I've long considered archtops with floating pickups to be too bright & boomy for my tastes (at least that was the case with a Heritage Golden Eagle I was able to spend some time with), but this gentleman (Alessio Menconi) seems to consistently coax great tone from his Johnny Smith:
I have to say, that's been the best 4:15 of my day.
Dawg -
I think what you need is to find some examples of what you're looking for in professional recordings and see what they're doing. If you can't figure it out I'm sure someone here could help...
No, the guitar and piano charts are not the same (except for the treble clef passage in question), and I have seen the same direction on other arrangements. The usual convention is to write guitar...
The sound occurred by accident in a rehearsal of the classic George Shearing Quintet. A piano melody line was meant to be doubled in unison by Margie Hyams on vibes and Chuck Wayne on guitar but...
I looked it up on Google and It’s not a guitar thing. It’s a piano thing.
Locked hands, blocked chords playing the melody in unison with both hands.
On the Quintet recordings Chuck Wayne...
“Shearing style”
Today, 05:26 PM in Comping, Chords & Chord Progressions