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I think the SS fame also comes a lot from rock / blues guys that like that slightly compressend / crunch / harmonically rich sound that clean all the way SS amps don't give.
I would swear all Hall's recording were made with tube amps. He started gigging with SS but I doubt he records wih them...
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01-31-2012 05:35 AM
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+1.
Originally Posted by jorgemg1984
I associate all the classic GB recordings with big Fender amps, twins and Supers from what i have heard of his olden setup. i think lately he will use SS but any pre80s footage i see its usually a twin.
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Meggy,
Originally Posted by Meggy
I heard some Jazz CDs a couple of years ago when I first started to collect Jazz Guitar songs from the Masters and found that some sounded muffled to my ears.
I have to relent and say that while I can still hear a little of that in say, Tal Farlow's early stuff, it does not sound nearly as pervasive now as it did then.
I did not think this one through.
Like one of the forum member's stated, I was deluded. Now its got me rethinking some of the other opinions I held as fact.
Take Care.
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Originally Posted by Little Jay
Piggybacking on what you said, I went through around $700.00 of SS amps when I first started playing. They were relatively cheap and I got what I paid for.
I have changed my position on SS amps now.
To quote a line in a movie I saw, " I never knew it could be like this!"
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Hey, you learned something--no need to delete the thread I think--we all make mistakes and false assumptions from time to time, and certainly nothing got ugly here...
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Hey, I find my Sold State sounds a tiny bit warmer than my Tube. Don't get me wrong, I would never play Solid while there is a Tube around, but it makes a better Jazz tone sometimes... Is that weird?
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Generalizations about hollow-state versus solid-state guitar amplifiers are almost never formed through rational thinking and are basically useless.
The amount of variables not controlled for is absolutely staggering.
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Ah well, you've still started an interesting thread about tone and the relative merits of SS and tube amps - I've always been an SS guy (love my Polytone and Yamaha G50), especially for clean jazz tones, but I do appreciate the tube amp thing - I guess most of the classic jazz guitar albums were tube amps which probably says something.
Originally Posted by AlsoRan
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Yeah, it says "solid state amps weren't invented yet."
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Not many humbuckers used before 1957, either.
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Well done that man, I was wondering who would spot my deliberate mistake...
Originally Posted by mr. beaumont
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Maybe it was the microphone that added said scruffiness?
Come here Scruffy, come here Scruffy, good boy...
PJ



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). But it's all about the design and quality of the parts used: a well-designed SS-amp sounds better than a poor designed tube amp I think. I think ss-amps have gotten a bad name because especially in the ss-segment many manufacturers jumped in and cut costs with hasty designs, cheap speakers and underpowered transformers, scrap-wood cabinets and so on.

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