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...unless you bend. Most of us can't get that liquid "bluesy" sound from standard tuning with heavy strings and long scales. For blues, I've used 11 & 13 up top for many years and settle for being able to bend at least a full note from about 7 to the top. The few times I need a smooth, luscious glide through more than 1 full note on straight electric blues gigs, I put a 10 and a 12 on my LP. But that's too thin for my slide technique on standard tuning and setup, so my standard rig is 11 & 13 on the solid bodies and 13 & 17 on the archtops.
Originally Posted by sgosnell
Some of the blues legends detuned for "fatter" sound and easier bending. Stevie Ray Vaughan used 13s dropped a half tone, and Albert King used a 9-50 set dropped to some odd tunings. As I recall, he often used C F C F A D. BB also used a 10-54 set for many years and Hendrix reportedly used a 10-38 set.
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11-02-2022 01:10 PM
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Osteoarthritis resulting from old age and several hand injuries....My right hand's index finger is the worst and I'm having issues with the left index finger when I put "flat " pressure on the tip (half barré is worst, full barré i can deal with the lower stronger part of the finger..pressing straight down with the finger tip is ok.....
Originally Posted by sgosnell
I've got perfect setups for all my instruments and it's redone at string changes..I was looking for a Pat Martino sound, i.e. non thin E and B, as many here were also after..AFAIK few here play 015 or heavier... I'm happy you can play that gauge.
S



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