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Anybody used this book? I recently picked it up, and am wondering if anyone has any experience that they could share.
Thx!
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09-06-2011 03:34 PM
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Originally Posted by Jzzr
You just have to consider the source, I guess.
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Originally Posted by Richb
I'm more leery of guys who can burn, but have shown no talent for teaching, e.g., John Abercrombie . This book got an immediate one-star review from some idiot, and that ruined its Amazon sales, but it's a very, very, very good book. Sid has done two of the Mel Bay "Private Lessons" folio things, along with Mimi Fox and Bruce Saunders, et al, and these are superb. He also authored Mel Bay's "Complete Book of Jazz Guitar Lines, Licks and Phrases," or something close to that, and I love that book. He single-handedly developed the jazz curriculum at GIT and was the youngest instructor ever at University of Nevada, Las Vegas - age 18. Awesome teacher.
The book in question is very good, imo. Ignore the one-star idiot and grab a copy, if you're at that place in your development. I'd call it introductory stuff for serious players. No spoon-feeding, but if you're smart and dedicated, it's well worth the investment.
kjLast edited by Kojo27; 09-07-2011 at 04:13 AM.
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Originally Posted by Richb
haven't looked at the book in question, so can't speak to that, but i have this book, and it is very good:
Amazon.com: Mel Bay's Complete Book Jazz Guitar: Lines & Phrases (9780786665785): Sid Jacobs: Books
also have his cd as leader, excellent:
Amazon.com: Its Not Goodnight: Sid Jacobs: Music
other opinions:
Sid Jacobs - Composer, Instructor, Recording Artist
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Originally Posted by randalljazz
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Thx for the replies......stuck at work for MANY hours so won't be able to investigate the book just yet, but yeah .....biik looks like it could open some doors!! And I really like Sid's influences!
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I thought his Bill Evans for guitar was well done. Lots of nice voicings. Just Jazz Guitar printed one. (My Bells)
So I guess the question is....Who do you think are todays 'good players'?
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I also have Sids' Bill Evans book and it is spot on with Bill Evans concepts. It is not a book for newbies but is truly excellent for extending your Bill Evans approach. Also, IMHO, there is noting mediocre about Sids' very sensitive playing.
wiz
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Originally Posted by Richb
I didn't intend to say Abercrombie could "burn" in the sense of "shred" -- I wrote "burn," then tried to think of a great player who couldn't teach, and he came to mind. Bad example, bad descriptor - my bad. I think my point still makes sense, though -- I'd rather learn from Sid Jacobs, who may or may not be as good as Abercrombie, but who can definitely teach circles around him and can play damn well, too, imo. And in Joe Diorio's opinion, and others who would know.When you say, "...[the book] might be good, so I might be way off - but not about the playing" -- are you saying you aren't wrong about Sid Jacob's playing - or the playing of whomever might have written a book, but who can't play very well? I'd love to be able to play as well as Sid Jacobs, myself. AND: Sid definitely plays better than Mickey Baker. But who among us doesn't revere Mickey's book?
Maybe look at it like this: what good is "studying under" Sum Buddy Super, if he doesn't really know how he does what he does? I betcha Wes would have been a bad teacher, for example -- but I'd rather listen to him than anyone else. He could show you where to put your fingers for certain licks -- but I bet the real know-how was intuitive. Same with Django. Imagine taking violin lessons from Grappelli, or Joe Venutti. Your resume would sparkle, but what would you have taken away from it all? Inspiration? Yep, or discouragement - ha.
BTW, I have three of Sid's books and they're probably the ones I refer to most, because they're "meat and potatoes" books. The Mel Bay's Complete Book of Lines, Licks, Phrases thing is _so_ well-thought-out -- the title belies its great worth as a way of understanding jazz soloing.
Appreciate your input, Rich. : )
kjLast edited by Kojo27; 09-08-2011 at 07:17 PM.
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Well now that that's all out of the way....LOL...if anyone has had some experience with that particular book (or his other books), it would be great to hear how you approached getting through it and how it changed the way you heard/played music.
Last edited by Jzzr; 09-08-2011 at 01:46 AM.
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Originally Posted by Jzzr
After seeing this post I checked him out on you tube, specifically the Evans tunes.
Based on these two things alone I would recommend the Evans book. Even if you don't get the tunes down 100% you're going to learn some really nice voicings
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Originally Posted by Richb
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I wish that this matter would be dropped at this point. I heard the guys vids, and on the basis of his music I bought the book. I wanted to know if anyone else was using the materials and give me some insight. That is all. I truly regret my post at this point however, and I wish that someone would close this thread. I read the forum rules this morning, and I think that the posts did not follow protocol. I take partial responsibility, because I actually asked the question of what was not liked about the music. I learned my lesson here for sure.
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Originally Posted by Richb
It was nice to see you put in your place though lol.
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Not true, jzzr. My very first post included this paragraph:
The book in question is very good, imo. Ignore the one-star idiot and grab a copy, if you're at that place in your development. I'd call it introductory stuff for serious players. No spoon-feeding, but if you're smart and dedicated, it's well worth the investment.
This book has 99 demo tracks, which should say something, too! Lots and lots of real jazz phrases, well-demonstrated by Mr. Jacobs. Practice tips, and actual "playing" exercises to practice - I especially like these. I recommend the book, obviously. I recommend HIGHLY his Mel Bay's Complete Book of Jazz Guitar Lines & Phrases, as it is so, so, so much more than just that. It's a method book in itself.
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I hear you Kojo....very true. There were also many other helpful responses. Thx much.
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Originally Posted by Richb
First of all, Sid is a great player but apart from that, your idea that a book can't be of value to a jazz player unless the book was written by a great jazz musician is just rubbish. Slonimsky and many, many other great books are out there that have helped zillions of musicians that were written by folks who hadn't a clue about how to play jazz.
The other sillyness in all your statements is the notion that *YOU* and *YOU* alone decide by some arbitrary method which musicians can and cannot play.
RUBBISH!
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Oh, and Jzzr -- when you get your book and have had time to consider its worth, please do go to Amazon and tip the scales in the proper direction regarding the "star" rankings. I'm sure you'll not give the book a single star -- heck, one good lick, one new concept... that would repay me the cost of Jacob's book.
Getting a one-star review, right off the bat, and as a book's ONLY review, can (and probably did) nearly destroy a book's sales on Amazon. This book doesn't deserve that, imo. I've gotten at least a music school semester's worth of learning from it already!
kj
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Originally Posted by Kojo27
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Originally Posted by whatswisdom
I had kind of hoped to escape that kind of mean-spiritedness, but you still have guys that want to attack you personally.
Those types of people remind can bring up painful memories of other ogres you may have had to grapple with in the past, and can make you want to withdraw. It's really sad when those people can impact on your livelihood.
OK. I am off my soapbox...
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Wow, left this place for a while cuz of pathetic persons on here, only to return to see its the same place, different sh*t-talkers. Funny how someone could type acrimonious comments, then suddenly feel "mortified" when confronted by the target of his BS. Pathetic.
Last edited by orasnon; 09-09-2011 at 04:29 PM.
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Originally Posted by orasnon
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I have the 'Lines and phrases' book, and saw the video which I think covers similar material to the book you were asking about. Both are very informative and well presented, and I definitely found them very useful. My only complaint with the book is the tabs - it's pretty obvious that they were added as an afterthought, and not by Sid Jacobs (they are contrary to the idea of finding every possible way to play a phrase which he stresses).
I also learned his beautiful arrangement of Naima, it makes me want to explore his Evans material.
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Originally Posted by AlsoRan
I have learned a great deal from Jacobs' "Complete Book of Guitar LInes and Phrases." Much respect to him. And I have been helped immensely in the past by generous people on this forum. Big ups to them!
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[quote=Jzzr;169001]Anybody used this book? I recently picked it up, and am wondering if anyone has any experience that they could share.
Thx!I downloaded a video of his at TRUEFIRE guitar tuition. He seemed very very passionate and experienced as both a guitarist and a teacher. The video was about Bill Evans style rootless voicings, basically 3rds and 7ths.....it took me back how powerful and useful this concept is....kind of impressionist...its changing the way I play ( slowly ). I think the book MUST be good, he wouldn't have it in print otherwise.
Can someone help me identify this song?
Yesterday, 11:21 PM in The Songs