I used D'Andrea picks first because they were everywhere here in the shops in all forms and kinds
Then I liked 1,5 mm extra heaavy Black Ice - it is not thick but extremely hard... what I still like about it is strong punching attack but still very bright
I used small Ultex Jazz III for a few years... I like that it gives a good control and also very even attack sound - fat enough, but sometimes I felt like I wanted it to be a bit more flexible.
The thing is when I play I bend the pick a bit - not all the time but at some momets... I cannot explain why .. maybe it gives kind of 'spring effect'
a couple of months ago the guy from whom I took master-class gave me just as a gift this 'Zoller' pick... he was close with Zoller last years of his life and had about dozen of them from him...
The pick is thin - it has no indication - but I believe maybe 1,1-1,2 mm or so... and the material is dense and hard but it is elastic enough at the same time...
The form is kind of raindrop... between regular standard and small picl size
First I just kept it as a souvenir.. but then tried once, then once again... now I use it exclusively on electric... for acoustic it seems to be too soft for me...
I've noticed a similar thing. Back when I was in bands, I used the Fender Extra Heavy confetti picks (351 shape), later, I was stuck on 1.52 mm (and 2 mm ?) small white teardrop Clayton picks. Then, it was black and red Jazz III. For years. Then Ultex Jazz III. After that, I got my Wegen Fatone. But, I found that it was too "chirpy". Then, I ended up getting stuck on the JD208 (nice!). Tried JB vegetable ivory picks (they're not bad) and Chicken Picks. The Chicken pick had too much handling noise. Plus, I don't support smoking (there is an icon of someone smoking on the pick). It seemed hypocritical for me to even be holding it. Then, I was using Clayton/Fender NuTone/True-Shell protein picks.
Now, I'm back to the Ultex Jazz III's! Great size. Comfortable. I can strum and pick single note lines. And, the (1.5 mm?) Ultex has plenty of bite on the acoustic (not mushy, like some others) without being chirpy.
I'm considering a Blue Chip because the sound great, are very durable, and play well. My reservations are the price and whether or not the attack would be too soft as my only pick...
For performance with a small footprint, I would use my Benson by Milkman pedal amp with small Buscarino cab. WORKS perfectly, easy to lug and sounds great.
The amp is pretty cool, an excellent practice amp. I also use it to watch YouTube (very few commercials on this, compared to regular YouTube on other devices). By itself, not a game changer. With...
I viewed the Lava Music website. The Lava Studio technology seems impressive, and if I were starting over with studio equipment I might be interested, but I can't envision any use cases (for me)...
The Lava Studio is perfect as a practice amp and you directly record multiple tracks on it. It has a built in mini DAW. But not loud enough for performance in a larger room.
There are those that will never replace the 8 track in the Chevy. The one with the 'You can have my 68 Fender when you pry it.. etc' bumper sticker. But that's far from all of us. I think most...
We're about to see a flood. Neural Amp Model (NAM) is an open source capture capability that has generated tens of thousands of rig captures to download. Free. Literally any amp you can think of. ...
A link to the discussion to the NAMs used in DAWs. Are Neural DSP plugins THE game changer?
This is the first time you can directly download NAMs to an actual amp directly and not have to work...
1957 Höfner Club 50 renovation
Today, 03:30 PM in Guitar, Amps & Gizmos