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hi guys just trying to get my head around certain chord/scale relationships
for example im trying to look at a progression im playing and see what the chords in the scale
its is the c nine tone scale
1. what are the chords in the progression
2. Is there a place online i can find these things out for different scales like the taishikicho scale or the bebop minor scale
again i might be completely missing something here
so all help is appreciated
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03-13-2010 07:15 PM
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Just build the chords yourself... Most chords in jazz are built in 3rds( we voice in different intervals sometimes) Ex. scale G mixolydian, G.A.B.C.D.E.F.G. chord built on 1st scale tone or G is, G,B,D,F,A,C,E or G13. If you want a 7th chord simple build up to the 7th. G,B,D,F, or G7. The 2nd. note or A is called the 9th, the 4th tone or F is called the 11th and the 6th note or E is called the 13th. Usually when their are extra notes in the scale there are two versions of a note. ex, in C bebop Maj. the G# is either #5 or b6. Reg
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Hi Reg
As my knowledge of theory is very limited, i didnt fully understand what you meant,
Could you explain a little more clearly please
i think my question also refered to chord progressions ie
in c major cmaj7 dm7 etc....
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Could you specify which 9 tone scale you are referring too?
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c nine tone
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Hey d.am... Sorry if wasn't clear... was runnin out door to gig...
What I meant was. Take the scale, what ever scale and build the vertical collection or mode of each note of the scale.
C maj. C,D,E,F,G.A,B,C, In jazz, chords are built in 3rds.(C maj. scale is built in 2nds) So construct the scale in 3rds... C, E, G, B, D, F, A. or 1st, 3rd, 5th, 7th, 9th, 11th, 13th. Chords can be what ever you use, Cmaj9 Cmaj7 etc...Next go through the same process but start on D. The same notes but starting on D, E, F, G, A, B, C, build in 3rds..D, F, A, C, E, G, B. Same numbers 1st, 3rd, 5th etc... That would be D dorian or the 2nd mode of C maj. Now take this process and apply to your nine note scale. Usually scales that have more than 7 notes have added notes, for example; C bebop Maj. C,D,E,F,G,G#,A,B,C. The G# or could be called Ab is either an added #5 or b13( the 6th note) When you build your chords you have two versions of some chords. Ex; The I chord has root C, the 3rd or E, but the 5th can be either,G or G# or both, the 7th would be B etc... If you chose to call G#, a flat 13( 6th note of scale), 5th would be G and when you get to 13 you would use either Ab or A or both and spell chord accordingly. I don't know which nine note scale your making reference to, or I would write it out for you...You understand things better when you take the time to go through the process yourself..Reg
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what's a 9 tone scale anyway? it's gonna be some hybrid deal or a scale with passing tones built in (like the bebop scales), not a collection of pitches that has it's own harmony.
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Originally Posted by d.am
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they way i got to it is put into Guitar Chords in the chords to scale section the chords for a particular song i was writing and it threw up that it was in the C nine tone scale
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One such 9 tone scale has 3 augmented chords sort of upping the ante on the 2 adjacent augmented chord 6 tone augmented scale.
Augmented Scale: C Eb E G G# B different spellings are possible depending how you define the root of each augmented triad (C+ and Eb+)
Jerry Bergonzi referred to this as a Nine Tone Augmented Scale: C D Eb E F# G Ab Bb B (C+ and D+ and Eb+)
I did a google search on C nine tone scale and found this:
C D D# E F# G G# A B
Many chords are possible
From C it has:
a major and minor 3rd
a b5 and 5 and #5
a major 7
a major 9 and #9
a #11
a b13 and a 13
I would apply this process to every degree and build chords from there.
Just on the 3 note level from C we get:
C major
C augmented
C major b5
C minor
C diminished
C suspended #4
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That nine tone scale is based on the three most common passing notes.
F# as in the descending bebop scale (#5)
Ab (harmonic minor scale interval)
Db (Blue scale b5 of aeolian scale)
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I have nine toes. Do I win?
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Originally Posted by d.am
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Originally Posted by mr. beaumont
ditto.
i dont know about the other scales but i'm thinking that the bebop scales have an added tone for melodic and rythmic reasons, not harmonic. the added tones are chromatic tones. they enable you to play chord tones on the beat when running the scale in eigths or sixteenths, assuming that you start on a beat.
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That chords to scale tool mentioned in reply #9 is useless. I tried to enter a simple progression with a passing chord:
CMaj7 C#dim7 Dmin7 ....
And it gave up.
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your right i tried a few different things and gave up on it to too! the stuff that came out made it more confusing actually
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Spanky and me used to go over to the laundry to jam with our friend Chang, and he had this cool looking Chinese banjo with a dragon painted on it. I remember it played these awsome sounding 9 tone scales. It sure sounded righteous along with tuba and washboard!
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did you mean a c scale with nine tones, or a scale that goes with a c9 chord?
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Suggestion: Go to yahoo and type in INTRODUCTION to the SCALE SYLLABUS PDF. it is only two pages but it is great quick reference for scale/chord. You mentioned your knowledge of theory was lacking.
There are tons of music theory pdfs for free on the web. Some address general theory others are geared more towards Jazz. -Scott
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Originally Posted by 3shiftgtr
The original poster revealed, but only in reply #9, that this mystery scale was conjured up by an online tool. As near as I can figger, this magic eight ball starts off with a list of scales (where from?) and then, as, you enter chords, it filters out the one which don't contain all the notes of the chords.
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Originally Posted by BigDaddyLoveHandles
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Originally Posted by 3shiftgtr
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Originally Posted by sandra
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If we could only hand out gold stars for outstanding posts, like in elementary school.
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Originally Posted by BigDaddyLoveHandles
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