The Jazz Guitar Chord Dictionary
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  1. #76
    icr
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    Archtop bracing does not always extend the length of the top. For example, there may be a soundhole in the middle.
    Charlie Christian pickup installation-4_aschado_repair_progress_t-jpg

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  3. #77

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    I wonder how the second generation ES150 with the P13 in the bridge position is braced. That might make for a cool 2 pickup guitar with a CC in the neck position. Anyone know?

  4. #78

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    I think the P13 is just screwed on the top, not routed. So you could turn one into a conventional ES150 if there was room for a rout. These are not much cheaper than conventional ES150s though.

  5. #79

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    Quote Originally Posted by stringmaster
    I wonder how the second generation ES150 with the P13 in the bridge position is braced. That might make for a cool 2 pickup guitar with a CC in the neck position. Anyone know?
    Man, you actually read my mind here! I have been looking at THAT 150 for at least a year every time I went to the fret, but never picked it up to play because of the pickup... The moment I start hankering for a 150 I go back and it's sold! Usually works that way....

    I wonder if they are still X braced? If it is just screwed to the top, a la goldfoil, I don't see why it wouldn't be.

    I know that a X braced guitar generally can't have a routed bridge pickup, because that is pretty much where the braces will "cross".

    The other question is, does a second gen 150 have the thick top/flat back of the first model or did they carve it completely differently? I feel like those attributes are probably a big part of what give the 150 that sound!

    Also, I have played a Roy Smeck/Recording King version... The one I played wasn't to my taste and honestly was a bit too funky for me. Lack of adjustable truss rod doesn't inspire confidence, though I do have other guitars like that.

    Quote Originally Posted by nopedals
    I think the P13 is just screwed on the top, not routed. So you could turn one into a conventional ES150 if there was room for a rout. These are not much cheaper than conventional ES150s though.
    I see them going for almost 1/2 to 2/3 the price but yes, once you factor in the cost of a proper cobalt pickup and the work to rout it... I agree, might not be worth it.

    Didn't Doug Raney play an L7 with routed P90? I wonder who did the work, and how the braces were dealt with!
    Last edited by Bromando; 11-14-2017 at 02:16 AM.

  6. #80

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    Quote Originally Posted by Bromando
    The other question is, does a second gen 150 have the thick top/flat back of the first model or did they carve it completely differently? I feel like those attributes are probably a big part of what give the 150 that sound!
    If you refer to the 150 made after around 1945, it was laminated (apart from one or two samples which had a carved maple top). It was 17" and had a 25.5" scale. As such it resembles the ES300 more than the 1930s 150 (nothing wrong with that - they sound great).

    Didn't Doug Raney play an L7 with routed P90? I wonder who did the work, and how the braces were dealt with!
    It was an ES350 (laminated) which was factory equipped with 2 P90's but the bridge PU was removed at some point, leaving a hole. As Doug lived and played a lot in Copenhagen, where I also lived back then, I had the chance to see the guitar close up on several of his gigs. It was VERY roadworn and beat up - not at all a collectors item. I suppose it eventually fell apart. Later he used a Gretsch with cats eyes holes for a while but soon got another ES350, equipped with a CC which was replaced by a P90. In later years he played a number of different guitars.

  7. #81

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    Quote Originally Posted by oldane
    If you refer to the 150 made after around 1945, it was laminated (apart from one or two samples which had a carved maple top). It was 17" and had a 25.5" scale. As such it resembles the ES300 more than the 1930s 150 (nothing wrong with that - they sound great).
    No I meant the 150 that started production in '40 that had only a the P13 bridge pickup... Misguided attempt to get the guitar to "cut" better.

    Interesting about Doug's guitar, always thought that was an L7. Thanks!

  8. #82

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    Quote Originally Posted by icr
    Archtop bracing does not always extend the length of the top. For example, there may be a soundhole in the middle.
    Charlie Christian pickup installation-4_aschado_repair_progress_t-jpg
    But if the design is based upon full-length bracing, cutting into that doesn't seem wise to me in the long run.

  9. #83

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    Quote Originally Posted by stringmaster
    I wonder how the second generation ES150 with the P13 in the bridge position is braced. That might make for a cool 2 pickup guitar with a CC in the neck position. Anyone know?
    Or maybe a cool one neck pu guitar as the P13
    isn't routed in ...
    One could move the PU to the neck posn ...

    Then if it sounds awful , put a VV CC floater
    in instead ....

  10. #84

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    Bromando, rough crowd!



    If you're still here, here's Ed Cherry with his L-7 modified with a 3-point mount CC pickup AND he even put in a Flo cutaway!!!