
Originally Posted by
Greentone
I find stock Jensens a little trebly, too. I use Weber alnicos for most gigging.
I have no problem for most of what I do using tweed Deluxe amps set no louder than 3--either normal or bright (instrument or mic) channels. Very occasionally, I will use two tweed Deluxe amps for an outdoor rock gig at a frat house. Otherwise, for a jazz, blues, etc., gig I just hump a Deluxe to the gig with the guitar of choice. If it's a 335, I plug into the #2 input of the channel; if it's a Strat or a Tele, I plut into the #1 input of the channel. Everything is copacetic. A Princeton Reverb works just as well. A Deluxe Reverb is actually overkill for me anymore...i.e., 12 watts = great; 22 watts and I can get too loud.
Solid state is a different beast. The original Polytone amps (Hmm? what were they, 60-70 watts?) are good for the same gigs. IMO, a 10-20 watt tube Fender amp is about the same as a 50-75 watt solid-state amp out in the real world.
I have gigged with a Pro Jr along side guitarists using 150-watt solid-state Fender something-or-other amps. The Pro Jr held its own, just fine. That was 15 watts. Nothing was mic'd. People in the audience were dumbfounded--no pedals, no tricks. Telecaster, cable, Pro Jr. Booyah. Rock gigs; loud drummer.
Recommandations for Hollowbodies for $600 and under?
Today, 05:20 AM in Guitar, Amps & Gizmos