View Poll Results: Do you prefer to stand or sit when you play jazz?
- Voters
- 220. You may not vote on this poll
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I prefer to stand when I play
50 22.73% -
I prefer to sit when I play jazz
170 77.27%
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Originally Posted by jovialspoon
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08-07-2019 07:32 PM
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[QUOTE=Doug B;971023]Do you know who makes that headless/bodyless guitar? It's not a Yamaha Silent Guitar-they have the tuners on the headstock.
Doug
Looks like a Solette model
SoloEtte Travel Guitar
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[QUOTE=es347;971031]
Originally Posted by Doug B
Thanks.
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Originally Posted by henryrobinett
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Archtops and acoustics i always sit on a stool or chair. With the 335 i get a stool, but also stand up a lot. Electric guitars or relative music i stand up
!
I'm still waiting for a theater director to have me play lying on a couch.. Hasn't happened yet!!Last edited by Alter; 11-03-2019 at 05:27 PM.
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That headless guitar looks like a Frameworks.
I pretty much STAND for all practice and especially performance.Last edited by coolvinny; 11-03-2019 at 04:07 PM. Reason: brain fart - wrote that I mostly sit but that's backwards, I mostly stand!
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Originally Posted by henryrobinett
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I find a window with a nice view and then I sit down.
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Originally Posted by AlexArkansas
Given the the Great New God of the electric jazz guitar, Pasquale Grasso, sits in classical position, I don't think you should be too concerned.
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I’ve always preferred to sit, with the guitar on my left leg. At home, I use a folding classical foot rest. If I can only get a low chair on a gig, I rest my left foot on a mouse pad on top of my Little Jazz or my RevSound 8” cab. But I can usually find a bar stool with a rung or rest on most gigs.
I have a very comfortable padded stool at our club with two rungs, one high enough for the left foot and a lower one for the right. I stand for blues gigs if I have to sing and on any stage or setting with too little room to sit comfortably.
I definitely think I’ve always played better and more consistently when seated than standing.
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Originally Posted by nevershouldhavesoldit
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I prefer to sit in an ordinary chair. I bring a metal folding chair to gigs, although I'll often just use whatever the venue has. The reason is that I like to play with my foot on a volume pedal and I can't do that easily while standing or even sitting on a stool.
Tal Farlow built a stool with a homemade volume pedal, which doubled as a foot rest, 6 or 8 inches or so off the floor. I think that would be great, but I don't have one. Rudy's sold it with his gear a few years back and I saw it there.
If I'm singing on a gig, which happens very occasionally, or fronting the band, I'll stand or use a stool and take my foot off the pedal.
I think standing or a stool is better than a regular chair, visually. Since it's entertainment, it counts for something,
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I always play with a strap, with the guitar fairly high up, so the guitar is positioned the same way whether I sit or stand. I generally prefer standing, but in some settings it more sense to sit.
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Chris Hadfield, strapless in space.
Shame about the singing.
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Originally Posted by henryrobinett
He's kind of the anti Mark King, LOL.
As for me, i usually prefer to sit, but a properly adjusted strap will keep my guitars in the proper playing position either way, and most of my strats and teles are about 7 to 7.5 lbs and my .strandberg* guitars are all under 6 lbs, so weight is never a problem.
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Originally Posted by grahambop
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Originally Posted by dogletnoir
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Originally Posted by John A.
The word was, at the time, that he was thrown out of the window by a drug dealer he stiffed. Sad.
Play live . . . Marinero
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I always sit . . . play Classical style with guitar on my left leg. I use a comfortable CG stool with a footrest. The last gig I played standing was in 1968 in a soul band where I, also, doubled on sax. Here's my current set up.
Play live . . . Marinero
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Originally Posted by Marinero
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That stool Tal built for himself was pretty neat. It had a slot for the Walter Woods amp; A volume pedal in the footrest. And a stomp button that controlled an octave doubler and shut off the hum buckers and connected the middle DeArmond to the octave doubler. (Old prototype #2 had a stereo out). There were a couple of toggle switches on the side, but he said they never worked. Plus a really generous cushion)
I wonder about body changes from sitting to the real long term pro players. I remember when I took fencing (a long time ago) the master (Mr. Santelli) was in his 70's, he had permanent body changes matching his fencing position. One foot was rotated out, the other knee bent. Poor guy looked so uncomfortable when he walked.
Tal's back was hunched over, walked that way too. Wonder if the others of his generation had that problem. George Benson doesn't seem to, neither Metheny, but they both stand.
No, jk did not make the Rutgers fencing team.
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Originally Posted by jazzkritter
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Touche
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Originally Posted by John A.
After his death, Chet's wife and many of his close friends did not believe it was an accident since serious retributions by drug dealers were common in Chet's past but the Dutch police closed the case and refused to investigate further. I guess we'll never really know.
Play live . . . Marinero
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I don’t think there really is much mystery about Chet’s death. Like everything else about him, it has been romanticised by lots of people. The writer Jeroen de Valk spoke to the police inspector who handled the case, and in his book (Chet Baker, his life and music) lays out the evidence he found during the investigation. From all of this it seems highly likely that Chet simply fell out of the window by mistake while high.
The main points he covers are as follows:
- the room was on the 3rd floor and was found to be locked from the inside. Any murderer would have had to climb in the window (and out again).
- there were no signs of a struggle in the room.
- the window sill was only knee-high.
- the window was an old sash type, had been painted many times, and consequently could only be raised by 2 feet.
- Chet left marks in the dust on the sill which showed he’d been sitting on the sill (it was an unusually warm night).
- the window had a peg on a chain, used to hold it up by inserting it in the frame. The peg and part of the chain were on the ground next to Chet’s body. The window was found to be slammed shut again (because the peg had been pulled out).
Based on all of this, the police concluded that Chet had been sitting very awkwardly on the sill, leaning outwards, maybe nodding out with his head down, and simply lost his balance and fell, probably grabbing the chain and peg as he went.
It’s understandable that his wife and friends preferred to believe a less banal explanation.
no click pick: any suggestion?
Today, 07:58 PM in Guitar, Amps & Gizmos