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Haha! Here it is.
You knew it was coming. No whining about how its "just an exercise" or some garbage. Its a catchy tune. It can even be a bossa, ask Pat Metheny
And yes, even though I'm busy, I'll do one this week. No excuses.
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01-07-2022 09:07 PM
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Easy, even little kids can do it.
Which lets me right out :-)
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I want my mommy.
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All right then. Here's kicking it off with a slow one courtesy of the ever-reliable Mr. Sunnybass.
I will try to get to a more legit tempo one, until then you'll just have to take my word I can (barely ...). Anyway to somewhat justify wussing out, I honestly do prefer it this way, irrespective of chops limitations.
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Originally Posted by wzpgsr
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Originally Posted by grahambop
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So, it's the first time I try it.
Yes, you can laugh, I'm not a lot inspired so it sounds like a theme.
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I’ve worked on it from time to time. But I’m a bit rusty on it now!
I saw James Moody play it at Ronnie Scotts, and he started off by playing it as a ballad, because he said the changes were so good, he didn’t want to rush through them.
Having said that, after a few choruses he suddenly upped the tempo and took off like a rocket (just to show he could)!
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Here’s a go at it.
I just got Band In A Box, trying it out here.
Last edited by Ronstuff; 01-08-2022 at 09:28 PM.
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A separate thread should be created for a tune like Giant Steps.
Giant Steps is a big challenge for any musician.
There are ways to master this tune.It requires a lot of work and persistence.
You have to understand Coltrane harmonies first.
One of the easiest ways to improvise over GS is to use only three pentatonic scales.
D,F#, Bb- maj penta or parallel B ,Eb,G- minor penta.
By only operating with these three scales, you can play the entire GS.
There is my short take:
BoxLast edited by kris; 01-09-2022 at 09:25 AM.
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Hacks (some from Trane.)
The Bmaj7 chord in bar 1 IS ONLY PRETEND.
Phrase changes as follows starting from penultimate bar
C#m7 F#7 B,
D7 G Bb7 Eb,
Am7 D7,
Bb7 Eb F#7 B
etc
The second and fourth lines here are the ones you need to practice - (note that they start on beat 3 though.) Everything else in the tune is a 2 5 1
Play minor triads as follows
D7 G —> Bm
Bb7 Eb —> Gm
F#7 B —> D#m
Very trane; triad sounds great on both chords,
more is I think that the I. You can extend to pentatonic.
This is fun - from the Bmaj7 in bar 7
B Ionian
B melodic minor
Eb Ionian
Eb melodic minor
G Ionian
G melodic minor
B Ionian
B melodic minor
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Well, let's hear it, then!
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Originally Posted by ragman1
(when the kids are in bed)
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Oh I have this floating around on Instagram
Login • Instagram
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Here's mine. With a little electronic help, naturally
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Originally Posted by ragman1
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hope im not kicked off ...not up to parr with you guys..i sampled it years ago witha sequencer..and retro flute samples..
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voxsss -
I quite enjoyed that!
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Originally Posted by voxsss
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Originally Posted by Christian Miller
Great playing!!!
Best
Kris
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Originally Posted by ragman1
You should play all tunes with electronic help .
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Originally Posted by Christian Miller
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Midi File
Legato Guitar - John Coltrane style C Melodic...
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