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Simply the most versatile guitar I have played and enjoyed. It literally can do almost anything.
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07-05-2014 06:37 AM
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Tough call...
The Tele is the obvious choice. But no acoustic sound! Still it can cover all genres.
I have been loving the Peerless Sunset I got recently. Great jazz sound, great ergonomics. I haven't pushed it much out of the jazz genre though--wonder if feedback would be an issue?
Last, the Godin 5th Ave with floating HB--lovely guitar to play, especially fingerpicking. And sounds good unplugged.
Hmmm--this is hard. Right this moment, for what I'm doing, the Sunset gets the call. But that could change next week.Last edited by Doctor Jeff; 07-06-2014 at 10:00 AM.
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Hmmm
My Ibanez AS200
My Soloway Loon
A tele
Anyone of those would do. Hard to choose. I'll just keep them all. Wait a minute I don't have a tele. Rut Roh (gas).
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My 3 pickup Gibson Les Paul Custom modded with ES-5 electronic setup of 3 volumes and 1 master tone and with a (gasp!) Bigsby B7 . It's my go to guitar and is very versatile.
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PRS P22/P24. Gibson sound, funky Fender sound, reasonably decent acoustic sound.
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es-175.
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There are a couple of ways to go with this one. If you thin it down to one guitar...(1) you could go with a do everything model--my ES335 or my Telecaster--or, (2) you could go with a guitar that does what I want it to do--my ES175 or preferably a L-5CES.
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Tele or 335 with tapped coils.
Or I could just ignore versatility and play my L5 for the rest of my life
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Stratocaster. In a pinch it can be a handy weapon (defensive only of course). And if you loose it you can replace it in a few minutes for less than a grand.
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If you can't do it with a well setup Strat, it ain't worth doin'
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My tele, its a boring answer, but it can cover any ground I need to.
I taught a few lessons today with my Hofner verythin, and it can do the same job...but those country gigs expect me to show up with my tele.
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From my current collection, I would go with my National 1950s archtop with the Darmond Monkey Stick p/u. I'm playing a production of Hairspray this weekend and it is covering all the bases for me. Great for the rock and jazz tunes.
For a budget (under $1,000), I might go with one of the Gretsch 5120 Setzer models.
Dream big I would pick a Gibson ES-150 Charlie Christan model. Saw one a few weeks ago on a workbench and fell in love. The guy who owned it had super light strings and a horrible setup on it (sad because he really didn't know any better).
~Danny
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Originally Posted by Danny W.
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Originally Posted by Jabberwocky
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My Guild X-500.
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Originally Posted by skykomishone
Here's the back of it:
Danny W.
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My '62 ES 355. Re-wired mono but with functional Varitone. Lots of bases covered.
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Originally Posted by WilliamScott
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My Epiphone Dot. Duncan SH2 & SH4 coil tapped from tone controls, independent volume controls, flat wound 12's, through my Roland Cube 60.
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L-5CES with both a TOM and an ebony saddle available for swapping. Strung with flats for jazz or rounds for everything else. Really a very versatile guitar that rarely gets credit for that, since most folks reserve it for jazz only. But at the end of the day, it's a 2 x HB Gibson with all the flexibility that format affords the player.
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At the moment I've only got one, my american std. telecaster but if I had the choice of any electric, I'd go with an ES-335 or ES-330
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guess its this one. gotten me in and out of the most trouble:
were i allowed a second, probably the polfus. depends.
Originally Posted by GoergeBenson
Last edited by feet; 07-06-2014 at 11:19 AM.
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Originally Posted by feet
No I loved the wider fretboard, thats what help male it so versatile. It made complex 'closed position' jazz voicings easier to get hold of and blues bending a breeze.
The body is way more resonant than a 335 IMO, thew top is much thinner, probably half as thin if not more and it has a bigger body, so it was also a good Jazz Guitar.
The ebony on the fretboard was stunning.
I will get another.
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Originally Posted by mongrel
Floating Biltoft pickup
Today, 08:08 PM in For Sale