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Wes did indeed. It was on Oh You Crazy Moon.
Originally Posted by entresz
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01-31-2020 06:24 AM
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He uses it on What's New on Smokin' in Seattle too.
Originally Posted by oldane
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I love it, in some tunes. Vibro champ has a nice tremolo. My Hagstrom 310 used to have a bad tremolo, the kind that sounds like an old motor yacht, but it was modified and now its really great. But the best tremolo I have found is the 63’ variety in Strymon Flint, which is even better than the Roger Mayer Voodoo-Vibe or the Moogerfooger 102, which means digital is working better for me than the real deal analog ones. But what can you do? The Flint is just awesome.
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I compared Princeton's tremolo with Deluxe Reverb's. I have a Deluxe Reverb. I'm depressed. What they say is true. Princeton has a much nicer tremolo. Princeton's tremolo is very musical and it remains musical with intensity all the way up to 10. Deluxe Reverb's Tremolo is a bit spikier. Different wave form I guess. It gets too invasive and not pleasant (to me) pretty quickly. Luckily I like tremolo as a very subtle effect. When intensity is low, not much difference between the two Tremolos. But if I had a Princeton, I would occasionally use it with a more noticeable tremolo.
When I posted this thread I had a Princeton with a 12 inch speaker which I exchanged with a DR. No wonder why I haven't been using the tremolo much with the DR.
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The AB763 Deluxe Reverb tremolo flashes a light at a photoresister to modulate the signal before it reaches the power amp. I agree that at high vibrato levels the modulation can seem abrupt.
Originally Posted by Tal_175

The Princeton Reverb’s tremolo modulates the bias voltage to the output tubes. I think that method has a smoother transition in volume, but have a slight tonal effect similar to a wah.
Last edited by KirkP; 02-05-2020 at 03:28 PM.



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