ~~~ No
This is Big Bucks !!!!
1958 STRATOCASTER PLAYED BY JIMMI PAGE - $100000 (LAS VEGAS)
1958 STRATOCASTER PLAYED BY JIMMI PAGE
Is not the Guitar
is is not the $$$$$
is who you are and what you Decided to chooseLast edited by 999369; 09-02-2015 at 02:26 PM.
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Patrick's not here to advocate for paying big bucks for the L-5. He was a big, big fan of that guitar.
He kept his L-5CES but wanted me to buy the WesMo. Frankly, I'd rather have the WesMo because the second pup wouldn't help me much, but I never got the money together.
Patrick had his passionate justification for the second pup even though the toggle switch was always pointed up when he played. However each time he tried to explain it to me, this is what I heard.
Thanks, Joe.
Originally Posted by Joe DeNisco
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MG,
Great! I feel the same way Patrick did, even though I virtually never use that pickup. It just sounds different. Nobody who has played both guitars would argue differently. I happen to really love BOTH styles of guitars and BOTH voices. So did Wes, FWIW.
When I say it sounds different, I mean that the dual-pickup CES on the neck pickup sounds different than the single pickup CES does. Bracing? Top dampening? I don't know...I only know what I hear.
Two pickup Heritage Super Eagles sound different than one pickup Super Eagles, too. Both are superb, but they are different.
I don't have the experience with two pickup 175s, so much...only the single pickup ES-175 and the ES-175CC. I'd bet it's the same deal, though. Anyone?
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Yep
I have both an L5 WES and an L5 CES and they are different ... and I like both
My L5 WES actually a decent acoustic as well ... whereas the CES not so much
I've been drooling over the L5 Premiers out there .... but I'm not sure their acoustic sound is really any better than my WES
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Being a first class hack, one thing that I have observed and as many as you know, over the years is that really talented/great players can make amazing things happen with lesser equipment, guitar and amp wise. That being said, the higher and iconic equipment available is a very fun/enjoyable personal journey for musicians at any level.
Originally Posted by Joe DeNisco
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Then, of course, there are the no pickup Super Eagles - those sound the bestest!
Originally Posted by Greentone
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Is have any one play this Citation

Thanks !
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Very nice
Originally Posted by 999369
I have not played a Citation, yet .... but there are a few people her who own one .... or more
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My answer to the question in the title of this thread is simple. Yes.
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The Citation is the pinnacle of Gibson's efforts. The original run, back in the 70s, were made by Aaron Cowles at Gibson. You can see his ideas carried to fruition later at Unity Guitars, his company in the 80s, 90s, and 00s.
I never played an original Citation, but played and almost purchased an original Kalamazoo Award--the next ne plus ultra guitar that Gibson brought out in the 70s. The KA was amazing--surely the best acoustic archtop I have ever played. Electrically, I have played two or three other guitars that I preferred--a S-400 with a DeArmond, a L-5 with a Charlie Christian, and a great '37 ES-150.
Still, overall, the KA was the best guitar I have ever handled. I have always regretted backing out of the purchase. Presuming that the Citation is better...WOW.
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There are lots of great guitars that sound like crap in some hands, and some plain vanilla guitars in the right hands sound wonderful. As a guitar player I know that style and ability go as much into getting sound as the instrument does.
A few nights ago in a dark club I saw this player on a well used Epi Broadway and at first I thought to myself, "gee too bad he doesn't have a better guitar" THEN it dawned on me that I really couldn't imagine him sounding one bit better on a 175, Tal Farlow, Byrdland an L-5, or any other six stringed "good" guitar that also happened to be a status symbol.
Is an L-5 "worth" the price? for sure to many it is or it would have been gone years ago, but to some like me no... it wouldn't be worth the price of 6 or 7 other worthy gits.
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I am not in a position to "know" if the L-5 is worth the big bucks, having never seen one in the flesh, let alone played one. But I am pretty darn sure that if I happened to be able to spare the aforementioned samoleans, I would not hesitate to find out.
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Wait, L-5s are status symbols? I'm missing Patrick right about now. He would have had fun with that one
Originally Posted by GNAPPI
Last edited by kid335; 09-02-2015 at 09:01 PM.
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I hope you can one day. L5's are also made for good guys like you.
Originally Posted by citizenk74
Joe D
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You should buy this:
Originally Posted by Greentone
https://www.jazzguitar.be/forum/sale/...st-1980-a.html
Danny W.
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Originally Posted by 2bornot2bop
beaut of a Tal.
I bought a vintage Super 400 w/the strap button in that spot.
the first thing I did was put it in the case pocket. such a silly place for a button, maybe second only to putting it on the back of the neck @ the bend where it meets the heel.
don't these guys play above the 12th fret?
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I never thought they were worth the price ... until I really spent some time with one.
Funny thing is: The L5 is the guitar I'm least concerned about scuffing, dings, tarnish, etc. These are for playing.
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I have a floater.
Originally Posted by 2bornot2bop
Just in the case.
Just in case.
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Originally Posted by kid335
"or any other six stringed "good" guitar that also happened to be a status symbol. "
You have selective reading :-) You missed the point that some guitars ARE status symbols, you don't think so?Last edited by GNAPPI; 09-02-2015 at 11:16 PM.
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Originally Posted by 999369
Very nice indeed. I prefer mine a little bit though.
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super deluxe guitar. the figuring in the abby-loney is mind bending
Originally Posted by fumblefingers
and the may-pel is quilt to the hilt.....
really beautiful color too-interesting that it's a very 'wide' sunburst, dark edges are 'shorter' than normal, but still beautifully shaded.
looks'spensive, but then again, life is short too, so........
edited to add: if that were mine I'd experiment w/ an ebony saddle, would likely warm things up a bit....Last edited by wintermoon; 09-03-2015 at 12:38 AM.
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I apologize if I interpreted that differently than you intended. I am not sure what you had in mind when you referenced status symbols guitars but to answer your question, I do not see production or boutique guitars as status symbols just because they are expensive. Of course there are exceptions, such as Henry J's $2 million dollar Diamond puke Les Paul, but I'm sure thats not what you were talking about.
Originally Posted by GNAPPI
To the point of the OP. Yes, an L-5 is worth it. I will even go as far as to say that it is a relative bargain when you consider that it is an absolute apex instrument. If you wanted to buy an apex Cello, violin or viola, most of us would probably have to take out second mortgages or sell our homes. I would never accuse my friends who own apex concert instruments of purchasing a status symbol. Plus, kind of the point of owning a status symbol is that everyone around you is supposed to know what it is. We purchase because we are inspired and respect great work. I don't think any of my non-musical friends could tell the difference between a Citation and an Eastman.



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