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Huge headstock and heavy Banjo tuners, that is. The Steinberger tuners should reduce this problem also.
Originally Posted by nickyboy
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03-29-2015 05:14 PM
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They're weird, butt ugly, great sounding guitars. It goes without saying, I dig 'em.
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Yeah, that was a big problem with early Firebirds, and the main reason wasn't the guitar itself, but rather the lack of neck support in the case. The vintage style tuners really stick out of the back of the headstock, so when you put the guitar in the old style case, all the pressure was on the headstock. As a result, most of the headstocks broke off when the guitar was in its case. The problem was easy to solve, and Gibson has since made their cases so that the neck is lifted up, and the weight no longer bears on the tuners and the headstock.
Originally Posted by nickyboy
Last edited by shamu1; 03-29-2015 at 06:41 PM.
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My Firebird has the vintage style tuners, but I plan to replace them with the new Steinbergers. I had Steinbergers on an SG, and they were the best tuners I've ever used - super easy to string up, easy to fine tune, and they held the guitar in tune for days.
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My Firebird has the vintage style tuners, but I plan to replace them with the new Steinbergers. I had Steinbergers on an SG, and they were the best tuners I've ever used - super easy to string up, easy to fine tune, and they held the guitar in tune for days
Originally Posted by Drifter
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I have a Heritage 357 geared for Jazz (by geared I mean I have underwound p92 in it and 11s). I actually also like it while standing up. To me, the forwardness of the guitar relative to others, allows me to get closer to the guitar, which I like. My strap is at it's shortest length and so the sweet spot feels more centered on my body.
Originally Posted by shamu1
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Rob,
I am by no stretch of the imagination an accomplished Jazz guitarist, heck I'm still struggling to get thru Mickey Bakers lessons 41 and 42, but I am an accomplished listener. I've seen people who play Jazz for a living pick up a cheap pos guitar and play some outstanding stuff. You've been around long enough to know, it's what sounds good to you. IMHO, if it sounded and felt good to you, go for it.
Back when I was a young aspiring rock and roller a friend asked me to check out his Fender Tele. At the time hardly the axe of choice for our style of playing. Frankly, at the time I thought it was a terrible instrument, (sorry Fender fans but I was a died in the wool Gibson Les Paul player at the time and would not hold any other guitar in any high regard, such were the times),but after a bit of fumbling around and re-setting the amp tone controls I was able to achieve a fairly decent sound. Point being, almost anything can be made to sound good with a little adjusting.
That said, it may be time to expand the collection. Keep us posted ;-)
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This is a fairly old thread, and my desire for a Firebird has passed...but it will come again some day!
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To paraphrase Duke Ellington: If it sounds right, it is right - provided it also feels good and you can stand the looks.
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My apologies, I did not pay attention to the date. It was near the top of the section so I took it as a recent event. But, better late than never.
well said "oldane".
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A bandmate just lent me an old non-reverse Firefird with P-90's. It belonged to his long deceased brother and hasn't been played in twenty years. it's kinda rough overall, needs a new bridge, nut, and tuners, but sounds good when in tune. I don't know what the case is made of, but it's heavy.
It looks alot like the one Gatemouth Brown played without the leather!
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An old buddy of mine got a vintage one several years ago. A reverse, two pickup firebird from the mid-60s. He let me play it at a party. Only time I ever gave a guitar back and said "please take this out of my sight." Thought I might have to do something foolish, like run out the door with it. Outstanding sound. Nothing else like it. Big, wide. Like trying to play a 6 string surf board.
Not sure I'd pick a FB to play jazz, but that old one is amazing for whatever you choose to play. I've tried newer versions. Not in any way in the same league as that old one.
MD
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The FireBird Pickups have a unique sound IMHO.
OilCity info:
"A Firebird pickup has no underslung magnet, but two alnico magnets on edge that totally fill the inside of the bobbin centres - this produces a super focused field (its 7k sounds WAY louder than it has any right to). Added to this a Firebird has an 'inductor plate' of mild steel that forms an inner baseplate, connects the magnetic poles to form essentially a horseshoe magnet, and boosts the bass and output a bit."
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My "Firebird" is a Tokai. Glued in neck and added Steinbergers. It has Creamery (Manchester, UK) vintage style mini humbucker pickups. They are both under 7k. I must dig it out and try some jazz on it.
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I played a 1963ish Firebird V for a few years as a teen. I remember it's piercing tone. It was approaching a P-90 in some ways. It's not like a PAF at all.
Originally Posted by GuyBoden
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Just sold a 2018 Gibson Firebird “Elite” with the old banjo style tuners. The pickups sounded nice, though as others noted the neck felt thin and narrow to me.
Bought it on a whim during the dark days of corona, but couldn’t bond with it so let it go. It sold immediately and for quite a bit more than I had paid, so there’s still some interest in that model.
But I play seated and something about the body shape didn’t fit. And come to think of it I felt and looked a bit ridiculous playing it.
The Mrs. agreed and added that it was my “mid-life crisis” guitar.
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Not straight ahead, but Craig Chaquico got a great clean sound from his Firebird. He’s in a bit of an Amos Garrett/“Midnight At The Oasis” bag here:
I believe Gibson offered an SG with Firebird pickups for a few years. Hmmm. Now I’m starting to get ideas…
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1964 Gibson Firebird V played by Julian Lage.
Definitely a unique Pickup sound.
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Is that jazz?
Originally Posted by GuyBoden
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No, it's Julian Lage playing a 1964 Gibson Firebird.
Originally Posted by garybaldy
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He's using the bridge pickup, which can be stark.
Originally Posted by garybaldy
I could listen to him all day though.
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Just 'no' would have been sufficient. The rest of your reply wasn't necessary.
Originally Posted by GuyBoden



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