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There have been discussions of the different carved top profiles of late 30’s Gibson archtops where the top went from a dome to a flattened arch and eventually back to the dome. My 1936 L-5 has a bracing variation likely done in response to this. While many of the advanced L guitars had short scale and x-bracing, there were a few still made with parallel bracing and 25.5 inch scale, as mine has. But this one has two extra braces that run on the outside of the f-holes to the rim. They are thinner than the main tone bars. Hand written on the underside of the top is “Spec. L-5R”. It is my understanding that a few of these were made in 1936-37. The shapes of the top and f-holes are well preserved, I don’t know how much the extra braces contributed to that. I am guessing Gibson concluded that it was not worth the extra labor. It did not have a negative effect on the sound, at least to my ear as I prefer it to a ‘38 L-5 (also with flattened arch, parallel braces, long scale) that I used to own. An interesting experiment.
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10-30-2025 09:16 AM
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I think it’s a violation of forum rules to talk about your 30s L5 without posting a pic.
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But of course. Apologies , the photos aren’t the best.
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I have always liked this era of L-5. Loved the Fat Neck Shape!
Just wish it had a cutaway!
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interesting that they used their Super 400 calligraphy to write it under the top.
I wonder what the R stands for.
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Ahem…….
Originally Posted by jads57

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Is that a 1939,40 L-5C Premier? I believe they didn’t elevate the fingerboard on the early models?
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Early 1940 with elevated fretboard extension. The wild part is that it shipped as an L-5PN in April of 1940 and was sent back in 1942 for the sunburst you see it as now.
Originally Posted by jads57
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The 'R' stands for Remarkable!



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