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So, what scale is the guitarist thinking of when playing a b7 over the tonic major chord?
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11-13-2018 04:03 PM
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I think that's "Mixeduplydian."
Joking aside...b7, used in passing, can be kind of a blues sound on a major chord...there's no indication how fast this is going by...
Looks like an enclosure of the root note...I don't have an instrument here with me right now, so I can only sort of "imagine" the whole line...where's this from? What's the chord before? After? Context kinda matters too...
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Originally Posted by mr. beaumont
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Originally Posted by znerken
Also, is that G a Gb? you have it labelled b2.
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Originally Posted by mr. beaumont
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The blues scale-- minor pentatonic plus a b5.
The other notes are clearly not coming from there in your example, though.
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Originally Posted by mr. beaumont
so relative minor pentatonic blues scale is D, and the 5th of a D is A, and a b5 is Ab, so how? Sorry if I am slow.
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No, no worries...but there's no need to think relative minor...people force the blues over a major chord all the time. In that case, I'd add one more note--the maj3 as well...so you have both 3rds. Slipping from the m3 to M3 is a quintessential blues sound...you just don't want to HANG on m3 over a chord with M3...but it works, So F blues over F major.
But like I said, that's not what's happening here...
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Yeah you get b7s on major chords all the time
In the olden days I major chord most often a maj6 so 7th could be flat or major
But bop players mix it up. See also blues chords, not always dom7.
Play the blues on any standard. Play vanilla on the blues.
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Originally Posted by mr. beaumont
The F major blues scale is:
1-b3-4-b5-5-b7
while the F major pentatonic blues scale is :
1, 2, b3,3, 5, and 6
That's why I was missing the 7b.. My mistake.
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I think the whole "blues" scale thing is confusing, because people don't always mean the same thing when they say it...
I think major pentatonic, minor pentatonic, and then add notes from there...
My "go to" set of notes that comprise "my personal blues scale" would be--
1, 2, b3, 3, 4, b5, 5, 6 and b7... that's 9 notes out of 12
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Originally Posted by mr. beaumont
That's 7b not b2.
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Originally Posted by znerken
while the F major pentatonic blues scale is :
1, 2, b3,3, 5, and 6
F major blues
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Originally Posted by znerken
I wonder if in this case they were just thinking "target the root from a step below and a step above".
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Originally Posted by FwLineberry
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I would like to know more context on this line though - what player, what tune?
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Could we be overthinking this line? I'm happy if I end up on the note I targeted.
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Dyxlexic Bebop Major
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Originally Posted by christianm77
Blues Scales - The Major and Minor Blues Scale
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Originally Posted by znerken
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Originally Posted by christianm77
So this is a f minor blues scale, based on f major?
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Originally Posted by znerken
Don't think it has anything to do with the line you quoted BTW
EDIT: sorry that sounded a little terse. I appreciate you are trying to work stuff out and put it together, but I think it's good to look into simple stuff first. Learning to apply the major and minor blues scales certainly features pretty high on my list of basic improvisation skills, alongside chord tone improv. Bebop and modal playing etc can wait...
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Originally Posted by christianm77
This is the tab for the solo, and he actually writes that he utilities the F blues scale:
(Google translate the article referenced in the video)
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Yeah sounds like a pretty boppy player. I would say the use of a b7 on an F major type chord is not unusual, and it can come from blues scale or mixolydian.
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Originally Posted by christianm77
On another note, how did you like the solo? I found it very cool!
Moving from bedroom to stage...
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