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Tube Amp:
Brunetti Singleman 15
Solid State Amps:
Yamaha G100-115 II
Polytone Minibrute I (early 80s)
Yamaha G100-112 II (at family home on East Coast for when I visit.)
All used for home/practice/recreational purposes. The Brunetti sounds the best to me, but I use the solid state amps often. The Yamaha followed by the Polytone.
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12-23-2019 06:41 PM
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Nice stuff!
What is that cute little light brown amp on the right resting proudly on the stand?
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I'm pretty light on amps. Guitars are another story.
Boss Katana 100 Watt Head
1974 Fender Pro Reverb 40 watt
Elite Acoustics EAE- A4 Acoustic/Nylon Amp
Fargen Mini Plex Mark II
Sans Amp Trade Mark 10
Kemper Profiler.
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Four and I feel like that is probably two too many. But I haven’t the heart to get rid of them.
Rivera Jazz Suprema 50. Majestic sound. Just amazing. A bit heavy for me, so doesn’t leave the house much, unfortunately. Has to be a special occasion to risk the back.?
Henriksen JazzAmp Ten that I like to partner with an RE Stealth 10. In stereo, it gives the Rivera a run for its money. And, if I don’t go the stereo route, simple to grab and go like the AER. Unless I am plugging an acoustic in, it’s going out with me more and more.
AER Compact 60 3. Has traditionally left the house the most since I can carry it and my guitar in one trip. I love that convenience. But since the Ten arrived, it’s going out less and less. But with two inputs, quality of sound, and light weight— it’ll never get sold.
AI Clarus 2R paired the same RE Stealth 10. I rarely use this anymore, but see no reason to sell it.
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Quilter 101R
Deluxe Reverb
Supro 1x8
Roland Microcube
ZT Lunchbox
The quilter gets the most play and is my every day amp. Deluxe needs to be retubed. Supro isn't loud enough to play with others, but is cool in the studio. Microcube gets used once in a while outside/on trips. ZT is pretty much just a backup.
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Originally Posted by sergio.bello
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Two:
Carr Rambler for all my gigs, any style of music. It's a rare gig that I don't get compliments on my tone from other guitar players, but really it's simple. A good guitar into a good amp, clean technique, and go easy on the effects.
Quilter Aviator 8" for rehearsals.
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1) Marshall Plexi 100w (backup head); 2) Marshall 50w Plexi ('63); Basketweave cab (4-12" Celestions); 3)original Brownface Vibroverb (64?); 4)TV-Front Tweed Fender Deluxe
(5C3) with field-coil spkr; 5)DRRI; 6)Red-knob Princeton 65 (ss); 7)BF Fender Vibro Champ; 8,9) two Kustom Tube 12As; 10) Original tweed Jazzcat; 11) Traynor YCV40 in Wine
Red/matching extension cabinet/1-12' Celestion; 12) Acoustic Image Series III combo (300w); 13) Silvertone 5w, 6" spkr (tubes); 14) Ibanez Tubescreamer Amplifier (5w,
spring reverb, Tubescreamer built in); 15) Traynor Quarterhorse (25 w micro amp); and arriving just today, a 16) Danelectro Honeytone practice/headphone amp (mighty
cute,and good sounding).
Gone but not forgotten: SF Princeton Reverb; two BF Deluxe Reverbs; first-run Peavy Classic 50, Classic 30; original Gorilla amp (savage FET tone); Dual Showman Reverb
and enormous cabinet loaded w/2/15"JBL D-120Fs; two Tweed Champs; a Superbeatle; Marshall Studio 15; and most of all, a first-run Music Man 112RD65. Not an
exhaustive list by any means, but indicative.Last edited by citizenk74; 04-24-2022 at 10:51 AM. Reason: never mind
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Originally Posted by citizenk74
And, your amp list is overwelming... I dare not think about the list of guitars
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Just two:
Evans RE200 (single 10, 200 watts)
Quilter 101R into an Eminence Alpha A 10" but am building an Ear Candy 1x8 (another Eminence Alpha) clone to reduce size and weight further.
I also have an extra cabinet with another 10" Alpha A that goes with the Evans but I only used I t to play steel which I don't do any more.
All I need for sure
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3. JMUL - I’d sell it but no one will give me anything for it. I use it for my daily practice amp.
Princeton 65 RI
DV Mark Jazz head with a Earcandy 1x8 cab.
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Fender Pro Junior III
AI Clarus 2 (with RE Nighthawk 110 cab)
Henriksen 110ER
Musicman 210 HD 130
DV Mark Little Jazz
Polytone Minibrute 1x12
Schertler Giulia
Roland Microcube RX
Yamaha THR10C
Randall RG -30
Ridiculous number of amps now that I think about it. I should sell 1/2 of them.
But many of them are not worth much money, and really they all work great so why bother?
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'76 Vibrolux
65 Amps Tupelo
Supersonic 22
Mission 5e3
Crate VC508
SWR California Blonde
....and a dead Pro Jr in the closet.
I need space and need to sell a couple.
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Fender SuperSonic 22 (with upgraded speaker, NOS tubes, kick back legs)
DV Mark Little Jazz
Mustang Mini (for off of the grid playing)
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My main amp is an AC15. I also own a THD Univalve and a ZT Lunchbox.
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A little Fender Tweed series: Champ, 5E3, 5E5A (all DIY)
Line6 Powercab (digital)
AER compact mobile
But since last year I play full digital with the Line6 HELIX modeler.
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- Bugera V5 Infinium, (I never thought it can be so incredible for its price)
- DV Mark Jazz 12 (as it turned out the 12 inch speaker is too bassy for my taste, The little jazz would be the better choice...
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Tube Amps:
GLB Sound GIG50R head +Jensen P12Q
Port City Merino head + 1x12OS WGS G12CS
SS Amps
AI Clarus 2 R + RE Stealh 12 and RE Twin 8 Light Weight
Modeling
Line 6 HX Stomp + PowerCab 112 Plus
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5 seems to be a popular number here.
Mine are:
1. Boss Nextone - underrated, but holds up well in comparison to Fender ToneMasters
2. Laney L5 Studio - nice low wattage tube amp with great connectivity
3. DV Mark Litlle Jazz - 'nuff said
4. Fishman Loudbox Mini
5. Yamaha THR 5A (redundant after purchase of #4 - going on sale in New Year).
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I have two amps I use:
- A Fender Blues Jr. for practicing at home, recordings and small gigs
- Fender "Custom" Vibrolux. It lives at our rehearsal studio and is used for rehearsals, recordings and gigs
That said I often use what is provided at the gig: Blues Jr, Hot Rods, Peavey etc. Give me a good clean tone, preferably of the fender variation and I'm ready to go.
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Originally Posted by citizenk74
I also had a Gorilla I bought new shortly before I graduated from college in 1987, for $100. Yep, what they wrote in the Gorilla ads back then was true - nothing screams like a Gorilla!
While I didn't have a Dual Showman, I did have a blackface '65 Showman, that I gigged with in a band back in 1990. Because it was basically a Twin Reverb in a head form, without the reverb, that thing was CLEAN sound-wise. Even if you cranked it up to 10 (when it was downright deafening), all it did was sound a little gritty. But it sure took pedals well. I got rid of it, because, it wasn't very linear volume-wise. At 1 or 2 on the volume control, I could hardly hear myself on stage. When I turned it up above 2 volume-wise, everybody complained that I was too loud! Ugh! It was all or nothing.
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1) Carvin AG100D - by far most used for gigs, guitar and bass...
2) Roland JC-120 - least used, haven't turned it on in years
3) Peavey Special 130 - next to my desk, sounds great, haven't gigged with it, sure has a lot of volume potential
4) Peavey Studio Pro - use for teaching, at a music store
5) Fender bassman compact - at music store for teaching nowadays, gigged with it a bit 10+yrs ago
6) Fender superchamp xd - at church
7) Danelectro nifty seventy - use for teaching different store
8) Honeytone n10 - under desk, for fun
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Originally Posted by Woody Sound
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1. Palmer Fat 50 (a powerful german tube amp with great clean sound!)
2. Polytone Mini Brute II
3. DV Mark Little Jazz
(4. Blackstar Fly; for travel practicing)
Transcriber wanted
Today, 04:35 PM in Improvisation