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All the recordings that I had sounded like a bridge pickup. All the videos that I saw was bridge pickup. I mean he was nicknamed Iceman for reason. Maybe when he was comping he did? Can you present one of those widely documented sources?
Originally Posted by docsteve
But even so, just proves my point. On a tele you need both.
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10-25-2024 04:01 AM
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I don’t know about that. The Tele style guitar is cheap to make and comfortable to play. It’s been used as a platform for many sounds and playing styles. The traditional sound of an angled single coil Fender bridge pickup is great, but you are not obligated to use it just because you like some of the manufacturing and ergonomic innovations of the Tele style guitar. Why add the cost and complexity of a second pickup and selector switch if that is not the instrument you are looking for?
Originally Posted by Hep To The Jive
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I clearly remember an interview where he said “I use both pickups “, but I can’t find the source. Anyway, why would he put a humbucker in the neck if he didn’t use it?
Originally Posted by Hep To The Jive
But I may be wrong. And tour point is indeed proven either way.
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He didn't put it there, it was aready there, a stock tele )). There was no custom shop or partcasters back in his day (at least i don't think so??) No 'jazz' teles, just teles. That you could perfectly play jazz on as is.
Originally Posted by docsteve
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I enjoy using both in middle position, tone down on the neck, up on the bridge. Otherwise I feel I'm "missing half the story". Plus I just like that sound.
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Now I’d like to see your source
Originally Posted by Hep To The Jive

A humbucking pickup that looks much like a Gibson PAF is certainly no part of a standard telecaster configuration.
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I take it you have a deluxe telecaster? Love to hear that.
Originally Posted by Sleeko
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Saw Jonathan Kreisberg play tonight. He used all three pickup settings on his 175 for rhythm as well as lead.
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I bet that was a good show. I think it's great when someone utilizes all the tones available on their instrument. Truthfully, a Gibson with two volume and two tones can get a wide variety of sounds and all of them are pretty nice when used in the correct context. No doubt Kreisberg has a good handle on that.
Originally Posted by Oscar67
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Virtually all of my guitars except my Godin Kingpin (and a few classical A/Es) have had 2 pickups. However…I have NEVER used the bridge pickup. It just doesn’t give me anything I need for jazz or accompanying singers or whatever.
One time I had a problem on stage with the neck pickup of an Epi JP I was using. I had to use the bridge pickup. I made it work with the treble rolled off, but I didn’t like it.
Single neck pickup guitars are not common, though, so I take them as they come.
FWIW I just did a Strat build using parts from GFS. Turned out well, but man the pickups and selection switch on that one are WEIRD.
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It's a conspiracy to keep people busy with discussions like this.
Originally Posted by docsteve
Seriously, why doesn't anyone ever talk about how it affects the on depending on where you strike the string between the bridge and the neck (or even above the neck)? How hard you hit it? At what angle the pick hits the string? But that's DIY and not for sale.
EDIT: I forgot to mention switching between pick and fingers.
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Au contraire, but funny as I always wanted one.
Originally Posted by docsteve
L4CES is my favorite of 5 but 3 of the 5 have the two pickup Configuration.
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I'm with you you on this one! I play fingerstyle (because i started guitar with classical so i guess old habits xD) and i love playing all over the place depending on how i want to sound like, while using only the neck pickup. I like playing above the fretboard too, the only downside is (from my experience) for best results a slightly higher action seems to be the way to go, but then again, i am used to that from classical.
Originally Posted by Bop Head
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If you combine this with the bridge pickup and the combination of the two P/Us, your different sound possibilities get threefold.
Originally Posted by jazzloverfat
I like to comp with the thumb (pick hidden in palm) and the neck P/U which results in a smooth sound that leaves room for singers and soloists.
When it comes to soloing, I use the pick and can then enhance things even more by playing the bridge PU to give it even more bite.
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Having a bridge pickup there is great when you turn way down for a quiet passage or when softly comping when someone else is soling. It adds a bit of clarity and sparkle so the guitar can be heard clearly even though it’s very soft. Not essential but nice to have.



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