The Jazz Guitar Chord Dictionary
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  1. #1

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    I owned an archtop stringed with 12s flatwound for traditional jazz. Now I'm considering to convert my good old telecaster for a more modern/fusion jazz setup.

    Currently the tele is with roundwound 11s. And I'm about to get a set of Chrome 12s flatwound for it but I just need a confirmation if I should.

    Should I stay with 11s instead? Or should I get roundwounds but other type of strings? Any comment is appreciated.

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    The Jazz Guitar Chord Dictionary
     
  3. #2

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    I love the combination of tele and flats. I used 12 flats (d'addario)in a tele, no problem. Maybe a little setup needed in intonation and truss rod but no big deal.

  4. #3

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    .....for a more modern/fusion jazz setup stay with with roundwound 11s.
    Best

  5. #4

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    Quote Originally Posted by kris
    .....for a more modern/fusion jazz setup stay with with roundwound 11s.
    Best
    No conversion needed! ... Haha never thought of that.

    Actually what I find is the issue is that being so used to jazz with flatwound, I kinda prefer the feel of flatwound. Also want to tame the highs a bit without changing pickups because I have a set of Dimarzio Twang Kings is still in there and right now, its more hillbilly country than jazz.

  6. #5

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    use tone control and cut trebble on tele...
    ofcourse you can experiment with flatwound and you loose sustain...I think.
    what amp do you use?

  7. #6

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    Play it

  8. #7

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    I use 10 gauge flats on my tele. Feels a little easier on the fingers, and reduces finger noise.

  9. #8

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    I too think that round wound 11's are a good all-purpose string set for a T-type guitar.

  10. #9

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    Kris, I'm playing through a Peavey Bandit 112 with Celestion GT12. Not a bad amp for jazz.

    Anyway I just went to buy a set of Chrome 12s and put it on my Tele. Took a while to set it up and intonate and wow, I have to say its great for jazz. My earlier fear that I end up with 2 guitars of the same sound is unfounded. Flatwound 12s on a Tele is so different from the same set on an Archtop.

    I have to say I'm impressed with the Tele's versatility more after this. Been a tele boy for the longest time until I got into jazz and moved to an archtop. Now I can still be a Tele boy!

  11. #10

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    Tele has characteristic sound because of construction and it will never sound like arch-top.
    I think also it is not so easy to play jazz on it.

  12. #11

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    Flatwounds work fine on a Tele and definately change the sound a bit towards the jazzy spectrum (agreed, it is what you play, rather than what you play it on, etc,.... but still this is a GEAR talk forum right ?)

    On a side note; just what is a 'good old tele' ? As from the topic title, I was assuming the "conversion" meant you were installing a neck humbucker

    You might want to look into that anyways ? Many of the Telecasters since the 1990's , like the American and Mexican Standard Tele's, already have the body routed for a humbucker underneath the guard. Even though the guitar itself has a single coil into the neck. The quickest way to a really jazzy sounding Tele

  13. #12

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    Switch to the neck pickup -- and you are done! Heh.

    Single coil or humbucker? I know you instantly get darker tone with a HB, but part of the charm of a Tele is having a clear single coil sound.

    I'm an old-school flatwound guy, and if they have less sustain that's not so bad on a Tele because it has most sustain than a typical archtop.

  14. #13

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    Flip the pickup switch to the neck position!

    EDIT: I see someone else thought of that.

  15. #14

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    Other than what's been covered already here, experiment w/ different neck p/ups. If you don't mind routing your body, try a mini humbucker, humbucker, even a Charlie Christian type of neck p/up. Peter Biltoft(Vintage Vibe Pickups) offers interchangeable magnets on many of his p/ups. Here are some I've tried and liked

    1.)Seymour Duncan Vintage Mini Hum Bridge version for increased bass response
    2.)Seymour Duncan Seth Lover
    3.)Vintage Vibe CC Rider neck using ceramic magnet.

  16. #15

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    I prefer the sound and feel of rounds on solid-body guitars. 11s are as high as I would go on a Telecaster because of the longer scale length.

    One thing that I find useful for getting a jazz sound out of the standard single coil neck pickup is to take the volume down about a third and roll a lot of the tone off. It seems obvious but it really replicates the darker acoustic qualities of a hollow body whilst keeping the clarity and flatter frequency response of a single coil. Then you can nudge the volume up for a more contemporary Tele sound (à la Frisell).

    I've gone back and forth on the idea of putting a humbucker in my Telecaster but in the end, I think the single coil is much more versatile.

  17. #16

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    You can instal humbucer at neck position and put new push-pull pot....You can get humbucker and single sound this way-just using pot.
    ...but first try to play dark sound on singlecoile neck pick up/ use tone control on Tele and EQ on the Peavey amp/.

  18. #17

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    I use my Affinity Tele with GFS Cool Vintage XL (rail humbuckers), also added push-pull tone control, for getting back to single coil if needed. I'm OK with sounds, but sure sounds different than my Sheraton II, all stock.

  19. #18

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    Pro plecs

  20. #19

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    Quote Originally Posted by SamBooka
    Pro plecs
    Good point.

    A pick that's at least 1.5mm thick. Turn the pick around and play with the fat end.

    Pure Nickel
    11's are a bit warmer.

    I recently raised my action on my tele and it feels like a new guitar. Now it really sings. Try a 1/4 turn of each of the saddle screws.

  21. #20

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    The best way to convert a Tele ( convert from what? ) for jazz is to play jazz on it!....