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I'll only have all three of these in my possession for a limited time, as I've put two of them on the market. I had to get a pic of all three together though. I mean, how often do you get to see three GJSs in the same place.
The one on the left is my 1968 that was just refretted. The honeymoon continues. I love that guitar.
In the middle is a 1976 it's been refretted. It's a great guitar too. If I didn't have my '68, I would be keeping this one.
On the right is a 1980. It is one made shortly after the switch to the fingers tailpiece. It still has the original wide-low frets. It's a great guitar, but I would have to replace those frets if I were keeping it. I like tall wire too much.
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05-23-2017 01:59 PM
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Beautiful
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I'm saving that picture
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How variable is the amplified and acoustic sounds among the three?
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+1 on MG's question. My guess would be that the one on the left has the best acoustic sound, but that can be quite variable.
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Originally Posted by Greentone
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Originally Posted by ThatRhythmMan
As a proud owner of a 76 GJS i'm very much wondering about the difference of the electric tone of the three. And i'm also wondering if refretting the 76 has changed the tone in any way.
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Beautiful! Now if only you had a Guild JS from the 50's, a Heritage JS from the 90's and a Guild/Benedetto from the 2000's, the saga would be complete.
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Originally Posted by Stringswinger
Images compliments of "The Unique Guitar Blog":
THE UNIQUE GUITAR BLOG: Johnny Smith Guitars
50's Guild JS
Heritage JS
Guild (Fender) Benedetto JS
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cheersLast edited by neatomic; 05-23-2017 at 06:02 PM.
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Wow! Great photos. Johnny and the Gretsch 400 El Dorado is a bit like Barney Kessel and photos with him and a Telecaster. He used it, but it's not what he preferred. OTOH, the 400 El Dorado _was_ the guitar that Freddie Green preferred, and he had both an Epiphone Emperor and a Stromberg 400 at home. He played the Gretsch for over 30 years.
That's a cool Melita bridge on the Guild Johnny Smith, by the way. I have owned different Gretsch 6120 guitars. The one with the Melita bridge (original owner added it in '64) sounded the best.
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Back when I owned a number of Smiths, this one from 1968 was always my favorite and probably the only one with which I gigged or recorded:
Photo from 1970.
Danny W.
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Originally Posted by Danny W.
cheers
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Originally Posted by Stringswinger
LOL
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Originally Posted by Bluedawg
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I'd settle for ONE.
And WOW- that's the first reference I've ever seen to JS playing a Gretsch! I knew about all the others, but not Grestch.
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In '68-'70 or so, those Koss 'phones were about the best sounding around--but hot and heavy.
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Rhythm Man,
wow. Not very often do you see a picture like that.
let me ask you a question. How are the neck profiles? Anyone deeper than the others?
Also, for some reason it seems like Johnny preferred the finger tailpiece to the L5 style.
I can attest, the Gibson Johnny Smith is the guitar of a lifetime. I hope whoever buys them are big Johnny Smith fans.
Sometimes I just sit and stare at my JS, just like I used to with my D'Angelico Excel. The proportions of both guitars are so perfectly appealing.
Good Luck with your sale.
Joe D
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Originally Posted by Danny W.
Only one thing. How did you play that magnificent guitar with a belt buckle so close to it? If it was me, I would have let my pants fall off instead of running the risk of scratching it up.
Great pic.
Joe D
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Just thought I'd toss my hat in the ring..
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Originally Posted by Danny W.
Transcriber wanted
Today, 04:35 PM in Improvisation