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Hi everyone
I've listened to many "blue Bossa " versions on jazz guitar. Pat Martino's version apart I find them boring . Exercise licks but the music ? Joe henderson lesson 's was completely lost on the guitar version . Will you have a few unschool versions to sugeest I listen to ?
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09-04-2022 09:14 AM
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Try this:
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No guitar but don't overlook the original:
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Originally Posted by DonEsteban
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I’m not sure what you mean by ‘unschool’, but I’m a fairly un-schooled sort of guy (in terms of how I play!) and I had a go at it once. No idea if this will help, but here it is anyway:
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You kmow what I mean . Congratulations on your playing . A nice and flowing version . Not too much a school version as I like
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Originally Posted by belfagor
It doesn't get better than this. Search's on you ....
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I love this one:
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Originally Posted by DonEsteban
I think it's a terrific version by great players and it is, IMO, most certainly jazz.
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Define 'nice'.
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George Benson (solo starts at 4 minutes):
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A song ruined for me by Gary Moore's awful pastiche, Parisienne Walkways.
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"Moon & Sand" is one of my Favorite KB recordings.
Danny W.
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Who's on this?
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Originally Posted by belfagor
I spent a few years listening to and transcribing his solos. I recommend it.
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Originally Posted by ragman1
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Originally Posted by Litterick
But I see, the first four bars have some resemblance with the "Blue Bossa" melody....
(*) Or "Europe" Santana, or "Still Got The Blues" by himself... this running the "Circle Of Fifth" counterclockwise is ubiquitous.
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Originally Posted by Litterick
mouahahahaahahah !
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I'm looking for a version that connects to the tradition of the jazz guitar school . A version that takes into account the lesson of Raney , Hall, Martino , Benson ( just to name a few ) . I can't think in recent years no one has managed to propose on record his original version of blue bossa . It this happened , that mean that jazz bass has evolved but jazz guitar has not . To me the jazz guitar today should absorb the lesson of modern piano and reeds players ( Corea, Tyner and joe Henderson to name a few ) and at the same time he shouldn't forget the greats of the past .
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Originally Posted by grahambop
Tootie's a good name... for a drummer :-)
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The Pat Martino version is a landmark. I mean that apart the Martino version I've found boring the other versions I listen to.
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I really like Ron's chordal work on this version
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Hi!
In the next week I will do a video recording of a melodic etude on Blue Bossa.
After a (pretty boring explanation…) on how to play over chords’ extensions I will play four choruses of Blue Bossa in different fretboard positions.
Yes, I’m a “position player”…..because I like to find different arpeggios and intervals trying to stay in the same fretboard position.
My Etude is NOT a real improvisation but if you like it you can use every phrase (or a full chorus) in your improvisation.
No melodic minor/superlocrian/harmonic/altered/bebop scales here…..only arpeggios from natural minor and major scale.
On the technical side the etude is pretty easy since I have very small hands and if I can play it……everybody can play it.
Of course I will publish the full transcription with standard notation and TAB in a free PDF file.
I hope to publish the video on my YouTube channel and my personal website at the end of September.
Bye!
ettore
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You're welcome Ettore
Rialto Archtop Guitars UK
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