The Jazz Guitar Chord Dictionary
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  1. #276

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    Quote Originally Posted by AllanAllen View Post
    The bebop cliche at 30 seconds is a quote from Honeysuckle Rose, and it's such a cliche we already had it once in this head.
    True, though I expect it was used prior to Honeysuckle Rose, but that's how most players tag the lick. I'd forgotten that!

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  3. #277

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    Quote Originally Posted by mr. beaumont View Post
    To crossover threads a bit, as part of my summer of rhythm guitar I've decided to bash out some Freddie Green chords for Donna Lee for anyone to use as a backing (if they choose, no obligation) Swing to Bop, if you will.

    What do you all think is a fair bpm? 180? Maybe a slower and a faster version?
    It's funny I just started working on this as well. But to me Freddie Green comping isn't just going chuga-chuga four to the bar hitting the same voicing but changing voicing on every beat (moving at least one line). Is that also what you mean? 180 and above would be quite a work out in that particular style especially if it's improvised (as opposed to playing a chorus with worked out movements).

  4. #278

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    Quote Originally Posted by Tal_175 View Post
    It's funny I just started working on this as well. But to me Freddie Green comping isn't just going chuga-chuga four to the bar hitting the same voice but changing voicing on every beat (moving at least one line). Is that also what you mean? 180 and above would be quite a work out in that particular style especially if it's improvised (as opposed to a prearranged movements).
    Freddie rarely changed on every beat, actually. I've been studying him a lot. And at high tempos--one note chords baby!!!

    I'd definitely just work something out for this. It's going to be a while before I feel comfortable improvising in FG style rhythm guitar...

    Just don't ever call it comping


    I'll try a couple of speeds for y'all. Why not? Summer of Rhythm Guitar begins!

  5. #279

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    Quote Originally Posted by mr. beaumont View Post
    Freddie rarely changed on every beat, actually. I've been studying him a lot. And at high tempos--one note chords baby!!!

    I'd definitely just work something out for this. It's going to be a while before I feel comfortable improvising in FG style rhythm guitar...

    Just don't ever call it comping


    I'll try a couple of speeds for y'all. Why not? Summer of Rhythm Guitar begins!
    You're probably right. I have only studied Freddie Green from secondary sources. I am not that interested in big band style comping but I find it useful as a way of practicing moving voicings with passing chords.
    When it comes to playing one voicing per beat in 4/4 time, things that I work on are variations of:
    The main chord (first beat) - a passing chord (second beat)- substitute of the chord (third beat) - approach to the next chord (fourth beat).

    Sort of like these examples:
    Harmonic Techniques to Create Moving Chord Progressions using Three Note Voicings
    Part 2 - Harmonic Techniques to Create Moving Chord Progressions using Three Note Voicings

    Anyway, this discussion probably belongs to your rhythm thread.
    Last edited by Tal_175; 05-06-2024 at 01:40 PM.

  6. #280

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    Quote Originally Posted by AllanAllen View Post
    Slower and faster is cool. 140 and 180?
    I'd like to add a vote for 140. I think it's a good tempo for working out fingerings and picking..at least for slugs like me

  7. #281

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    Quote Originally Posted by Tal_175 View Post
    You're probably right. I have only studied Freddie Green from secondary sources. I am not that interested in big band style comping but I find it useful as a way of practicing moving voicings with passing chords.
    When it comes to playing one voicing per beat in 4/4 time, what I work on are variations of:
    The main chord (first beat) - a passing chord (second beat)- substitute of the chord (third beat) - approach to the next chord (fourth beat).

    Sort of like these examples:
    Harmonic Techniques to Create Moving Chord Progressions using Three Note Voicings
    Part 2 - Harmonic Techniques to Create Moving Chord Progressions using Three Note Voicings

    Anyway, this discussion probably belongs to your rhythm thread.
    Yeah, I won't distract from Donna's head any further, but these links are good stuff.

  8. #282

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    Oh excellent, another example of Rhythm Changes spelled out. Thanks for posting that Tal!!

  9. #283

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    Ok, it's Monday, right? I have no idea anymore...

    Here's a 3 fingered 13-16.


  10. #284

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    And for giggles:

    Donna about 140 (more like 150)


    Donna about 180 (More like 190, I was well caffeinated yesterday)


    Keeping it very simple.

    EDIT: Tempos were incorrect
    Last edited by mr. beaumont; 05-07-2024 at 12:43 PM.

  11. #285

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    This is hilarious! (To me anyway)

    I will practice and do the fast one too.


  12. #286

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    Quote Originally Posted by alpop View Post
    This is hilarious! (To me anyway)

    I will practice and do the fast one too.

    It's totally funny.

    It also sounds good!

  13. #287

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    Quote Originally Posted by mr. beaumont View Post
    It's totally funny.

    It also sounds good!
    Your groove is super easy to play along to so it does sound good!

  14. #288

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    The virtual jam is back!

  15. #289

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    I'm working on this for my channel - thought I may as well pop it up for proofreading etc. That said, @Tal I think you mentioned it as a typo in an earlier chart and I usually play G-Bb-Db-Eb but having checked recordings I'm sure bar 16 is as I have it here, G-Bb-Db-Bb.

    Actually I picked up on a couple of little things that had crept into my playing of the head, so it was good to check through it.


    Bebop heads: Donna Lee-donna-lee-guitar-fingerings-1-jpgBebop heads: Donna Lee-donna-lee-guitar-fingerings-2-jpg

  16. #290

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    my take on Donna Lee. It's the version from the Real Book and not the Omnibook.

  17. #291

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    Quote Originally Posted by supersoul View Post
    my take on Donna Lee. It's the version from the Real Book and not the Omnibook.
    Nice, no need to raspberry it. Is that a modern, like last 5 years Casino? Thoughts on it? I had a 2000's era Cherry Red one I regret selling and have been thinking about getting a new one to replace it.

  18. #292

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    Quote Originally Posted by AllanAllen View Post
    Is that a modern, like last 5 years Casino? Thoughts on it? I had a 2000's era Cherry Red one I regret selling and have been thinking about getting a new one to replace it.
    it's from 2022. I've been on the lookout for one for a while and finally came across this one. I've played others that I didn't like as much. It feels/sounds lively and plays good.

  19. #293

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    Quote Originally Posted by Christian Miller View Post
    I'm working on this for my channel - thought I may as well pop it up for proofreading etc. That said, @Tal I think you mentioned it as a typo in an earlier chart and I usually play G-Bb-Db-Eb but having checked recordings I'm sure bar 16 is as I have it here, G-Bb-Db-Bb.

    Actually I picked up on a couple of little things that had crept into my playing of the head, so it was good to check through it.
    I decided I should be able to play triplet notes on two different strings as well as I can on the same string, e.g., the Gb-Ab-Gb triplet at the beginning of bar 3 in Donna Lee, which one would be inclined to play on the same string. This turned out to be a good picking exercise, the goal being to be able to phrase a line exactly as you like regardless of where it's played on the fretboard.

    Speaking of picking exercises, I found the attached on Scribd, it's an interesting idea.
    Attached Images Attached Images

  20. #294

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    Quote Originally Posted by Mick-7 View Post
    I decided I should be able to play triplet notes on two different strings as well as I can on the same string, e.g., the Gb-Ab-Gb triplet at the beginning of bar 3 in Donna Lee, which one would be inclined to play on the same string. This turned out to be a good picking exercise, the goal being to be able to phrase a line exactly as you like regardless of where it's played on the fretboard.
    This reminds me of that time I said playing Donna Lee in every position was really good practice.
    Last edited by pamosmusic; 05-07-2024 at 11:11 PM.

  21. #295

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    Quote Originally Posted by supersoul View Post

    my take on Donna Lee. It's the version from the Real Book and not the Omnibook.
    Loving the thumb.

  22. #296

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    Quote Originally Posted by pamosmusic View Post
    This reminds me of that time I said playing Donna Lee in every position was really good practice.
    No comment.

  23. #297

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    Quote Originally Posted by mr. beaumont View Post
    Loving the thumb.
    The thumb! for whatever reason I like it with Donna Lee. Definitely limits the positions and fingerings, but for me it really makes me think of how to phrase things with the left hand.

  24. #298

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    Just a progress post. MM. 1-16, about 172 bpm. I played the L5ces through the Fender Tone Master Twin Reverb. I play the section twice, and on the second time on a whim I turned the tone knob all the way off, sort of old-school sound.

  25. #299

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    Quote Originally Posted by supersoul View Post
    The thumb! for whatever reason I like it with Donna Lee. Definitely limits the positions and fingerings, but for me it really makes me think of how to phrase things with the left hand.
    I mean, in my opinion, the greatest guitarist to ever play jazz played that way, so...good company.

    I'm gonna try it!

  26. #300

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    Nice to have two bars this week.

    https://youtu.be/BqEq8yokVHY?si=AXWuG0wEwyN5tQSk