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This is my first semi-hollow guitar. I've been wanting a semi-hollow for a while and was debating between a Yamaha SA2200 and PRS JA-15. This one popped up at such a good deal I couldn't pass it up. I am very glad I didn't.
Put a set of Thomastik-Infeld Swing JS111 on and did a little set up and it plays and sounds amazing!
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07-08-2017 03:37 PM
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nice! don't be afraid to play with that neck pickup height for your choice jazz tone!..enjoy
cheers
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Great purchase! These are beautiful guitars, and your post makes me regret selling mine about ten years ago:
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Beautiful guitar! As neatomic says, pickup height (and angle) are a big factor in getting the perfect tone. And that three-point mounting system really ought to be the industry standard. Congratulations, and play it in good health!
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Originally Posted by Rob MacKillop
haha..nice!!
cheers
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A scoundrel of the highest order. That said, there are angels over his left shoulder playing lutes. I hope he can hear them...
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i have no doubt he can!!!
cheers
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Back to the OP.
geese_com - are you new to jazz? What do you plan to do with your new guitar?
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Originally Posted by Rob MacKillop
I am new to jazz but I have been playing guitar for at least 18 years. Mostly rock and metal. I felt it was time for a change. Now I can't get enough of jazz (guitar centric or not).
I am working through Richie Zellon's Bebop Guitar Improv Series (I am currently in Module 4) and at the same time doing a Song of a Month group. I am loving jazz guitar more and more every day (even the frustrating days).
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cool!..be interested in hearing what jazz players inspired you in your crossover from metal to jazz...
keep going!!
cheersLast edited by neatomic; 07-08-2017 at 05:03 PM.
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you can search endlessly for the perfect 335...or just get a stock yamaha 2200 and be set
Their fantastic. I just wished there was a plain-top variant, and blonde (I never understood the flame thing on guitars, flamed maple is for furniture. Now flame me!).
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Earlier this year, I actually stumbled across Julian Lage by accident while browsing through a guitar forum. That led me to Jim Hall. Then it "escalated" from there. I heard of Tal Farlow from Troy Grady's series so I decided to look him up. Hearing Tal Farlow is what got me really interested and made me decide to learn and really immerse myself in jazz.
I knew of and listened to Joe Pass and Wes Montgomery before but I never took it seriously until this year.
Originally Posted by neatomic
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nice!..always go backwards to forwards and around again..lage back to hall to farlow & forward to?...
jim hall was a major path for me..direct modernist link
if i may be so bold. check out john abercrombie and brad shepik!!
have fun discovering..always dig deeper
cheersLast edited by neatomic; 07-08-2017 at 06:26 PM.
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Good enough for the fleet fingered Bireli Lagrene:
(Looks like he changed the pickups)
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Bireli was actually my inspiration for buying the Yamaha SA2200. He is such an incredible player.
Originally Posted by helios
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or take it back one step further...birelis idol- django
if you don't dig the tone, just listen to the notes
cheers
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Originally Posted by geese_com
About the best there is!
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Congrats on a great looking guitar! Quality Yamaha's are hard to find in my neck of the woods.
Bireli and Jim Hall were also a couple of my pathway guitarists toward interest in jazz to (coming from 90's grunge). Also John Scofield, Herb Ellis and Kenny Burrell. But I think I like to listen to horn players now more than guitar players.
Anyway, that looks like a super great Yam. I never did find the 335 that worked for me . . .
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Ooooh ... beautiful !
Congrhapsodylations !
Yamaha is still making those. Yours looks so mint ... do you know what year ?
Really classy ...
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Originally Posted by xuoham
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Originally Posted by MikeTT
The SA-2000 is plain top from the late 70's & 80's. There's a natural on Reverb right now, but it's pretty beat up.
Observations on Fingerstyle Jazz Guitar
Today, 05:17 PM in Guitar Technique