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I'm really interested in this thread from a pedagogy stand point ( idon't teach, but still)
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03-05-2019 01:09 PM
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
This has a major third and minor seventh (3 + b7)
Now change it so it’s a major seventh chord, with a major seventh instead (3+7)
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
Ok, now minor seventh which has minor third and seventh
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
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Originally Posted by christianm77
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
Major 7 - 1 3 5 7
Dominant 7 - 1 3 5 b7
Minor 7 - 1 b3 5 b7
Minor7b5 - 1 b3 b5 b7
OK, so looking at those four chord recipes, what jumps out at you?
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
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Originally Posted by christianm77
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Originally Posted by christianm77
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Originally Posted by christianm77
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Originally Posted by AlexMalmis
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Originally Posted by cmajor9
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Originally Posted by cmajor9
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Originally Posted by AlexMalmis
We have our 4 basic chords anyway:
x 5 4 6 x x = D^7 or Dmaj7 = D major 7th
x 5 4 5 x x = D7 = D dominant 7th
x 5 3 5 x x = Dm7 or D-7 = D minor 7th
x 5 3 5 x x = Dm7b5 = D minor 7th flat 5
OK, so take a look at this shell voicing and tell me what you think of the intervals. The chord is Dmaj7
10 x 11 11 x x
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Originally Posted by christianm77
edit: I think the second 11 is the third. But that like one octave and a 3rd? A 3rd is 4 steps this seem to be 16 steps from the root note.
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Originally Posted by AlexMalmis
The second 11 is a third, but because it's an octave higher than a normal third we call it a 10th.
(10ths are actually amazingly useful on guitar, you can imply a lot of harmony with just that interval.)
So, this a major 10th
10 x x 11 x x
Why don't we just use the notes in the same order as before? I'll come to that.
Also, so you play d minor 7th the same way as d minor 7th flat 5 if you dont use the fifths?
So, next question, can you tab out dominant 7th, minor 7/minor7b5 using this new shape:
10 x 11 11 x x
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Originally Posted by christianm77
minor 7/minor7b5 is 10 x 10 10 x x
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Originally Posted by AlexMalmis
Dm7 G7 Cmaj7 (the infamous II-V-I - more on that later)
So, we can tab out the two possible voicings of each chord.
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