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Originally Posted by agentsmith
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08-12-2016 05:51 PM
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I think you're answering your own question here. Save up and wait.
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Originally Posted by lawson-stone
Vintage Aria ES175 2312 Matsumoku 70s Made in Japan Aria Pro Super RARE | eBay
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Originally Posted by mr. beaumont
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Missed it or not, you're proving what you want doesn't exist.
gotta have a bridge pickup? I've seen 165's for $1500.
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Originally Posted by agentsmith
My PE180 has neither.
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Aaakkkk.... Not ANOTHER "is this git the closest to xxx model git?"
There are many, MANY wonderful instruments, each with their own character, if the 175, 335, L5 blah blah blah is that important save the money and get one?
I said on another thread if I couldn't have my 175 I could live with my Epi Joe Pass... is it as good? Hell no but I wouldn't be lusting after something I couldn't have.
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From what I've read here the Epi Premium 175 fits your criterion perfectly.
Other than the fact that you don't like it.
I like mine a lot-- it won me over from note one, but obviously it's not the same as a Gibson.
But none of the other stuff under consideration is on par with the real deal either.
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If you could get a Gibson level ES175 for under $1000 from a non-Gibson maker, that's what most people would be playing.
For under $1000 I don't know how you can expect to avoid heel splicing and scarf jointed necks--My Peerless Monarch is a beauty, but has both splices but still plays and sounds great. If that is the only thing in your way, I think you need to yield on that point. Anything that would damage a spliced/jointed neck would damage any neck.
But you're free of course to keep looking.
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Originally Posted by mr. beaumont
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For what it's worth, the Cremona has a scarf-jointed neck as well.
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Originally Posted by lawson-stone
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An Archtop Tribute At 101 from Walkin in Japan will probably do exactly what you want for slightly more than $1000 shipped. http://www.walkin.co.jp/guitars/290001t640.jpg Masiki is a super cat to deal with. Bob Never mind, I forgot you wanted a sound clip.
Last edited by Top of the Arch!; 08-12-2016 at 07:01 PM.
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Heres the 102 model, I believe the only diff is neck binding and inlays. Bob
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Originally Posted by Top of the Arch!
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Why settle for a 1 K emulation when you already got the real deal with a 1989 Gibson...lets be honest we are not even in vintage territory, no problem touring with that!!
Even more when you got a real 63 laminated Gibson at its best...
I have a 96 that is not as good resonating as a '60s real deal because they are built much heavier that I can hear... but can live with it because it still has that nice upper mid thunk going no damn cheap import can dream about.
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Originally Posted by Top of the Arch!
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Originally Posted by vinlander
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Originally Posted by Top of the Arch!
from what I can see the tribute 175s are going for 230,000 yen which is $2200+
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Those Archtop Tribute guitars look really splendid! I couldn't tell if they had an L5ces model. But clearly Japanese guitar making continues to be excellent.
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Originally Posted by agentsmith
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The 102 model is just under $1000 the others 175s are roughly $1500. The Ones for the big $ have solid tops ,ebony boards and CC pickups. They have tons of different models to choose from, everything from 125, 175 and 350s in various body depths. As I said, Masai is a real nice cat to do business with although it may take a few days to get a reply. Bob
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thanks much Bob. I emailed him about one of his 101s. Looks like the 101s are about $1k and the 102s are close to $1500 ?
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Yes, you are correct, I may have made a mistake with the model #s. If I can ever move my long scale Byrdland, Ill be getting that 50s burst single p90 350 he has. Bob
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I won't dispute your assessment of the copies.
Good grief! The thunk that Joe Pass gets on Joy Spring is sensational. Despite the photo Pass is playing his ES-175D that was given to him by a fan when he got out of Synanon.
And, Tal Farlow! Well...he's Tal Farlow. He played "thunky" guitar.
My 60s 175 was six pounds and was super sounding. Herb Ellis' 175 was noticeably lighter--maybe 5 1/2 pounds. It was phenomenal playing and sounding. He'd had several refrets, so his fretboard was flatter than mine. He'd replaced his P90 with a humbucker by that point. Grovers instead of Klusons, too. The guitar was the best 175 I have ever held or played. And, of course, it had played all of those Oscar Peterson and Jazz At The Philharmonic gigs...and the studio gigs on the west coast. Man. Thunk? Yes, it did.
Trenier Model E, 2011 (Natural Burst) 16"
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