The James Bond Theme

In this second installment of “Iconic Guitar Parts”, we’ll have a look at one of the most recognizable movie themes ever, the James Bond Theme. Written by Monty Norman and arranged by John Barry, the James Bond theme song was recorded in 1962 for the first Bond movie Dr. No, starring Sean Connery as James Bond. In this lesson, you will learn how to play the James Bond theme on guitar.

The band consisted of 5 saxophones, 9 brass instruments, vibes, a rhythm section, and a guitar, which was unusual because not many “big bands” featured guitar at that time.

As John Barry describes it:

“A peculiar mixture of that low rock guitar figure, the brass sound, and a bridge that was almost like a Dizzy Gillespie bebop phrase. It was kind of a hybrid of all these things I was involved with at the time. I didn’t give it too much thought, and it just came out like it did.”

Although the theme was credited to Monty Norman, John Barry (the arranger) claimed on multiple occasions that he who wrote the theme. This was eventually settled in court, which ruled twice that the theme was indeed written by Monty Norman.

 

Dr. No James Bond

 

The guitar part was played by a British session guitarist called Vic Flick, who was paid a one-time fee of £6 for his work. Vic Flick played a Clifford Essex Paragon Deluxe acoustic guitar with a DeArmond Pickup going through a Vox AC15 amplifier on that recording.

Here is Vic Flick playing the Bond theme live on the Academy event “The Music of Bond: The First 50 Years” in 2012.

 

 

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The James Bond Chord Progression & End Chord

The James Bond chord progression is a modal progression with a voice leading going from the 5th (of Em), to b6, to 6, and back to b6.

The progression switches between an Aeolian sound (b6) and a Dorian sound (6), which are the 6th and 2nd modes of the major scale.

 

 

The James Bond Chord Progession

 

It’s a bit weird to start a lesson with the end of a song, but here you go…

The last chord of the theme is called the “James Bond Chord”, aka the “Spy Chord”, or the “007 Chord”. This chord is also the last chord of the Pink Panther theme song, composed by Henry Mancini in 1963.

It is an E minor major 9 chord and has a kind of unresolved, dissonant quality to it. It is the chord that sits on the first degree of the E melodic minor scale.

Minor/major seventh chords contain a b3 (minor) and a 7 (major).

You will also recognize a Gmaj7(#5) shape in the fingering, you can look at the chord as a Gmaj7(#5) with an E in the bass.

The high open E-string can be included in the chord but in the theme, the chord ends on the 9.

 

The James Bond chord

 

You probably know this chord in another voicing, as the second chord of Stairway to Heaven:

 

E minor major 9 chord

 

Here are three more voicings you can use for this Em/maj9:

 

James Bond Chord Voicings

 

The actual ending goes like this (starts at 1:46 in the Vic Flick video).

The main phrase of the theme is repeated four times, each time starting on the next note of an E minor triad (E G B).

 

James Bond ending

 

Here is how Vic Flick plays the progression in the Academy video:

 

James Bond Bassline

 

You can also play the G on top instead of the low E, like this:

 

James Bond bassline

 

Here is another way you can play the James Bond chord progression with open chords that make it possible to strum:

 

 

Side note: this chord progression sounds very similar to Henry Mancini’s composition Softly, written in 1960, and the theme music of a television series called Mr. Lucky.

 

 

The chord progression in the James Bond theme goes from Em, to Em(b6), to Em6, to Em.

The chord progression in Softly goes from Gm, to Gm(b6), to Gm6, and one step further, to Gm7.

Here are the tabs for the guitar part of Henry Mancini’s Softly:

 

 

Cry Me a River

Barney Kessel uses the same chord progression in his famous recording of Cry Me a River (starts at 0:14 in the audio below).

He plays a slightly modified version of the Bond progression: instead of going back to the Em(b6), Barney continues the chromatic movement in the upward
direction by going to Em7.

Check out my eBook Jazz Standards 101 – Cry Me a River to learn more about this great standard.

 

Cry Me a River Barney Kessel

 

Dum Di-Di Dum Dum [starts at 0:14 in the video above]

The dum di-di dum dum guitar part at the beginning of the James Bond Theme was inspired by the vocal line of and Indian song called Good Sign Bad Sign.

 

Band in a Box

The riff has a bit of a ’60s surf rock vibe to it and is played almost entirely on the low E-string.

Here are the guitar tabs:

 

James Bond riff

 

Main Theme [starts at 0:50]

The second part of the James Bond theme features swing-like phrases that use neighbor tones and the 6th found in the Dorian mode.

 

James Bond B part

 

Bridge [starts at 1:18]

The bridge is relatively simple. The chord at the end is a C#m7b5 with a B in the bass in the orchestration, but Vic Flick plays a Bsus4.

 

James Bond Bridge

 

The bridge also lends itself well to be played in octaves, like this:

 

James Bond bridge octaves

 

Band in a Box

  • Dee D. says:

    Nice one!

  • DJ Maclean says:

    This was great. Thanks.

  • kesselman victor says:

    Bueniiisima clase! Gracias. Good investigation. You´re a great Musical Detective.

  • Johan Potgieter says:

    Great lesson Dirk. As a matter of interest what is the final chord used in the Mancini version of the Pink Panther?

    • Dirk Laukens says:

      Thanks Johan, the end chord of the Pink Panther is exactly the same chord!

      • johan potgieter says:

        Thanks Dirk. Your lessons are just great. Keep up the good work.

  • pascal meziere says:

    merci : super

  • Brian Oates says:

    Thank you for doing this! I appreciate your research into the other songs which inspired it too, well done.

  • Jerry Jazz says:

    Thanks for a great synopsis. There are many similar analyses on-line but this brings it all together with harmonic analysis.

  • Peter Nemarich says:

    Fantastic theme with excellent tab and analysis!

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