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According to George Gruhn, one or maybe a few of the first 17" ES150 had carved maple top(s). The rest had laminated tops. The first years they had dot position markers (like the 125), the ones from around 1950 and later got the trapezoid markers.
Originally Posted by Guillemlt
The prewar "Charlie Christian" version was actually a different guitar than the later postwar version. Like you write, it was 16" wide, had a carved spuce top and 24.75" scale. The postwar version was 17" wide, had laminated top and 25.5" scale.
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09-19-2016 02:59 PM
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I wouldn't. There are not many with the slanted PU around. I see them more as museum pieces than utility guitars and as such they should - IMHO - be kept original. But hey, if you buy one, it's your guitar and it's your call what to do with it.
Originally Posted by pingu
BTW, there were two slanted PUs, a shorter one and a very long one which ran all the way from neck position to bridge position.
Why not get a 125 and swap the PU to one you like (if you don't like the P90 it's born with - it sounds great). Or look out for for example a laminated Painter or Holst and install the PU of your preference.
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I do like the oldies with a story in them ....
Originally Posted by oldane
Yeah I might end up with a 125 (I wouldn't change the p90 either)
MVI has a great one , lovely sound
Or a lam 150 , or a 300 ...
Chris Glory plays a nice 300 or its possibly
An L7 with a pickup added
A single pickup es350 would be great but
Probably too expensive for me ...
Ta for the opinions/info guys



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