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Anyone here using Band in a Box Audiophile Edition?
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12-23-2021 05:02 AM
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...the "biab audiophile edition" is a candidate to the Contrvesial Statements thread :-)
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Originally Posted by Gabor
do you have any version of biab?
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Originally Posted by kris
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Originally Posted by kris
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Originally Posted by jzucker
I have BB 2019 .
It is an exercise tool - easy and fast.
I heard version 2022 is revised.
Audiophile version has very good quality waves-I hope.
I mainly use Reason Propellerhead for my recordings.
Best
kris
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I’m still using BIAB 2011 (with real tracks), somehow it’s still working even on Windows 10!
Good enough for my purposes. Although if I use it to make a recording, I often tweak and edit the tracks in Reaper (usually to chop out some of the more clunky/annoying piano chords).
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Originally Posted by kris
I thought about upgrading to 2022 but didn't really see much that interested me in the jazz area. I'm still kind of pissed that they don't make a couple realband tracks with fast accompaniment like 1/4=285-300. As it is, you have to take the 1/4=190 and scale them up which sounds bad because as the tempos get faster, the rhythm sections tend to compress out the swing feel and don't just play the exact swing feels but faster. But I've been asking pgmusic for this for 10 years and they are not interested. They once told me that they are more interested in developing soloist features which I could give a !@#$ about...
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Originally Posted by jzucker
Best
Kris
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Originally Posted by grahambop
Maybe PG music will clean it in the future.
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What often happens with software of this type is that the company continually piles on features to attract new buyers. The software code base becomes far too convoluted for any one person to comprehend and you end up with different people understanding their own parts of it and the overall cohesiveness that the original release had, is lost.
Timing in software such as BIAB is very critical, and can be easily upset if somebody adds a new feature without realizing the impact it has on some other part of the software. Unless you have somebody carefully overseeing and orchestrating the inclusion of each new bit of code, you end up with all the programmers involved effectively working against each other.
To what extent this is a problem with PG Music, I don't know since I don't work there. However, after over 20 years as a software engineer, I have observed this problem all too often.
Maybe it is poor marketing of such a product to have a smaller feature set, but that everything in that feature set is rock solid.
I would not be surprised if the programmers themselves are surprised that it still works as well as it does.
Tony
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Originally Posted by tbeltrans
During the discussion, I concluded that like many engineers, his ego was tied up in his work and he saw it as his art and that my critique of it was like I was criticizing one of his children. At that point, I knew the software would never evolve. It still sports basically an MS-DOS user interface that was just ported to use windows API calls and virtually no thought was ever given to usability.
If they ever submitted the software to a UX team for evaluation, I suspect people on both sides would experience heart trauma!
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Is there anything better on the jazz market than BiaB?
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Originally Posted by jzucker
To me it seems counterproductive for a company to refuse such input from customers, but I know that does happen. Maybe the situation you describe is because it is Peter Gannon's "baby" and his company built around that "baby" (i.e. his vision and brainchild), where I was an employee being paid to produce for an employer so that whatever ego may have been involved was secondary to doing what I was paid to do.
Tony
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Originally Posted by kris
Godin 5th Avenue Kingpin comparisons
Today, 06:37 AM in Guitar, Amps & Gizmos