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Honestly, for "Gibson" prices, I'll take my CP Thornton Professional any day...similar price, <7 lb., innovative design, higher quality construction...


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06-05-2014 09:38 PM
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so your real name is Jabberrocky?
Originally Posted by Jabberwocky
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Somehow it seems to me that Gibson didn't have guitar players in mind when they've designed this guitar. The official slogan on their website 'The ultimate guitar for the ultimate connoisseur' seems to confirm that. It's purely a collectors item.
Another interesting information from their website: The guitar has a government returned ebony fingerboard. Makes me wonder what the government did to the ebony that makes it special enough to mention this. Blessed by Obama maybe...
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Wow, I just read the link. $5300! That's a lot of money for a guitar.
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Originally Posted by iim7V7IM7
Now THAT'S the way you do it. Sweet!
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Crazy price for a guitar that might nose dive, never know though could become a collectors item!...I'd certainly like to try one...L..
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Methinks this man Sam is calling me a pwick or prick or Phallic Member of Unusual Size.
Originally Posted by SamBooka
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I think he means pwick head!.......
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No, isn't the 135/137 a full 16" wide body? The PM is smaller. However, I think the ES-446 was the same size.
Originally Posted by GoergeBenson
Last edited by Woody Sound; 06-06-2014 at 09:01 AM.
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If Gibson would do a singlecut 339, they could rule the modern jazz guitar world.
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so many makers today, not sure if anyone could rule it.
Originally Posted by mr. beaumont
but they're already the closest thing to it, and always have been.
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Historically, yes.
With todays hot players? I'd say no way.
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Now that's a cool guitar!
Originally Posted by Woody Sound
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There's lots of clips of Dan Wilson on youtube playing one of those.
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Got a link? I'd like to see some pics.
Originally Posted by mr. beaumont
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The Gibson 2008 Les Paul Standard has the same type of chambered body. Perhaps slightly less chambered, but very close. It doesn't have f-holes but I'm not sure how much those really add to the equation. Also, the 2008 model didn't do very well in the marketplace so they can be had for reasonably fair prices - I picked mine up brand new for less than I would have paid for a more 'traditional' used Gibson LP off Craigslist.
Originally Posted by iim7V7IM7
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Hmmm... what do people think of those 50's Les Paul combined bridge-trapeze tail pieces? Aesthetically, they always looked wonky to me. I'd prefer an ES-225 like this...
Originally Posted by Drifter
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Heritage Millenium Ultra, Std. ?
Originally Posted by mr. beaumont
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I have a 1957 ES-225 (single pickup in the middle position). When I was at GIT in 1983, I swapped out the trapeze tailpiece for a tune-o-matic type bridge setup like the photo. I felt I needed to control the intonation a little better to handle the fancy new jazz chords I was learning. I think that's the conventional wisdom about the trapeze. It might offer a little more ring and sustain, but is limited because you can't dial in the intonation very well. I still have the trapeze and may put it back on one day just to mess around--or if I sell the guitar.
Originally Posted by BigDaddyLoveHandles
Last edited by Flat; 06-06-2014 at 02:10 PM.
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Well, there's always the Collings Soco...
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Mojoaxe makes an intonated version of that wraparound trapeze-bridge MojoAxe Replica Les Paul Pickguards .
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Agree. I never liked the combination, neither the looks nor the tuning inflexibility....
Originally Posted by BigDaddyLoveHandles
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Hmm, interesting. Of course, as always, the proof is in the playing. I'm not a LP kinda guy myself (body is too small for my personal tastes) but if the neck pup sounds good, it looks like it could be a really flexible take on the LP platform.
Originally Posted by Woody Sound
I do like the looks of it, if not the price...
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Who plays jazz on a Les Paul anyway?



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