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I've been searching for a while to find how to make full sized gibson classic 57 into floating mini-hum' depth like the one on that Peter's zeidler .
but I couldn't find any clues on the internet
anyone has heard something about it ?
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11-22-2019 08:07 AM
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I thought it was a pickup from a Howard Roberts, bicbw.
Originally Posted by philipark
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Woody is correct about Pete's pickup. As for converting a Gibson Classic 57 into a floater, I have done that. Since the forum was re-done a few weeks back, the search facility doesn't seem to work very well and I cannot find the thread that I posted about this maybe five years ago. It was called something like "re-new guitar day."
Basically, I cut the legs off of the pickup, filed the cover down to be flush with the base plate and attached a bracket to mount to the pick up on the end of the fingerboard like a Johnny Smith style pickup. It worked great if a little crude in my workmanship; if you can find the old thread, it has pictures. I did damage one of the coils when drilling into the cover, sent it to Kent Armstrong who fixed it and balanced the coils. I have since switched to using a Pete Biltoft HCC pickup on that guitar and the Classic 57 is now sitting in a parts box. If you're interested, I'm happy to sell it to you. PM me. I can measure the minimum space you need, it is a pretty tall pickup.
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I did a quick simple search on Classic 57, and retrieved this:
Originally Posted by Cunamara
https://www.jazzguitar.be/forum/sear...archid=1389442
What's odd is that at the bottom it says "1-12 of 26." But then there's no way to advance to the next 14.
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well I googled it and it seems pretty cool, looks like it'll fit any guitar with floating hum
but the point is how the howard roberts floating hum was made and why there's no similar p.us in the market ??
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I've always been temped to try Shadow's Attila Zoller floater.
Originally Posted by philipark
Are you looking for full width AND full depth?
Boris Dommenget Guitarmaker handmade Guitars and PickupsLast edited by Woody Sound; 11-22-2019 at 10:43 AM.
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I kept googling it and found dommenget jazzbucker few minutes ago
this look awesome and sounds awesome
I think I gotta place an order for that one for my gb10
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Depending on the space you have between the top and the fretboard (regardless of the height of the fret) it is perfectly possible to do it as Cunamara says, much cheaper than the dommenget pickup (sorry dommenget). The most complicated part is attach the bracket, but nowadays, I used simply double-sided tape to attach it, it's a very solid union.
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looks good but is it really ok to cut off those screws ??
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You mean if it sounds the same as without cutting them?
Originally Posted by philipark
That is impossible to know, there are too many variables, what I can say is that it sounds like humbucker.
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I think the height of the coils is more important than the length of the screws to get that sound, IMHO
Originally Posted by carlones
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I thought we couldn't cut off those pole piece screws out of the base plate
now I've start wondering how it's gonna sound like when it's with gb10
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What does that mean, balance the coils?
Originally Posted by Cunamara
There's a recent thread on the Dommenget Jazzbucker .... Domenget Jazzbucker Full-size Floater anyone?
Originally Posted by philipark
I once asked Kent Armstrong about shortening the screws of a 12 pole floater:
Originally Posted by philipark
Question: the B string was quite loud in the higher register. In order to even out the balance with the other strings i raised the other polepeaces as the one on the B was almost touching the top of the guitar. Would it be okay to shorten the pole piece so that i can screw it down a little more? If i would want to raise it again later would there be any difference in sound because it’s shorter?
Answer: Is it a 12 pole if so take out one of the “B” poles and try it. Yes you can shorten them ..
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Matching the DC resistance of the two coils.
Originally Posted by JazzNote
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Where are you located, philipark? I remember reading somewhere that Ali Claudi from Düsseldorf, Germany did attach a full size humbucker of a fellow guitarists vintage L5 with silicone – stable and reversable. Let me know if you are interested, I held contact with Ali since writing a feature for Akustik Gitarre about him.
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This is all right and fine, but as a side note for Seth: turning the screws makes huge difference in fine tuning the pickup. Typically f.ex. the high E and B are louder so lowering their screws do the balancing. And if the sound is muddy You get more highs and definition by lifting the screws. Same goes with the P90 pickups.
Originally Posted by Avery Roberts
But I like no holes covers too, so go for it!
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Herb Ellis sure liked to adjust the pole piece height. I’ve used this as a guideline and followed his advice from an old instructional video with other guitars and been incredibly happy with the results.
Sent from my iPhone using TapatalkLast edited by ThatRhythmMan; 12-14-2023 at 07:47 AM.
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Herb knew a thing or two about tone.
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Sometimes this could be best adjustment, depending on the material of the strings and the overall height of the pu. But if You some day want more definition for the ’muddy’ low E, raising the pole screw is the ticket.
Originally Posted by ThatRhythmMan
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Sorry Seth, I have seen too much improvement in balance from adjustment to go with that argument. The Armstrongs with 12 adjustable poles, even more so.
Originally Posted by Avery Roberts
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i like the pete biltoff full size humber. I did a review of it here. It's not quite like a standard PAF though...
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Take a look at some of the other poles in the pic. Some are actually sunken in below the cover. After seeing how Herb Ellis did this, I’ve tried this with several other pickups with great results. This really only applies to the neck pickup. A bridge pickup doesn’t show nearly as much string to string variation, presumably due to the much smaller amplitude of string movement at that position.
Originally Posted by Avery Roberts
I’ve seen some pretty dramatic differences in string to string output of an unadjusted humbucker using an SPL meter. These adjustments can help compensate for that, but with some higher output pickups, I haven’t been able to get some stings, usually the low E and the B to balance out no matter what. They are still louder than the others.
Sent from my iPhone using Tapatalk
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I've got wax potted pickups on all my guitars and they the humbuckers with metal covers still audibly click when the pick hits them. I think it depends on how "well" they've been potted but classic 57s, dimarzio pafs and a recent pickup by pete biltoff all click when the pick hits them. On my barney kessel, i even had the pickups repotted and they still do it.
Originally Posted by Avery Roberts
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I agree, even on my solid bodies I find not only better string balance, but also you can affect the tone both with overall pickup height and screw height.
Originally Posted by ThatRhythmMan
It's even more pronounced on a floater, I have been through three on mine and so far the Armstrong with 12 polices is the only one I've been able to balance correctly.
I suppose you could adjust your picking for loud strings, on an archtop that is usually the second for me. The problem is I have a couple of vintage Fenders- and on those I need to adjust for the third string! As I have said here before, and maybe even on this thread. So even string volume is a big help.
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Talking about the pole screws: Pat Metheny had loose screws – or no screws at all! – in September 9th 1979 with Joni and Jaco at Santa Barbara Bowl.
Does somebody know more about his pole screw adjustments?



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