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I recently put a 4-way switch in a tele that I put two Lollar CC neck-style pickups into the neck position.
The results were underwhelming would be ... generous.
It is a sound that is nothing like a conventional humbucker: fuzzy and indistinct. it is now the position that I NEVER use. I will revert back to a 3 way switch without the series option at the first possible chance.
I remember the old The Strat model stratocaster from the 1980s. I remember liking the series switch on that.
It must really depend on the pickups. The CCs are pretty powerful dark pickups already.
It also my be possible that putting a Neck and Middle or a Bridge and Middle in series yields better results than a neck and bridge.
Still, I can't see myself pursuing this option again.
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06-30-2019 04:47 PM
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I imagine that this is true.
Originally Posted by Tal_175
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My Gibson L6-S can go from series to parallel
I almost never use the series option - just too boomy, but lacking the mid range clarity of the neck pickup on its own.
This is with humbuckers - I would expect series wiring to sound much better with brighter sounding pickups.
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I am about to do the mod with the blender pot, but my doubt is...how does it work when it's not fully clockwise or counter-clockwise but somewhere in the middle?
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On my strat with the blender mod, if the neck pickup is selected, turning the blender pot will gradually mix in the bridge pickup from 0% to 100% depending on how far you turn the knob.
Originally Posted by Edu The Giver
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I have a 4-way in my Tele. To my ears the series position is a bit Gretsch-like. It sounds fine but I rarely use it. Ob the other hand, there’s no reason to remove it.
in another Tele, with 2 Strat and one Tele pickup, I have a five-way and an S1. S1 depressed: straight Strat 5-way switching. Not depressed: Tele switching with neck/bridge serial, and middle/bridge serial.
On both guitars, >95% of my time is still spent on the neck or neck/bridge in parallel. I’m sure there’s something for me to learn from this, but I can’t quite suss it out.
steven
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FWIW, the old Fender Duo-Sonics have series wiring in the middle position (as do old Danelectros, I believe). My ‘56 sounds great in that position, driving my amp more and delivering a thicker, more compressed sound, which Jim Campilongo raves about for a jazzy tone in some interviews (ToneQuest?)…
The Duo-Sonics from this era have similar pickups to the strats of the same period (so I’m told), which are clear and round and not dull, and the series combines the neck (which is at an angle/slanted and situated further from the neck than strats) and the bridge (not slanted). Kinda a unique setup compared to other builds.
Bottom line is it offers something different that is perfectly suitable to some applications as another voice, and I like using it as a boost for solos or when I need a thicker sound. Love it!
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Agreed. I have a 4 way in my Nashville tele and with the middle pickup it’s much more usable.
Originally Posted by Rhythmisking



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