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so...i was feehling ;]
The block is only unter the PU´s!
Where are the other guys with her renaissance´s?
Cam´on take a picture of it!!!
moto
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04-03-2011 10:52 AM
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That answers that. Thanks.
Originally Posted by jzucker
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There you go then : solid top. Confirmed by Jack with his "kerfed bracing" comment.
Originally Posted by moto
Sorry that I added more confusion for you with my comments.
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good point.
Originally Posted by va3ux
i steered away from the peerless because of the spliced neck theory thinking of it like finger board used for trim work in homes. didn't really give a thought when knowing that i own some bolt on necks though they are solid... who really gives a f... like the guitar, feels good, sounds good...enjoy it then
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I've been looking at Ibanez "lawsuit" copies from the 70's recently - archtops of course. These were considered to be the near equivalents of the Gibson models they were imitating in terms of build quality and playability. I noticed that many of those models (but not all of them) have scarf joints on the necks. My take on that is that if scarf joints were a questionable construction method, Ibanez - of all companies - wouldn't have used them.
Originally Posted by pollysurfs
On the flip side, Gibson - and independant luthiers who build high-end hand made guitars - don't use scarf joints on necks. This implies that there is something less desirable about scarf joints and therefore they avoid them.
I don't know the real answers to any of this; I just notice these differences. But there are 40 year old Ibanez and other Japanese copies out there with scarf joint necks that are still 'just fine' in 2011. I have a 20 yr old Samick L-5ish copy with a scarf jointed neck that has had 12-54 strings on it for 6 years with no neck problems at all.
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The issue with with spliced necks isn't the splice itself. The splice is an indication of cost savings and on a high end instrument one might wonder what else is being saved?
Regarding those earlier lawsuit ibanez guitars, I've had a few of them and they were not very good despite their apparent collectability. I've played the L5 and Johnny Smith copies and owned a 175 copy. They are on the level of the Korean epiphones in terms of sound quality. That's a case where the splice probably didn't make a difference on its own but along with the other shortcuts that were taken with the guitar, it didn't work out.
Additionally, in the case of 3 and 5 piece gibsons, the glue joint is along the long edge of the wood. Glue definitely impedes vibration. That's a known fact.
Whether it makes a difference in the freq range of the guitar is debatable and I've offered to do a demo of the peerless so I'll wait to make my judgement on that one.
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No question - you do not find scarf joints and splices on high end guitars. I see your point regarding 'what other corner-cutting might accompany the scarf joint ?'.



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