The Jazz Guitar Chord Dictionary
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  1. #51

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    Quote Originally Posted by PMB
    Playing BH descending chromatics from each degree of the chords that make up a major ii-V-I progression helped me get the conventional form under my fingers and into my ears when I first came across the concept.
    Attachment 106802
    Yes, good stuff, I initially did similar BH style chromatic sequences starting on chord tones, but usually descending and ascending in eternal loops.

    The BH chromatic sequence is truly superb, but gets a bit too similar sounding after a while, so I'm trying to create my own sound.

    Below shows one of the many examples of eternal loops I created to initially practice the BH style chromatic sequence.

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  3. #52

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    Currently, I'm working with Messiaen Mode 7.

    It's a sequence with a lot of chromatics, which seems to descend very nicely.



  4. #53

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    Here's another using the Messiaen Mode 7 sequence.

    I'm finding these Messiaen sequences very interesting, but you have to practice them a lot to get them under your fingers and in your ears.


  5. #54

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    You could do the whole Slonimsky and Lateef's "Repository of Scales and Melodic Patterns" the Barry way LOL.

    (Lateef being an early BH student of course.)

  6. #55

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    This Chromatic Sequence using the 3rd and 1st chord tones on the 1st and 3rd beats of the bar is simple, but sounds good to my ears. Give it a try.




  7. #56

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    Here's a Christmas Chromatic Sequence based on a Bebop Cliche using the cycle of Fourths, obviously it would repeat itself after 12 bars.


    Here's the first 5 bars:


  8. #57

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    Here's a 9 note Chromatic Sequence that sounds good over a Major iiVI .


  9. #58

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    Here's a 10 note Chromatic Sequence that sounds good over a minor iiVI.



  10. #59

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    Here's a Chromatic Sequence that sounds good over a Major iiVI with a tritone sub.


    Chromatic Scale Sequences-chromatic-sequence-major-iivi-tritone-sub-png

  11. #60

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    Hearing this reminded me of how little I use chromatics and how cool they sound (starting around 0:38):


  12. #61

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    Quote Originally Posted by Tal_175
    Hearing this reminded me of how little I use chromatics and how cool they sound (starting around 0:38):

    that's some hip sh**

  13. #62

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    Quote Originally Posted by Tal_175
    Hearing this (Lorne Lofsky) reminded me of how little I use chromatics and how cool they sound
    I have that CD (and the one that followed it, "Bill, Please," mostly Bill Evans tunes). I'll have to listen to it again, he has a real knack for those sort of lines.

    Some good chromatic lines in this transcription (below), which I believe is from this album -- Inside Out – Lorne Lofsky

    Last edited by Mick-7; 10-25-2024 at 06:42 PM.

  14. #63

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    Frankly, Slonimsky's Thesaurus of Scales and Melodic Patterns has every chromatic sequence one could think of, it's the only resource you really need for that.

  15. #64

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    Quote Originally Posted by Mick-7
    Frankly, Slonimsky's Thesaurus of Scales and Melodic Patterns has every chromatic sequence one could think of, it's the only resource you really need for that.
    Yeah but not in terribly musical order.

  16. #65

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    Here are a few patterns from Nicholas Slonimsky's book. In the book, he shows all of these backwards, like pattern #421. The fingerings I indicated are arbitrary, you may find others you like better.


    Chromatic Scale Sequences-slonimsky-chromatic-scale-patterns-jpg