The Jazz Guitar Chord Dictionary
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  1. #226

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    I am in this, as in all things, correct.

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    The Jazz Guitar Chord Dictionary
     
  3. #227

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    Quote Originally Posted by sgcim
    Technically only.
    <<SNIP>>, but it's tough sledding.

    I'd be willing to bet that Benson was the 'gateway drug' for jazz for most of the players here, other than people like Wintermoon, John Galich and some of the European cats like Gitman, who knew about other jazz players BEFORE they heard Benson.

    <<SNIP>>
    Well . . . NO . . . I was working in Jazz Clubs in Melbourne [Australia] from 1966 onward and really only listened to Benson at the urging of my rock 'n roll besotted wife who liked "White Rabbit"!

  4. #228

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    Quote Originally Posted by sgcim
    ... but funk is not jazz.
    Except when it is.

  5. #229

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    Originally Posted by sgcim
    ... but funk is not jazz.
    Quote Originally Posted by mr. beaumont
    Except when it is.

    Yeah, gonna agree with you here. Good luck convincing the kids that Volfpeck isn't jazz.

  6. #230

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    One side insight of this thread... I had not known how visceral some people's dislike of George Benson is. What I've always heard is "fabulous guitarist, great technique, great melodic sense, great time, can really play jazz, but usually chooses to play pop and I'm not a fan of that." This thread is the first time I've actually heard his technique and melodic sense dissed. Not saying that's wrong, just a little surprised. But hey, I'm the King of Lame-O so there are lots of things I don't know.

  7. #231

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    why spend life complaining about "lame" players? Just listen to and enjoy the players you like. People said Bird and Trane had no soul. Louis Armstrong said that Bird played "chinese" music and Phil Woods complained about Coltrane.

    What's the point? Just enjoy what you like - I don't see the point of negativity when there is so much good stuff out there...

  8. #232

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    Quote Originally Posted by AllanAllen
    Yeah, gonna agree with you here. Good luck convincing the kids that Volfpeck isn't jazz.
    Oh is that what they think it is? Haha. OK

    I suppose I don’t mind so long as the broad church also contains Louis, Ellington, Bird, Trane all that stuff as well. I do love that music and I do kind of think it’s jazz.

    tbh I think ‘jazz’ is fast becoming a synonym for ‘music music students listen to’ and no one else)

  9. #233

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    Quote Originally Posted by jzucker
    why spend life complaining about "lame" players? Just listen to and enjoy the players you like. People said Bird and Trane had no soul. Louis Armstrong said that Bird played "chinese" music and Phil Woods complained about Coltrane.

    What's the point? Just enjoy what you like - I don't see the point of negativity when there is so much good stuff out there...
    Well then what there be to argue about on the internet?

  10. #234
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    AKA
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    Quote Originally Posted by wintermoon
    ……… Benson is a great guitar player but couldn't carry Wes guitar case. well, maybe that's a bit much.
    I think
    Yes - That was a bit much. I never had the opportunity to hang with Wes, but have spent some time with George. He is such a gentleman; never a disparaging remark about any of his peers. He joked about “cutting” contest with Grant, but never a comment about being better than anyone.

    AKA

  11. #235

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    Quote Originally Posted by pamosmusic
    Well then what would there be to argue about on the internet?
    Theory

  12. #236

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    Quote Originally Posted by Christian Miller
    I am in this, as in all things, correct.
    That is one of the few certainties in the universe that we have.

  13. #237

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    Quote Originally Posted by sgcim
    That is one of the few certainties in the universe that we have.
    the universe occasionally misbehaves by being incorrect, of course

  14. #238

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    Quote Originally Posted by lawson-stone
    One side insight of this thread... I had not known how visceral some people's dislike of George Benson is. What I've always heard is "fabulous guitarist, great technique, great melodic sense, great time, can really play jazz, but usually chooses to play pop and I'm not a fan of that." This thread is the first time I've actually heard his technique and melodic sense dissed. Not saying that's wrong, just a little surprised. But hey, I'm the King of Lame-O so there are lots of things I don't know.
    We're only comparing him with Wes, and giving our opinions. I don't know why everyone's got to get upset about it.
    Every jazz guitarist I know of has either made a tribute album to or written a song for Wes.
    Kenny Burrell
    Jimmy Raney
    Tal Farlow
    Jimmy Ponder
    George Benson
    Pat Metheny
    Herb Ellis
    Cal Collins
    Royce Campbell
    Emily Remler
    Pat Martino-Two Tribute Albums!
    Lee Ritenour
    Jim Hall
    Joe Pass
    Etc...
    As I've said before, the two certainties we have in the universe are that Wes was jazz guitar's best improviser, and that Christian Miller is always right. Live with it.

  15. #239

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    Quote Originally Posted by Christian Miller
    the universe occasionally misbehaves by being incorrect, of course
    Now you're taking away one of the two certainties we have in the universe.

  16. #240

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    Quote Originally Posted by AKA
    Yes - That was a bit much. I never had the opportunity to hang with Wes, but have spent some time with George. He is such a gentleman; never a disparaging remark about any of his peers. He joked about “cutting” contest with Grant, but never a comment about being better than anyone.

    AKA
    George is a great person, and a great guitarist. All I'm saying is that IMHO he was not a better jazz improviser than Wes Montgomery. Period.
    If you read his autobiography, Benson did say that Charlie Parker KILLED jazz. But George did say that he brought jazz back to life, so we should thank him for that.

  17. #241

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    Quote Originally Posted by pamosmusic
    well then what there be to argue about on the internet?
    lol!!!!!!!!!

  18. #242

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    Quote Originally Posted by sgcim
    George is a great person, and a great guitarist. All I'm saying is that IMHO he was not a better jazz improviser than Wes Montgomery. Period.
    If you read his autobiography, Benson did say that Charlie Parker KILLED jazz. But George did say that he brought jazz back to life, so we should thank him for that.

    The same one where he talks about how Charlie Parker with strings was the best album he'd ever heard and how he always went back to Charlie Parker with strings for inspiration? I don't remember him having anything bad to say about Charlie Parker in that one.

  19. #243

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    Quote Originally Posted by lawson-stone
    One side insight of this thread... I had not known how visceral some people's dislike of George Benson is. What I've always heard is "fabulous guitarist, great technique, great melodic sense, great time, can really play jazz, but usually chooses to play pop and I'm not a fan of that." This thread is the first time I've actually heard his technique and melodic sense dissed. Not saying that's wrong, just a little surprised. But hey, I'm the King of Lame-O so there are lots of things I don't know.
    I think it’s because someone said Benson was a better guitar player than Wes. Which he may well be. I merely asked why.

  20. #244

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    Quote Originally Posted by AllanAllen
    The same one where he talks about how Charlie Parker with strings was the best album he'd ever heard and how he always went back to Charlie Parker with strings for inspiration? I don't remember him having anything bad to say about Charlie Parker in that one.
    Maybe you should read the book to the very end, because it ends with one of his fans coming up to him and saying Charlie Parker killed jazz, and he agrees with him, but he assures us that he has taken the harmonies from the bop era and created something new with it that has given jazz a new life.

  21. #245

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    Bird did kill jazz, everyone wished they could kill it like him!

  22. #246

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    Quote Originally Posted by sgcim
    Maybe you should read the book to the very end, because it ends with one of his fans coming up to him and saying Charlie Parker killed jazz, and he agrees with him, but he assures us that he has taken the harmonies from the bop era and created something new with it that has given jazz a new life.
    I’m not sure that’s quite what Benson meant. Here’s what he said in the book:

    Re: the &quot;el lame'o&quot; guitarists who ain't got no soul-img_0281-jpeg

  23. #247

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    He probably killed dancing, not jazz.

  24. #248

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    Quote Originally Posted by jzucker
    why spend life complaining about "lame" players? Just listen to and enjoy the players you like. People said Bird and Trane had no soul. Louis Armstrong said that Bird played "chinese" music and Phil Woods complained about Coltrane.

    What's the point? Just enjoy what you like - I don't see the point of negativity when there is so much good stuff out there...
    Amen to that. I guess we do have to make judgments when we're thinking who we'll spend our money on or who will spend time trying to learn from, but still, I agree with you 100%.

  25. #249

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    Quote Originally Posted by sgcim
    We're only comparing him with Wes, and giving our opinions. I don't know why everyone's got to get upset about it.
    Every jazz guitarist I know of has either made a tribute album to or written a song for Wes.
    Kenny Burrell
    Jimmy Raney
    Tal Farlow
    Jimmy Ponder
    George Benson
    Pat Metheny
    Herb Ellis
    Cal Collins
    Royce Campbell
    Emily Remler
    Pat Martino-Two Tribute Albums!
    Lee Ritenour
    Jim Hall
    Joe Pass
    Etc...
    As I've said before, the two certainties we have in the universe are that Wes was jazz guitar's best improviser, and that Christian Miller is always right. Live with it.
    I wasn't "upset" about it, just surprised. I've never heard a full-on critique of Benson that reduced him to pentatonics and blues licks. Not upset at all just mildly surprised.

  26. #250

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    Quote Originally Posted by pamosmusic
    Well then what there be to argue about on the internet?
    Gibson tuning keys are crap