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04-19-2017, 09:51 AM #1Dutchbopper Guest
My new 125 has a nice acoustic sound. Not like an L5 but for a laminate, a pretty loud voice. So I decide to record her unplugged just for kicks. I stuck a mike almost in het lower f hole, added lots of reverb and this is what came out. Not bad for a laminate I'd think. I can only imagine what that 1957 L5 FWS6 is selling will sound like in a recording studio ...
DBLast edited by Dutchbopper; 04-19-2017 at 09:55 AM.
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04-19-2017 09:51 AM
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yes, i love this. I like the acoustic sound more than the electric sound I think. I'm sure it's just a matter of dialing the electric sound in...Maybe the mambo is not ideally suited for the P90?
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Wow, sounds really good. I've played 125's that had that tone...I've played ohers that didn't. Just like 175's, I guess, their acoustic tone is kinda all over the map...sounds like you got a good one.
Nice, laid back playing too.
P90's just scream for a small tube amp in my opinion. One of those times where living in the past is just what the doctor ordered.Last edited by mr. beaumont; 04-19-2017 at 11:13 AM.
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Now you know why I added transducers to mine.
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04-19-2017, 11:13 AM #5Dutchbopper GuestYes, I think you are right Jack. The Mambo does not suit the 125 well. It does not translate the kind-of-acoustic sound satisfactorily. I have been trying out several other amps. Love those Fender tube amps. Especially the Princeton and the Twin ...
Originally Posted by agentsmith
DB
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04-19-2017, 11:13 AM #6Dutchbopper GuestWhat are those?
Originally Posted by Cavalier
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Love it! Nice tone and great playing! And thanks for introducing me to a great tune I haven't been aware of yet. Need to seek that out and learn it!
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04-19-2017, 11:15 AM #8Dutchbopper GuestQuite so. Tube amp wanted! Unless the Katana does the modelling trick well ...
Originally Posted by mr. beaumont
DB
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04-19-2017, 11:18 AM #9Dutchbopper GuestYou don't know "Angel Eyes." ??? That's one of the most beautiful blues tunes ever ....
Originally Posted by TOMMO
Total drama, that tune ...
DB
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Internal piezo pickups? I use K&K Big Twins. Despite their instructions on mounting them just inside the F holes on the center edge the best tone and volume is further in on archtops, one under each end/foot of the bridge. I use superglue gel for the most volume and tone.
Originally Posted by Dutchbopper
I doubt you want to get too carried away with yours but mine was a total rebuild so things like stack pots could add volume and tone without more holes in the top and there are pickguard control options out there.
I like this set up a lot for having electric or acoustic sounds or a blend and wired it stereo so each can be processed differently. With a mono cord it defaults to the magnetic pickup which on mine is a custom P90 stack humbucker, a different sound than stock, cleaner but still good punch.
On my recent Swede Bjarton Metro acquisition I added the transducers wired to a end pin jack without any controls or mag pickups and like it so much that I'm reluctant to do anything else. It is louder than the 125 and a bit warmer with a mahogany laminate body.
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Who knew that a relatively thin laminate could sound so rich acoustically?
I had a ES-125 and it never sounded like that. That may be because I was not in front of the f holes while I was playing. Alternatively, it could be that I suck as a player.
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You need to know that I'm a beginner when it comes to Jazz.....
Originally Posted by Dutchbopper
Still lots of stuff to learn and tunes to meet.....
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04-19-2017, 11:56 AM #13Dutchbopper GuestI see. Well, here's some essential listening for that tune:
Originally Posted by TOMMO
Last edited by Dutchbopper; 04-19-2017 at 11:59 AM.
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Originally Posted by Marty Grass
They really are all over the map. I remember passing on one about 5 years ago because it was pretty beat up and the electronics didn't work...But you could tell just from strumming a chord or two how acoustically vibrant it was (had high action too, probably needed a neck reset, but it sure helped the volume)
But I've played others that sounded like nothing unplugged. But plugged in, that P90 does it's job!
I find myself very drawn to that sound recently...I've been playing my "poor man's" 125 a lot lately (Godin Kingpin) But I'm always keeping my eyes peeled for the right 125...haven't found it yet.
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Thanks DB! Just found a version by Ella on a double CD compilation I inherited a couple of weeks ago, too. Will browse my modest jazz CD collection for other versions....
Originally Posted by Dutchbopper
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That is half the fun .. I have been half assing this for almost 8 years and still dont know AA either.
Originally Posted by TOMMO
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Originally Posted by SamBooka
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I just found this in my collection but it doesn't touch me as much as your version, DB.....
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Wow, I listened till the very end, very fine playing DB...
Somehow, I think you could walk down a street kicking a can and it would sound fantastic.
That 125 is a keeper,
I had one breifly for the rockabilly aspect, it was just harsh...yours (under your guidance) sounds heavenly.
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The Chet Baker recording caused goose bumps.
Found another version by Wes and his brothers in my "collection":
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04-19-2017, 12:58 PM #21Dutchbopper GuestThanks. Jim leaves out the blues and the drama of the tune and seeks an intellectual approach. So a completely different interpretation. That happens in jazz. People use the changes and the melody loosely and apply a completely different feel. Chet on the other hand worsens the drama of the tune to a complete tragedy. That's his style.
Originally Posted by TOMMO
DB
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Yes - absolutely agreed. Coming from a blues background it's the emotional delivery that usually gets me.
Originally Posted by Dutchbopper
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Lovely playing. And that's my first real guitar you're playing. I got it when I was about 12 and played it until I was 18. Mine was probably a few years older but they weren't vintage guitars in those days. Just used.
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Maybe a deluxe reverb would be a better choice than a princeton? I don't think you'll get a good vintage tone with the katana.
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I always put in my vote for a non-reverb Princeton.



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