Weaving the VII into my lines.

[Mick-7]

Dm7-D#o7-Em7.

Dominant chords can take all sorts of harmonically 'incorrect' notes (F# over G7) as long as the implied voice-leading is strong.

True, but brent implied that B7b9/D7b9/F7b9/Ab7b9 are subs for G7, but as you said, in this case it's more like V7b9 of IIIm than
V7(b9) of I^

[PMB]

True, but brent implied that B7b9/D7b9/F7b9/Ab7b9 are subs for G7, but as you said, in this case it's more like V7b9 of IIIm than
V7(b9) of I^

All roads lead to Rome.

[Christian Miller]

I like Gmaj7#5 as a sub for G7


Sent from my iPhone using Tapatalk

[brent.h]

Great line by Barney: