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That is a beaut!
You are a long way from Dave…probably best you don’t live near there, this might become habit-forming.
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03-28-2024 09:28 PM
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Can't go wrong with a GB10. Would never let go of mine, fabulous neck, incredibly stable, versatile guitar, consistently solid workmanship. (Although I still haven't found a use for the bridge pickup.)
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Originally Posted by yebdox
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Originally Posted by Oscar67
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Originally Posted by ruger9
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Originally Posted by Oscar67
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Originally Posted by ruger9
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sweet. After all the dust has settled on my various archtops, the GB10 is probably my favorite.
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[QUOTE=jzucker;1327513]sweet. After all the dust has settled on my various archtops, the GB10 is probably my favorite.[/QUOTE
First archtop I've been able to bond with
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Mine’s always had an acoustic rattle on certain bass notes that I’ve been unable to trace, but at least it wasn’t heard through the amp. As in: past tense. Recently I did start hearing obnoxious rattles through the amp. Upon inspection of the neck pickup, two of the four globs of solder used to attach the pickup cover to the base plate are broken. Same with bridge pickup. So the cover vibrates sympathetically and because it’s metal, it’s heard through the amp. Nothing that can’t be fixed, but not good.
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It is funny that this thread should pop up again, as I just dug out my GB10 last night to play it for a while. It has been languishing a bit since I bought the ES-175 a year ago. I also put a Pete Biltoft floater on my 17" archtop. It made that guitar sound great but between those two I've been ignoring the GB10. Today I played on it some more and felt it sounded a little "snare drum" compared to the other two archtops. By that I mean the response is very quick and crisp like the difference between a snare drum and a floor tom. I had installed John Pearse Jazz 0.012 strings on the archtop and really liked the results of that in combination with the new pickup, so today I put those on the GB10, as well. It's interesting how the heavier strings seem to have a stronger fundamental and less overtones, so it reduces the snare drum-like crispness and quickness just a little bit. I like it. Will give the strings a little time to break in and lose some of that new string sound.
It remains a wonderful and versatile guitar. Skip, how are you getting along with yours?
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"......It remains a wonderful and versatile guitar. Skip, how are you getting along with yours?"
I still like it although I haven't been playing much lately. I've actually thought of changing out the Chromes for GHS 11-52 nickel burnished rockers and maybe play more 'Chet' stuff which was my first love. It's still a great guitar, though - no doubt about it.
Tommy Emmanuel & Matteo Mancuso: Sunny
Today, 04:10 AM in The Players