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Makes you wonder what wood you're actually hearing in the acoustic voice... the description above does correspond to what you can hear about all-hog guitars .
Originally Posted by QAman
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07-20-2022 12:53 PM
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Clip below from the Umbria Jazz Festival on Sunday, opening for Jeff Beck. They opened the same stage for Tom Jones on Saturday and played other stages at the festival each night last week. A nine day residency. Nice gig!
Originally Posted by QAman
Last edited by David B; 07-20-2022 at 01:27 PM.
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Pasquale has become a global jazz phenomenon. A sensational player whose versatility enables him to perform in small clubs and on the big stage. He can also choose any guitar he wants.......but the Trenier is his choice, and its become a trademark of his sound.
Sent from my SM-P610 using TapatalkLast edited by QAman; 07-20-2022 at 04:26 PM.
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My 2016 Trenier Motif (which I think was completed in 2018), and which is the very same guitar Pasquale plays on Bryant's site in a video, is still available for sale! I personally delivered it to archtop.com on a recent road trip. Guitar is in fantastic condition. I just don't have enough time for all my guitars. It was on hold but is available again. You probably wouldn't use it for a 5,000 person Jeff Beck opening gig, but it's a fantastic acoustic archtop and it sounds great with plectrum or with the fingers.
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I have serial number 1118 from the same batch with a floating DeArmond FHC pickup. It was listed in the For Sale section of the Forum by forum member Omphalopsychos and I bought it a year ago. Yes, it's a world of difference from my early 1970's L5-C converted into a CES. Lighter by far, like a violin compared to my other archtops. The tone is very clear and even. I think all four of the first batch of Jazz Specials are owned by forum members now.
Originally Posted by QAman
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What this proves about Pasquale is that he has the very best of taste in guitars. He has the chops to basically win the Tour De France of Jazz Guitar and sounds wonderful. He plays a Trenier and that speaks volumes. He probably could get a deal worth some serious change from about any guitar manufacturer and he plays the Trenier. My guess is Bryant's wait list will grow to decades and he probably will need to figure out another system. He will be the middle what I call the "Jimmy D'aquisto problem".......a current one is worth more than ordering one from Bryant. At that point he may be better off financially simply making guitars and putting them out for calling. I am not his business manager, but I know what happened to Jimmy D'aquisto. QAman has it completely correct.
Originally Posted by QAman
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jazz at a jazz festival? They said it couldn’t be done!
Originally Posted by David B
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Bryant wrote on Facebook on 2 June 2021:
Originally Posted by deacon Mark
Catching Up...
I closed my order list a few years back, and am finally getting close to being able to restructure my building process to better suit my needs and those of my clients. I know I promised many of you I'd get back in touch when I could handle a few more orders - well, now's the time. Please drop me a line if you'd like to commission an instrument for 2022/2023, after that, I'll be making instruments in "collections" for immediate sale.
Thanks for having a look, and for your ongoing support,
Bryant TRENIER
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I dig the Dearmond Model 40/41.
Real secret weapon pickup.
Tailpiece controls have been around for a long time.
Vega used them in North America.
Fuma (and probably others as well) used them in Germany.Last edited by Hammertone; 07-23-2022 at 11:03 PM.
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The finish is on.
Last edited by David B; 08-19-2022 at 10:57 AM.
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From photos on Trenier's Instagram account, three of the current batch of four Jazz Specials in progress will have floating pickups of some kind. The fourth will have a traditional three screw mount Charlie Christian pickup.
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I thought Trenier temporarily stopped making Jazz Specials to focus on other designs and ideas? I may have misunderstood one of his posts in the past.
Originally Posted by David B
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Good god Dave that’s bloody gorgeous
Originally Posted by David B
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I already have first dibs on one of these floaters should one of those owners back out. Im certainly not wishing anyone does - but I’m in line.
Bryant keeps getting Orders for these , so it’s been hard to get back to carving. Pasquale Grasso loves his floater laminate - and so do many other people.
Plug this into a Henriksen blu6 and it’s hard to beat.
Sent from my iPhone using Tapatalk
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He will get back to carving. My guitar is next
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That is stunning!
Originally Posted by Christian Miller
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I've said it many times, that guy sprays the nicest burst today bar none
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As usual, some exquiste guitars will be coming to life soon.
Sent from my SM-P610 using Tapatalk
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Bryant just posted this to Instagram. He’s stringing up the current batch of Jazz electrics.
Who else gets this acoustic tone from a laminate ……….no one.
Bryant Trenier on Instagram: "Who says laminated plates are dead? I'm continually impressed by the resonance of these little guitars.
#jazzguitar #jazzspecial #jazzguitarist #trenierguitars"
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So his carved plates are so alive they spawn offspring everywhere?
Wouldn't that be something ...
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A great little video clip to see! Yes, that one's mine (unbound fingerboard). The pickup and pickguard go on this weekend!
Originally Posted by QAman
Last edited by David B; 09-09-2022 at 05:04 PM.
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David, that is going to be a treasure! It’s beautiful and sounds great. It is really astounding the sound Bryant can get from a laminate. My carved Trenier sounds spectacular, as you’d expect. His laminates are very special.
Originally Posted by David B
Last edited by Mark M.; 09-09-2022 at 08:48 PM.
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Has he ever said anything about what he does different?
Originally Posted by Mark M.
AFAIK the laminates on my Seagull (who supposedly know this trade well too) are 3 layers of maple. I suppose that it must not be impossible to obtain something that acts a lot like a solid plate of wood of the same thickness, depending on how and what you assemble. I think of it as a bit more 3D control over grain.
Besides, laminate flat-tops are looked down upon, but use balsa for the middle layer and all of a sudden you get a desirable double-top (on paper at least)
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Looks and sounds wonderful!



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