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I'm really interested in this thread from a pedagogy stand point ( idon't teach, but still)
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03-05-2019 01:09 PM
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x 5 4 5 x x x..?
Originally Posted by christianm77
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That’s a dominant seventh chord
Originally Posted by AlexMalmis
This has a major third and minor seventh (3 + b7)
Now change it so it’s a major seventh chord, with a major seventh instead (3+7)
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ohh okay. x 5 4 6 x x?
Originally Posted by christianm77
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Boom
Originally Posted by AlexMalmis
Ok, now minor seventh which has minor third and seventh
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x 5 3 6 x x? Right now we are doing with the 5th string as root. Usually you do with the 6thstring as root 5th muted and other stuff on the other strings. Will we get into that after this?
Originally Posted by christianm77
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What kind of seventh has that chord got? Major or minor?
Originally Posted by AlexMalmis
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Minor. Thats what you tolv me to do right?
Originally Posted by christianm77
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Have another look.
Originally Posted by AlexMalmis
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X546XX major and X536XX minor because it is a minor 3rd instead of major 3rd
Originally Posted by christianm77
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Ohh the seventh ok
Originally Posted by christianm77
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So that's a minor major seventh chord... It's a cool sound, but not one of our basic four:
Originally Posted by AlexMalmis
Major 7 - 1 3 5 7
Dominant 7 - 1 3 5 b7
Minor 7 - 1 b3 5 b7
Minor7b5 - 1 b3 b5 b7
OK, so looking at those four chord recipes, what jumps out at you?
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Nothing special I guess...
Originally Posted by christianm77
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So, what would a shell voicing for minor7b5 be? What intervals?
Originally Posted by AlexMalmis
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X535XX is the correct answer for minor 7 right?
Originally Posted by christianm77
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.. what is a b5? B3 is minor 3rd and b7 minor 7th is b5 minor 5th?
Originally Posted by christianm77
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Well I guess I have to use 4 notes in that case right? Because the 3rd and 7th are the same as minor.
Originally Posted by christianm77
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A lowered (b) 5th isn't considered 'minor. but rather 'diminished'. Similarly, a raised 5th is 'augmented'.
Originally Posted by AlexMalmis
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Ohh okay. But is it 6 Seminotes?
Originally Posted by cmajor9
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Shush
Originally Posted by cmajor9
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We don't have to at all. We can just play the same shell voicing as we do for minor7b5... We get around to adding 5ths eventually, but let's keep it simple for now.
Originally Posted by AlexMalmis
We have our 4 basic chords anyway:
x 5 4 6 x x = D^7 or Dmaj7 = D major 7th
x 5 4 5 x x = D7 = D dominant 7th
x 5 3 5 x x = Dm7 or D-7 = D minor 7th
x 5 3 5 x x = Dm7b5 = D minor 7th flat 5
OK, so take a look at this shell voicing and tell me what you think of the intervals. The chord is Dmaj7
10 x 11 11 x x
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10 is root the first 11 is major 7th I am not sure what the 2nd 11 is. Also, so you play d minor 7th the same way as d minor 7th flat 5 if you dont use the fifths?
Originally Posted by christianm77
edit: I think the second 11 is the third. But that like one octave and a 3rd? A 3rd is 4 steps this seem to be 16 steps from the root note.
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Cool. Yes.
Originally Posted by AlexMalmis
The second 11 is a third, but because it's an octave higher than a normal third we call it a 10th.
(10ths are actually amazingly useful on guitar, you can imply a lot of harmony with just that interval.)
So, this a major 10th
10 x x 11 x x
Why don't we just use the notes in the same order as before? I'll come to that.
For now, yes.Also, so you play d minor 7th the same way as d minor 7th flat 5 if you dont use the fifths?
So, next question, can you tab out dominant 7th, minor 7/minor7b5 using this new shape:
10 x 11 11 x x
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Dominant 7th is 10 x 11 10 x x
Originally Posted by christianm77
minor 7/minor7b5 is 10 x 10 10 x x
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Perfect, OK the next step is to start applying this to some chord symbols... For instance, if we have
Originally Posted by AlexMalmis
Dm7 G7 Cmaj7 (the infamous II-V-I - more on that later)
So, we can tab out the two possible voicings of each chord.



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