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i understand, but most archtops i know have two pickups.
Originally Posted by coolvinny
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10-23-2020 03:34 PM
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Well, I quite enjoy this tone
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I have found the P90 Les Pauls (mine is a 2016) to have a wonderful jazz tone.
Originally Posted by GaloDeBarcelos
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lee retenour plays one on several YouTube clips..one with mike stern and one with larry carlton..and several more
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Originally Posted by entresz
Originally Posted by sasquatch
According to my records I owned this LP Personal for a little less than three years. I liked the larger size compared to a regular LP, but it was easily the heaviest guitar I've ever owned and I hated the "fretless wonder" treatment. Lots of interesting tones available except for standard Gibson ones. I had no use for Les's mic input. Never gigged with it and never missed it after selling.
I liked what Akkerman did to his.
Danny W.
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Hey Danny, nice pic! I bought one of those Kustom 100's myself this year. Pretty rare in Australia!
Originally Posted by Danny W.
I still kick myself that I didn't have the $3K to buy a Les Paul Personal a few years ago.
It was one of the first few from December '69 and had a gold Bigsby.
Oh well, we can't have everything heh
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Seeing those pics reminded of this clip of a LP Recording model. Sounds pretty damn good to me, in these hands, at least:
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I think this fantastic guitar playing by Larry Carlton was on his Les Paul. I think Larry and his Les Paul are all over these early records by Michael Franks. Amazing band, tunes, production, and guitar tone! This is from Sleeping Gypsy.
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Probably been seen a million times but any excuse to see Jan Akkerman with his modded LP is a good one. He had one of the guys from Hamer [maybe Joel] do the work on that guitar.
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This is a good example of an LP played clean in a jazz context (Phil Lee on an LP Deluxe), albeit not on a straight ahead standard:
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That's me!
Originally Posted by Peter C
It's a lovely sounding instrument. The low impedance pickups have an interesting sound. More like a warm sounding single coil than a humbucker.
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Pete Banks was a long-time friend [he produced a band I was in back around 1979]. He was working on a solo project when Akkerman stopped by and contributed to some tracks. Lots of Les Paul stuff.
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here's master ulf wakenius playing a cheap les paul copy and sounding better than most guys don on an archtop. He told me he paid less than $100 for it.
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long time fave...banks and akkerman really burn
Originally Posted by myhandhurts
cheers
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When I posted that link I had second thoughts about the "jazz" aspects of Pete's album. It's jazz-ish but not really top-drawer jazz. He was also concerned that he sounded a lot like Akkerman and people couldn't discern between the two. He played the black LP Custom for those sessions and then bought my sunburst Custom.
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Akkerman was my biggest personal influence as a teen.... but he didn't play a lot of jazz, and especially not on Hocus Pocus, which he used to mess around with a lot live.
Cool entresz, good playing and nice suit!
Fun fact: Pete Banks put together a band called Flash, then left for some reason. They auditioned and I turned up - must have been all of 17 years old - and was so nervous that I played the solo to a simple Dm chord progression in Em!! Didn't sound too good IIRC.
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i'd put it in a similar category as the santana & mclaughlin recordings...players familiar with some jazz vocabulary, but playing hard and distorted rock sounding guitars..very early 70's...i.e. a great time for fusion
Originally Posted by myhandhurts

cheersLast edited by neatomic; 10-26-2020 at 05:56 PM. Reason: cl-
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Banks himself is so underrated. This is a great album.
Originally Posted by myhandhurts
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Banks and the rest of Flash broke up on a tour in New Mexico. The other 3 members kept trying to keep it afloat but to no avail. Later on there was a version of Flash with Ray Bennett [bassist] playing guitar. Banks formed Empire with his wife on vocals [soon to be ex-wife]. Pete told me that Akkerman didn't like their album [Two Sides] much.
Originally Posted by Peter C
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Ulf Wakenius on les paul studio
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I enjoy the small size, the feedback friendliness of the Les Paul, and these days it's easy to get a chambered, light weight model.
But they are still a solid body, and compared to a 335, even more to a hollow body, they do miss the thunk and full bass response these have. So I guess simply most players prefer the sound of a hollow guitar.
About telecasters being more popular than Les pauls in jazz, it's probably because they are cheaper, more comfortable shape, less fragile, easier to fix, lighter. You want a guitar you don't have to worry about, you get a tele!
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Former GDR-free jazz legend Helmut "Joe" Sachse:
Here he is with an original Gibson Les Paul:
His guitars are equipped with some sort of acoustic transducer to make the percussion parts audible.
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It's an old Aria LP clone.
Originally Posted by Kmatuhin
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Don't get me wrong, I admire Ulf Wakenius. And I like that he always plays his budget friendly guitar. But with this kind of tone, with all the treble rolled off, it doesn't really matter which guitar he plays.
Originally Posted by oldane



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Has anyone tried the JHS Clover preamp pedal?
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