Kenny Burrell’s Midnight Blue is one of the most iconic soul-jazz guitar standards ever recorded. Released in 1963 on Blue Note Records, it’s the title track of Burrell’s album Midnight Blue, with Stanley Turrentine on tenor saxophone, Major Holley on bass, Billy Gene English on drums, and Ray Barretto on congas. If you’re into smooth and bluesy jazz guitar, Midnight Blue is a song you’ll want to learn.

Midnight Blue was recorded at the legendary Van Gelder Studio in New Jersey. The track highlights Burrell’s warm tone, melodic phrasing, and economical approach to improvisation.
His playing has influenced generations of jazz and blues guitarists. Artists like Stevie Ray Vaughan and George Benson have cited Burrell as a key influence.
In this lesson, you’ll learn how to play the intro and melody of Midnight Blue, along with an improvised solo over the chord changes.
Midnight Blue is a great example of how a strong blues feel, simple melodic ideas, and tasteful phrasing can be more effective than playing many notes.
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Midnight Blue – Video
Midnight Blue – Melody
The melody of Midnight Blue is fairly straightforward and closely follows the tune’s bluesy, laid-back character. Most of the phrases are easy to memorize and sit well on the guitar.
The B section is a bit more challenging because the melody is harmonized with chord voicings. Take some time to work through these chords slowly before brining them up to tempo.
Backing Track
Listen & Play-Along



Midnight Blue – Solo
This improvised solo is inspired by Kenny Burrell’s vocabulary, mixing blues phrasing, scales, arpeggios, and chromatic passing tones.
In the first eight bars, I mix phrases from the F minor blues scale with the chord hits from the intro, creating a call-and-response effect between single-note lines and chords.
As the solo develops, I move beyond the blues scale and use chromatic phrases, arpeggios, and the F Dorian mode.
Over the C7 chord, I use either the F harmonic minor scale or the C altered scale.



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Great lesson and playing, Dirk. Thank you!
Question: C7#9(b13) at measure 23; shouldn’t the bottom note of that chord be an E natural?
The bottom note is b13 (ou 5+)
Merci dirk vraiment bien.
Muchas gracias por compartir. Un gran tema y un gran álbum de Kenny Burrell.
Wow, thank you so much for this lesson! Perfect for the intermediate player. Such a great, bluesy groove mixed with a dose of jazz.
Thank you, I love it!
Amazing lesson . Thanks for your efforts. Would it be posssible to do something like After Hours by Ronnie Jordan for us beginners.
Can you do one for Chitlins Con Carne off the same album?
Working on it right now!
I love all of Kenny Burrell’s work. This is greatly appreciated. Is there any way you can work on some Cornell Dupree songs.
That’s a great tune. One of my favorites. Many thanks for your generous lesson, Dirk. So well done and played. Great bluesy bebop solo as well. Not to mention that you sound awesome with your vintage 175 and the new tone master.
Thank you! Absolutely love this tune. Appreciate you creating this video and transcription.
Love this tune. Old teacher introduced me to Kenny Burrell with Chitlins Con Carne, but I always went straight to [Cut 4] Midnight Blue. Infectious melody. Swings like crazy
Excellent choice for a study in blues by the best.
Excellent choice for a study lesson in blues. Kenny is the best in my estimation for this genre. Taste personified! I went to see him once in Philly years ago. I remember his rendition of Who Can I Turn To on his fat Gibson ( I guess an L5 maybe) played through a vintage Gibson amp.
Wonderful performance – have played this in the past. Great version … I will have to try it again … Thanks
👍 Thanx for your great transcriptions.
Thank you for taking the time for posting this. There is so much detail here saving us the time for analysis! There is a ‘wealth’ of material here.
This is a great song and a great lesson. Thanks so much for the time you put into it as well as gifting it to us. Hip man, hip!
Gran bel pezzo! Ottima lezione per l’estate; grazie 👍
Thank you so much for this! I’ve been working on it by ear for a long time! But I love how easy & comfortable my fingers can now flow with your voicings. I love Kenny Burrell and this is one of my favorites.
Many thanks for sending me this blues phrasing.
Have a good day!!!