The Jazz Guitar Chord Dictionary
  1. #1

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    Hi All

    I recently purchased this guitar. I'd heard the whisperings on the Tacoma grape vine over the years. A company that punched above its weight; an upstart in a legacy field. Their connection to Gruhn; the private forest etc... The usual things that generate classic Archtop lore.
    Their story is interesting, I can't deny it and a brief look on wiki, details their (Tacoma's) endeavours and mission statement. Noble stuff!

    When by pure chance I stumbled across this example, I decided to give it a go and I’m glad I did.
    The guitar has a remarkable acoustic voice. Incredibly rich and deep bass with strong trebles. The higher mids are a little lacking but I’m putting that down to an unwound G and a slight issue with the corresponding bridge, or nut slot.

    I can’t wait to put some bronzes on this thing and see how far I can push it. The pickup is an afterthought and trying to amplify this would be a waste of time.

    I'll take some studio pics and do a proper sound recording tomorrow evening but for now, here's a rough iPhone video, of me butchering part of Julian Lages "Woodside Waltz'.

    Last edited by Archie; 02-26-2023 at 12:29 PM.

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  3. #2

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    Quote Originally Posted by ArchtopHeaven
    I recently purchased this guitar. I'd heard the whisperings on the Tacoma grape vine over the years. A company that punched above its weight; an upstart in a legacy field. Their connection to Gruhn; the private forest etc... The usual things that generate classic Archtop lore.

    The guitar has a remarkable acoustic voice. Incredibly rich and deep bass with strong trebles. The higher mids are a little lacking but I’m putting that down to an unwound G and a slight issue with the corresponding bridge, or nut slot.
    Congrats. That is a lovely example of a fascinating instrument and your playing brings it to life.

    I've owned a couple. At one point I was down to one guitar and my AFJ-22 set-neck was that one.

    The Tacoma AJ is pretty much then only modestly-priced entry-point into the offset-soundhole world of Ribbecke, Parker and Andersen.
    It's a cool piece on its own and has a lot to teach -- many happy returns!

  4. #3

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    Quote Originally Posted by Sam Sherry
    Congrats. That is a lovely example of a fascinating instrument and your playing brings it to life.

    I've owned a couple. At one point I was down to one guitar and my AFJ-22 set-neck was that one.

    The Tacoma AJ is pretty much then only modestly-priced entry-point into the offset-soundhole world of Ribbecke, Parker and Andersen.
    It's a cool piece on its own and has a lot to teach -- many happy returns!
    Hi Sam.

    I can see exactly where you're coming from. I'm having a lot of fun with it.
    I like your comment about the 'offset-soundhole world' and this being a good entry point.

    It seems to be more of a flat top, hybrid sound. I'm currently using 'half wounds' but will switch over to full bronze.

    I can't believe how deep and rich the bass sounds, considering it's not even a full depth body. It sounds like it's mic'd up when you first hit the bass string. That must be the soundhole.

    P.s I've always wanted a Ribbecke.
    Last edited by Archie; 02-26-2023 at 03:58 PM.

  5. #4

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    Sounds great. I'd love to stumble upon one of these in person someday.

  6. #5

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    I I remember playing one of those when they were still being made and really digging it. Should’ve bought it. Congrats on a cool score.

  7. #6

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    Some better pics.

    Everything looks great on my iPhone, that is until I upload it onto my iMac and realise I should have cleaned the guitar

    This is my first attempt at making a flashy 'YouTube product video'. It's a bit off in places but a start.

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    Last edited by Archie; 02-28-2023 at 07:13 PM.

  8. #7

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    Here is one I'm selling on Reverb. Bendotto neck humbucker pickup. Deep rich woody and very acoustical airy sound.

    Tacoma Archtop Jazz Guitar AJF22C 1999 - Satin | Reverb

    Hear it at